Of course - last night was 'Get the KnacK" (a tribute to the departed Doug Feiger), Zappa 'Joe's Garage', and Monster Magnet... no clipping!!! Now, I am still acclimating, but this is the most analog source ever, yet with about 10% more microdetail than the Cambridge, which just mates perfectly with eXStatA. Radiohead tonight, and all Tool tomorrow night. Oh, and that other bit came in the post yesterday, so, after changing a couple of diodes, and wiring things up (yes, testiing stage by stage), there will finally be something to compare the eXStatA to.
I did listen to 'Aemina' on Tuesday, and though WAY more involving, Tool also has this nasty habit of intentionally making congested music - I can hear it all, but not sure I like it all, as presented with the Ayon, but, it is a different distaste than presented by the Cambridge - views through opposite ends of the sphere.
Verge Pipe 'Villains' was just complete absorption rapture, as was 'Get the Knack' - anything with guitars is golden, and I can now hear the true tone in bass (Precision vs Jazz vs Alembic vs well, everything else). There is also an extra timbre on the droms, especially the mounted toms and floor tom, with no cymbal sibilance (in fact, a brilliant shimmer in the decay).
All to say, i think you will hate my source... well, at least through the hybrid...
PS: If anyone needs more 6s4a, I have a quad of Westinghouse that came along with something I was really interested in...
We REALLY need a mini-meet, but I am a little reluctant to throw this bad boy in the trunk, even for the shortest of trips.