chickenmcnug
Formerly known as 8481
4th one here, no issues at all so far unlike local post/FedEx who have lost my packages before.
Quick question : on Tidal several master track display as 705.6K bitrate is that 8x MQA unfold already or is there some upsampling happening?
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It's general policy for MQA to convert any MQA file to the highest sample rate supported by the hardware via its proprietary algorithms, before the DAC.
I was thinking the same about the volume knob, on other DAPs that can be a option, I really haven't done the drill down, but I don't think the option to reverse the volume exists.So the eagle has landed a couple of hours ago (kudos to MusicTeck as fast as usual!) and what unboxing experience! The box is bigger than the Max ironically given how much smaller it is
The case is really nice and classy and convenient and will also be a superb review photo setup for IEMs with those nice textures
This DAP is fast and smooth operation is so responsive as expected but it's something to actually have smartphone experience on a DAP.
I must say, I like the R8 better than the DX220 Max and it's not even burnt in... not that the Max is not spectacular, it is and I loved it especially after a bit of burn-in things got amazing with my most organic IEMs but, there is a but, it's so intense I even got headache with more vivid IEMs like the Luna (I just didn't recognize the IEM I reviewed). So I am definitely on the smoother side of the force, and it's definitely a better choice for me coming from the LPGT there is a common philosophy although the R8 is somewhat in between being more dynamic than the LPGT it's also as smooth as the LPGT and much smoother than the Max. The Max was too intense for me but I could see how some people would like it better with its insane dynamics and punch.
The Luna is the IEM that killed the Max for me, vivid on vivid is too much for my ultra sensitive ears... on the flipside the R8 is the most amazing Luna pairing really, I read this but it makes it fuller sounding and more nuanced and delicate from upper mids to upper treble. Now we're talking...
Soundstage OOB is really great, better than the LPGT and not so far way from Max which was a surprise.
I really like the various options Turbo mode and gain settings give. Turbo off more laid back vs Turbo on more forward and dynamic.
Just wished I could select rotation for volume to be reversed from default as well as prev/next buttons but doesn't seem to be here.
Quick question : on Tidal several master track display as 705.6K bitrate is that 8x MQA unfold already or is there some upsampling happening?
I was thinking the same about the volume knob, on other DAPs that can be a option, I really haven't done the drill down, but I don't think the option to reverse the volume exists.I am glad you enjoy it. The smoothness is somewhat similar to an AK player. Again I will be able to compare the signature once I return home on Monday.
I guess my AK experience is based on mk2 100, mk2 120, Cube and SP2K, so I have never heard a brightish AK player.I would have said the AK player are smooth... except SA700... they are vivid up top for me even more so than the Max actually for the SP1000... LPGT contrary to what I read sometimes is smoother to me and by far.
Yeah I love the R8 signature and overall as a complete package DAP
Amazon Music App v16.18.0 has been released. Does 24bit/192kHz playback work on R8? (I can't test it because I don't have R8 anymore.)
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JoeStupid Amazon Music... if they would just send the audio through in whatever rate it is it would be resampled on a regular Android device and not, on a HiBy...
There's nothing we can do about it if the app "detects" somehow that the device is only capable up to x kHz and resamples everything to x before handing to us...Joe
Isn't the device capable of higher than 44.1KHz? I know the answer, but I am curious where the discrepancy lies.
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