I manually tweaked and compared
Oratory's peq with the one preliminary frequency graph from Judes here on head-fi and amirms.
Tweaked and compared for 4 hours, listening to the differences.
What displeases me personally, that with my model, simply by applying amirms P-EQ, it completely changes most of the sound stage. And that is only amirm's P-EQ.
Oratory's is even changing more. The whole sound stage (phase differences), echoing, transients are changed.
Instruments, mostly the decay and tonality, suddenly sound nothing as they sound in real life.
With the songs "Covenant Dance - Halo", from 00:00 to 00:30, the drums and percussion can be heard changing rapidly from left to right, echoing off.
With no P-EQ, the sound stage is as intended from the developers, generating an effect of space, kinda two big bubbles the sound is switching from.
Than comes the depth of the drum starting at 00:21. Without P-EQ I hear depth (front/back), with amirm's P-EQ the deep drumm bass has dsuddenly very less depth, simply being somewhere in the middle.
The sounds from 500 - 1000+ Hz are switching from being open in the lef/right direction, to being placed in the center. The rest is stretched and placed on one line, horizontally from left to right.
No clue where he is getting his " What was remarkable was the improvement in soundstage [...] With EQ, a larger bubble was created that started at your ears and travelled up
5 or 6 inches with instruments layering separately in that half sphere. " from.
For myself I can only perceive a little bit of wider sounds for some sounds, the majority is loosing space, width and depth.
I'm not saying his experience is wrong, it is just the exact opposite for me.
Basically the heddphone sounds nothing like the heddphone for me anymore, but simply most sound are becoming "flat" and generic.
The bass uplift of the two overlapping low-shelf filter are too much for me. Resulting in + 3 - 7 dB.
Voices get muffled and most thigns drowned in too much bass.
The harman curve, which is
intersubjective, is simply reflecting here what most the audio listeners like: Give me
BASS, a lot of it! Give me some headphone by Dr. Dre (I don't know what is popular nowadays - apple air pods?)
The synthetic sound starting at
00:53 demonstrates the changes really well.
With oratorys P-EQ it gets even more displeasing for me.
The same
song starting at 01:09, suddenly the sound stage gets from open and full, to close and cramped.
This changes can also be listened to in Suliman - Infected Mushroom, or most songs with voices and some sort of space, echoing.
So listen and compare closely I suggest, before making any change. Every diaphragm is different. Applying a change from someone elses EQ will mostly not result in the same effect.