Some 40-50 hours of “hard” burn in for the quartet of EL38s (as power pentodes) and I can say that these are big, bold, powerful tubes capable of “rock concert” levels and explosive dynamics without a hint of strain...impressive. I don’t care about their power ratings: they sound every bit as powerful (with better definition) as the KT150s, the most powerful pentodes available. But, frankly, we can’t compare current production tubes with early fifties power Mullards: the EL38s belong to another universe in terms of transparency and musical expression, with a “classic”, warm, big tube sound that feels unlimited in its extension. So extended that they will show what your power amp is capable of. Bass is ultra deep and full of impact, room filling and even startling at times, strong yet always musical, mids are sweet and natural, and highs just soar, sounding airy, and detached like a separate entity. There is no blur or confusion here,
I feel that my new, DIY pure silver ICs (“Johnny’s Lightning”, LOL) used for this test may have” drier” bass and sparkling highs compared to copper cables, but these are only my first impressions. Anyway, the EL38s are not “easy” power tubes to drive (as any thoroughbred) since they deliver a torrent of sound (specially in the bass) that must be controlled by the right drivers. In my power amp, I settled for the Brimars CV4004 box plates as pre tubes (some of the best you can find) because of their neutrality and control, and still rolling some 12AT7 drivers (phase inverters) to see if they are able to properly control the quartet of wild horses. If the drivers are warm, you will get a LOT of warmth, and if they are bass heavy, forget about it. Best results so far in terms of accuracy was with Siemens tubes, with that very neutral, precise , “German” sound (that the EL38s reproduced faithfully) but in musical terms, the Brimars 13D9 (6060) or the E180CC Miniwatt Darios sounded so sweet, “classic” and beautiful with the EL38s that you can simply enjoy the music...