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hi, just to resurrect the thread a bit, how do these two dac's Dacport LX and HRT MS II+ compare to the older pico dac without amp? the pico dac is going at much cheaper now.
if one was never to go past a CD resolution how would they compare?
if you were never needing to listen deeper than redbook CD (44.1k/16-bit) I'd go with the HRT II+ EVERY time. And again, I am NOT hating on CEntrance here (I worked for BOTH companies because I believed in their products and also reviewed both). First - the DACport LX is totally hampered by the 1/4" line-output (its cool for h-phone out guys but) - which makes a splitter succeptible (SP???) to RF and a host of other environmental factors that may sound like boogie woogie science to some - but I've listened to top engineers and designers on both sides of that fence. W/ the HRT MS II+ you can tweak its performance via any RCA cables you like (however you wanna color the sound - make it darker or whatever you want). I also think the LX sounds like what many peopel call "accurate". But how do you know what's accurate unless you were involved in the recording!
That's why whenever I get a new DAC, or any other source component (CD, turntable) I play my first house music record "Soultek" back in 2004 which got released through Listen to Reason Records on vinyl (under our
Seamless Satori moniker). I wrote, mixed, and co-mastered the record. I know every 808 snare or kick drum. I spent HOURS tweaking those sounds in Wavelab!!
I know the sonic footprint of that record like I know my own body. It's the first thing I play to access what type of colorations a system is painting over the recording.. We wrote it on Cubase and Reason - so it began as a digital file (96k/24-bit too) but I have a 44.1/16-bit version as well.
I did a comparison, since I went back in time a bit and just saw this thread for the first time in months I think....
The DACport LX was leaner (kick drums had velocity, but lacked overal uummphh). It's micro and macro dynamics were on par.
This thing is a solid contender. It's ability to translate timbre is fantastic.
The HRT MSII+ had me bumpin' my head to the mix, like I was back in the studio. Now, do I think it's "more accurate" not necesarily.
But it was closer, and, especially in the mid-to-lower midrange (where most music lives) it had a thump to it and was fast and precise.
Things had presence around them. Hp-ers call this "dimensionality (the sense of space between instruments/sounds in a recording).
The HRT MSII+ was the sure winner to my ears