Some better pics:
ayt999,
Thanks again for letting me borrow your stuff, regardless of my penchant for clumsiness…
Bifcake,
I know I look dorky with all these cans on but we’ll just have to agree to never speak of this moment again – it truly was derived from a moment of weakness…
Edwood,
No molestation pics this time…my thoughts regarding the soundstage are listed below.
Alu,
Well I must remain faithful to my custom title…
Shang-Ti Chen,
I’m only cool-looking when I’m wearing the Orpheus…
bhd812,
This is the only way Grados exhibit soundstage!
Jorg,
I still love the R10, but I love the HE90 more…
bg4533,
You are all welcome to visit so long as you bring some yummy foods.
Talonz,
The focus is trying to snap the pic with one hand and holding the camera steady with the other.
fureshi,
I haven’t been to the Brit in some time myself…
Jahn,
Thankfully I have not yet taken a wife!
catscratch,
Actually the balanced HD650 holds up remarkably well to the other cans believe it or not.
Tourmaline,
The HE90 is my choice for best headphone EVAR.
TrevorNetwork,
The W2002 is way off from challenging the R10, and while the L3000 improved the W2002 quite a bit, it still lacks that special seductive charm of the R10.
Here are some updates after 20+ hours charge time/warm up (since 9pm last night):
Things other headphones do better than (or equally as well as) the HE 90:
AKG K 1000: better frontal soundstage (headstage?); the best headphone that I’ve heard in this regard (the closest to a speaker-like presentation I’ve heard in a headphone; the HE 90 comes close but not as close as the K 1000 in this regard)
Grado HP-2: certain details in the bass are revealed; the HE 90 is the only other headphone that I’ve heard resolve such minute and obscure details hidden in the bass-lines – it matches the HP-1000 in this regard
Grado PS-1: more bass quantity (probably more than any other headphone I’ve heard, especially when driven in balanced mode), but the sound is muddy without authoritative amplification
Sennheiser HD 650 with balanced Zu Mobius: features the best bass impact of any headphone I’ve ever heard – it is perfectly integrated into the rest of the spectrum while hitting fast and hard; it’s the one area that I feel no other headphone has reached, not even the might Orpheus
Sony MDR-R10: a certain seductive quality to the midrange (especially female vocalists) that the HE 90 almost reproduces, but doesn’t quite attain (though it comes closer than any other headphone I’ve heard; perhaps this midrange magic is a result of the wooden enclosures of the R10)
Stax Omega II: this headphone presents a very wide soundstage with extremely fast transients and dynamics, something that the HE 90 matches; however, the bass quantity is more present on the Omega II, and this gives it an unbalanced, bottom-heavy sound that seems to obscure some treble energy (which lends the cans a dark tonality); some people when comparing the two may find the opposite is true: that the HE90 is too detailed, un-involving, bass-lean and thin-sounding (I am NOT one of those people
)
Even when considering these facts, the HE 90 is simply so strong in every audio arena that its subtle deficiencies (when compared to other top-end cans) are obscured by the positive characteristics of this headphone – it is the only headphone I’ve heard that achieves near-flawless sound. I can listen to the HE 90 and not think about listening to the same tune on some high-end speakers or whether this or that setting is optimal. The HE 90 somehow synthesizes un-holy resolution/detail/analytical characteristics with groove/PRaT/toe-tapping qualities, and it’s the only headphone I’ve heard that has truly mastered this difficult hybrid. Even the R10 and Omega II could not quell my balanced HD650 fetish, but the HE 90 has managed to do just that quite easily. D@mn...