An FR graph won't tell you which headphone sounds "better," but (as dumb devices go) it will tell you "frequency response," assuming the measurements were properly recorded (and I've no reason to suspect they weren't).
This FR graph shows a little more bass response, probably due to the differences between plastic and mahogany shells. Mids are close and flat. Highs mids, between 2 kHz and 3 kHz show the SR225 with a smoother response while the RS2 is peakier. From 3-6 kHz, the SR225 is peakier. This may again be an effect of the wood. Then again, from 6 kHz to 9 kHz, the RS2 has more peaks, and between 9 and 10 kHz, they have similar peak patterns, with the SR225 peaking slightly more. Strangely enough, between 10 and 17 kHz, the SR225 has more treble presence, with less of a roll-off than the RS2.
What does this all mean? Well, that's the real question. Reasonable minds can disagree. Different drivers produce slightly different wave patterns, where one peaks while the other troughs, and vice versa. In Bilavideoland, it's more euphonic to have fewer peaks and troughs the closer you are to the center of the spectrum. Midrange is quite easy to pick up. It's where we live. It contains the most details we care anything about. Bass and treble provide "presence," with the bass giving us that oomph and the treble giving us that sparkle. Both help create the illusion that we're hearing live music, particularly since cheap speakers focus on what matters most: adequate reproduction of the mids. Instinctively, I would prefer the SR225's less-peaky response at 2 kHz over that of the RS2, while the RS2 seems mellower between 3 and 6 kHz. In this tale of two peaks - 5 dB at 2 kHz (RS2) and 6 dB at 4 kHz (SR225), I'm inclined to prefer the SR225. Why? Because the closer you are to center, the more you hear it - and too much of the high mids sounds honky.
Take a look at this graph:
Here, you can see the effect of the wood as the RS1 and RS2 dominate the bass region. At the mids, they're all practically identical. At the high mids, the RS1 has the largest peak at 2 kHz, which may be on purpose. There's an art to EQing and many of those who are into it have their pet frequencies, one of which is 2 kHz. The 225 still has the mellowest push through this area.
The big difference I wanted to look at was between the RS1 and the RS2, both of which come sporting mahogany shells. The shell on the back of the RS1 is a little larger than that of the RS2 but it's still worth asking what differences exist between these two - and why? The RS1 has the larger bass peak at and around 100 Hz, with slightly better bass extension all around. On the other hand, it also has thicker midbass all around. As mentioned before, it has a slightly higher first peak at 2 kHz. The second peak, between 4 and 5 kHz, is virtually the same, except the RS1 breaks closer to 5 kHz, with more of a sustained peak while the RS2 troughs rapidly to flat and slightly under it. While the RS2 is slightly less peaky at 10 kHz, the RS1 does a "better" job of treble extension after 10 kHz.
When you consider the costs - $200 for a 225 against $500 for an RS2 and $700 for an RS1 - the 225 holds up remarkably well. It's clearly the best value. That said, look at this graph representing Harmonic Distortion:
In terms of harmonic distortion, the SR225 shows the most distortion - visibly the most - even though it has the same wiring (in the cable and voice coil) as these other high-end Grados. Consistently, the lowest in distortion is the SR325. What's the big difference? It's the material of the shells. The 225 and the 325 have the same wiring but one is encased in plastic while the other is encased in aluminum. The RS1 and RS2 have the advantage of being wooden throughout (with no plastic ring in the inner). At certain points, they best the SR325, probably because of that difference in plastic (The SR325 has a plastic inner). They also come packing damping material on the magnet plate.