s1rrah
Headphoneus Supremus
- Joined
- Sep 27, 2007
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How come I've never once read/heard of a person mentioning that any audio component got WORSE instead of BETTER with a certain amount of burning in?
How come I've never once read/heard of a person mentioning that any audio component got WORSE instead of BETTER with a certain amount of burning in?
How come I've never once read/heard of a person mentioning that any audio component got WORSE instead of BETTER with a certain amount of burning in?
It is pretty simple really. Just like an internal combustion engine loosens up with break in. The jagged little edges get worn down a bit, surfaces polished, things mate up a bit better. Everything improves the first 200 hours. In electronics all those jagged connections that alter, jostle and mess with electron flow get smoothed off.
One amp of current is 6.241×
1018
electrons (or one coulomb) per second.
With such huge numbers of electrons flowing how could it be anything other than smoothing the path the first 200 hours. Everything gets smoothed up, aired out, works better.
Or at least I believe something like that picture is why people find it so easy to think burn-in is real and always results in improved sound.
AFAIK Electricity does not work like that. FWIW modern cars are built to such fine tolerances that they do not need to be "run in" either.
Happy New Year All!
It is pretty simple really. Just like an internal combustion engine loosens up with break in. The jagged little edges get worn down a bit, surfaces polished, things mate up a bit better. Everything improves the first 200 hours. In electronics all those jagged connections that alter, jostle and mess with electron flow get smoothed off.
One amp of current is 6.241×1018 electrons (or one coulomb) per second.
With such huge numbers of electrons flowing how could it be anything other than smoothing the path the first 200 hours. Everything gets smoothed up, aired out, works better.
Or at least I believe something like that picture is why people find it so easy to think burn-in is real and always results in improved sound.