Hi UT...very interesting : Mullard 9.2, Mazda 9.6?... Really look forward to development of that one, lol!!
And Elise obviously loves the 6A6 - good work!...especially as they're cheaper and easier. As time goes by, hopefully there will also be some in-depth comparisons with a range of 6SN7s (now boys, regard this as your homework, lol!
).
Despite my already overload level of posting re the 20/31 combo, I fear I must say even more after my last "The '
modified' C3gS sound" experience...because this is now getting
CRAZIER!
I know - as JV is being astounded by also - that the FDD20 changes quite considerably with
extended burn-in, so I decided to return to a few more of my favourite Clannad tracks used for assessment (100s of times!) over the past couple of years, but which I hadn't listened to for a good while... and I thought I was listening to an entirely different amp to before - or else a different recording ...
without exaggeration. I was absolutely dumbfounded...
yet again! Instruments that I knew were there already, and well positioned/separated in 3D space, were taking my brain on the sort of ride I would imagine a fairly strong hallucinogenic might induce...(note the word 'imagine', lol!). And this was long after my glass of nice Cabernet Sauvignon with dinner!!!...This was 3D+++...and the voices were nothing less than ethereally
angelic...(perhaps there was something extra in that bottle after all!!!).
I first encountered this kind of 'floating amongst the clouds' with the C3g, in fact, but only extensively on certain recordings. This latest experience, however, was far more pronounced...and I was totally unprepared for it. And so for this, UT, I personally have to give this combo 10/10...I am
still up there in the clouds, lol!!
So guys, give this 'return' to well-known pieces that haven't been listened to for a while a try, and see what happens...but not until at least 150 hrs' burn-in!
ENJOY!!