Just thought I'd drop in with a few thoughts and impressions and coments on some of the Zappa material I've been listening to recently....
Joe's Garage: Acts I, II & III I've listened to once all the way through and select tracks several times now. Not enough to have conclusive sentiments on the album yet, I know, but it's an interesting body of work and I do like the artistic context and backdrop of a play/concept album/'Rock Opera', that links the tracks into a progression and loose story, the 'Central Scutiniser' conveying most of it. I get the impression that this record is meant to be more of a seamless animal and microcosm of Frank's 'conceptual continuity', as opposed to distinctive, separate tracks, which I like. Like any Zappa record, some of the lyrics and anecdotes are hilarious, of course, as much in the delivery and charisma as in the content!
'Watermelon in Easter Hay' is a smashing insturmental track and exhibition of his guitar soloing mastery! As Vai puts it, Zappa was a 'visceral' guitar player, and he really does paint with his guitar, as I see it! This track is a luscious, yet laid back, example of that.
'A Little Green Rosetta' is a bit of a nothing song with little, if any, real substance, and I can see why people object to it (strongly). I find it quite fun, for what it is. Still, it is a strange choice to end such an artistic project on (I'm sure there must of been some artistic contention/intentio behind it as opposed to him just lazily appending such comparative filler on the end of what is otherwise, obviously, a labored over piece of work). I'm gona have to muse on that one a while longer but it's curious.
Other impressions of note:
On 'Weasels Ripped My Flesh', I love 'Orange County Lumber Truck'- the main melody line in that track is so carrying!- and then how that track runs over into that (what serves as a) long punctuation mark for the album of feedback and create-most-noise-as-each-player-can frenzy of the title track! Excellent stuff. The cover of 'Directly From My Heart to You' is also very musical and engaging, with a great swell and movement to it! Interestingly compiled album also; perhaps Zappa's first foray into his later edit-room love for syphoning together studio and live work, composing from product, as it were?
I've also listened several times to 'Freak Out!', 'Absolutely Free' and 'Cruising With Ruben & the Jets' but not really enough to have gotten fuly to grips with em yet. Their content hasn't really grabbed me and shook me yet, as it were. I thought 'Cruising with Ruben...', despite it being a pop/doo wop album of releatively short love songs, had some great music in it, be it riffs, chord movements, clever tempo changes or whatever. These little tastes and flavours that enrichen the tracks some.
'Freak Out!' has quite a bit of doo-wop in it, also. In fact, the middle group of tracks is basically a doo-wop sequence, bookended by the more estranged opening tracks and the far more estranged ending tracks! 'Help I'm a Rock'-'The Return of the Son of Monster Magnet' is very music concrete and avant garde, quite akin to 'Lumpy Gravy' with the wacky dialogue blurbs-little conversations. Interesting to listen to but not leaving long lasting impressions easily, so far. Probably just need more listn to digest them.
'Chunga's Revenge' continues to grow on me and I love the guitar driven rambles of 'Transylvania Boogie' and the title track! 'Sharleena' is nice way to end the album also. Interesting that this was the first Zappa record to feature Flo & Eddie, also.
I have quite a lot more I could add but it's late/early here and I'll leave it a that for now
. Oh, I've ordered in '200 Motels', and, 'Ahead of Their Time' and 'The Dub Room Special'. More goodies to listen to