I think you guys misunderstood eachother -
@Arysyn speaks of hissing as in sibilance / harshness in upper midrange/treble while
@barondla speaks of hissing as in background noise.
Flares Pro are very unsensitive to hissing of source/amp (background noise) - just like the old Flares, so the background is usually silent/hiss-free but Flares Pro are prone to sibilance and this can be dealt with by choosing the right source/amp and tips (of course to a degree).
When I think of a hiss, I think of the tape hiss, that is a constant background white noise type of sound. is it like a sharp tsss tss sound your hearing? I can hear that in the recording, and its like a reverb sharpening the cymbal sound. definitely part of the production of that song. I think the revealing nature of the Flare's "unearth" that part of the recording. Kind of like how people acknowledge a head phone that reveals things in songs they know well, that they didn't notice before. It seems part of the of the driving beat and its repeatable, though not every measure, seems to be every other measure. I pick it up on my Adam A3X monitors on my desk here as well.
At the moment, I'm going to wait until Sunday when I get the ifi voltage device barondla suggested and see if it helps in any way to reduce the hiss I'm hearing in certain songs using the FlaresPro. Even if it doesn't, it might help in other ways, and its probably good device to use in general. At $50, it really isn't a bad deal overall.
Now regarding the hiss sound specifically, I'll try to describe it the best I can for now, at least until I get the ifi unit and test it with that. I'll explain it here, among writing about other sound aspects.
I'm not hearing the hiss sound on all music, only certain type of songs which I believe are taking advantage of the upper treble bump of the FlaresPro. The tuning of the FlaresPro is really unique in regard to allowing songs to take advantage of different frequencies in a way I haven't heard so much with other iems.
For example, Curtains is a bassier song, yet the bass is so well controlled on it that unlike other iems that make the song sound too bassy, the FlaresPro gets it exactly right. In that regard, I'd worry about less bassy songs that need a bit of push for extra bass, such as Veni Redemptor Gentium, to sound very lacking of emotion. Yet, the FlaresPro sounds like its providing just the right amount of bass for that song too, boosting it where it needs for the emotional impact to be heard and felt.
The treble is where the concern is, an area I never thought boosted treble would be a problem. Odd thing is, with the HiFiMan RE800 which has a much more narrow treble bump/spike than the FlaresPro, while many have complained about it over on the RE800 thread, I never heard the issues described there about it. My only complaints about the RE800 was the bass boost that was always present in all music I listened to, along with its slightly recessed vocals.
From my opinion, the upper treble bump of the FlaresPro likely is causing the hiss in the songs which are tuned to take advantage of this frequency range. I'm using the Meridian Explorer2, which from all my research studying the various portable dacs on the market, is one of the best lesser bass-focused, more mid-forward, treble detailed portable dacs. This is thrwe type of sound I generally prefer, but now I know its the lower treble I like better, while having a decrease in upper treble, or at least neutral.
I figure for the time being, it is best I describe my preference being a flat/neutral bass, with a lean towards having a sub/low-bass reduction below neutral. The mids being where the process of raising towards the treble occurs, while also pushing the vocals more forward a bit above the bassline.
This is done by placing the 5dB increase throughout the low-mids and having the secondary flat/neutral line throughout the middle to upper mids, and the low to middle treble regions, to reduce beginning at 10KHz. I am open to suggestion whether or not my treble preference may still induce sibilance, which perhaps my preference would be better avoiding that by beginning the treble reduction earlier in the tuning.
I only mention my preference along with the FlaresPro because the FlaresPro deserves credit from helping me learn more about sound than I knew before. It has completely solidified my bass and mids preference, while changing my mind a bit on my treble outlook. Even the issue with the hiss has been a valuable learning experience for me, which is to say I'm trying to look at the positive from a negative situation, even while I fully appreciate the excellent qualities the FlaresPro does have.
Plus, I really like the "springy" cable. I usually don't concern myself so much about aesthetics, so long as the build isn't made from a cheap plastic and the earphones fit me well. The FlaresPro catches my attention with its great design though, something I'll write more about if I get this hiss fixed so that I can write a proper review for it.
Edit Note, I did get a bit caught up in discussing the other sound elements, I forgot to confirm again that the hiss is primarily during the cymbal/tambourine instrument sound structure during songs, which seems to activate that upper treble region of the FlaresPro. When that happens, is the time I hear the staticky hiss sound. It is more of an instrumental and a bit of foreground hiss, I think. It isn't so much the same type of sibilance from the "sss" endings in vocals.