Interesting detail about headphone cables. I really did not like stock cable that came with SHP9500 (so very muddy), thought that cheap Belkin cable was a great improvement, and that (still inexpensive, but better made, with metal endings) $5 MediaBridge cable was giving the cleanest sound.
Measuring their resistance with multimeter (couple days later) gave me those numbers (after subtracting zero offset):
Stock: 1.8 Ohm
Belkin: 0.4 Ohm
MediaBridge: 0.2 Ohm
See the correlation?
Now, I do not trust absolute numbers measuring resistance that low with my cheap multimeter, but its placement of those cables on resistance range can be trusted.
Pretty interesting how much those values affected sound, and how easy it was to pick by ear lower resistance cable (before I knew anything about their resistance).
My theory is that with low impedance cans (those are 32 Ohm), higher cable resistance screws number of things, and I suspect that reduced damping factor is primary factor.
To develop this theory (and to involve H10 in this post), I had more back and forth listening between DACMini headphone out (that is modified from 10 Ohm to 1Ohm by CEntrance) and H10 (that I believe is is a bit higher output impedance than 1 Ohm), and difference became more clear: double bass sounded more 'full' and 'musical' on H10, but 'plucking' detail was being pushed down and that plucking transient was not to be heard much, where DACMini double bass lines were more shy and dry, but plucking was a bit more prominent - probably low frequency transients handled better because of lower damping factor. Both kinds of sound are really good, but somehow H10 sounds more 'musical' and 'enjoyable' even that it is losing some transient details. Now I understand why CEntrance does NOT generally recommend 1 Ohm modification, unless user is planning to use amp with very low impedance headphones (mostly IEMs), they were saying that their testing suggested that 10 Ohm output impedance was more 'musical' despite of 'theoretical' advantage of 'near 0' impedance. They were right, indeed.
Of course, 100 Ohm of Crack's output impedance was way too much in this case, causing bloated bass and overall loss of detail. Not fun at all.
Wait, is that a goldilocks effect? Too little output impedance, and sound is too analytical, too much, and it is bloat galore, and it has to be just right for sound to be musical ?
