I'm not going to write a fullblown review - just a couple of quick impressions given that I have had the amp for almost 3 months:
- plugging it in and expecting 'magic' straight out of the box is, IMO, a recipe for disappointment. I also think you need headphones with a decent soundstage and good detail retrieval to really appreciate what the amp is bringing to the table. For me, that means putting the amp out of sight and letting the music flow over me with my AD900s. This is a similar experience to my time with the iBasso P4 - its was only when I turned off the 'critical listening mode' that I could appreciate the effortless power in that little amp. The EHP-02, no matter how well it measures, simply doesn't leap out at you - its going to be an individual call as to whether that's a good or bad thing. Its there to amplify the signal from your source, not wrap it in a nice, warm cocoon. ( If I'm honest, some of my music really needs that cocoon
)
- biggest strength is percussion, IMO - yes, there is added bass punch in the kick drums, but that is less important with the AD900 than speed and precision. Drum runs, in particular, are superbly rendered. Instrument separation is excellent and this is particularly evident from the AD900s with their massive cups giving me a more 3D experience than my Grados. Conversely, the AD900/EHP-02 combination puts me a little further back from the stage than I usually prefer to be - swings and roundabouts, I guess.
- I have modest sources, but the amp seems to scale well going from lineout on my T51 to the MSII - I would love to hear it from a high-end DAC but I suspect there may be a point where some of my music wouldn't appreciate such a 'bright light' shone onto it. Both of my sources are inherently warm and there is an adjustment period moving from the uHA-4/uHA-120 to the EHP-02. If voldemort is basing the ODAC design on the 'warts and all' approach reportedly taken by the DAC1 Pre, I suspecf that the combined DAC/amp will galvanize many Head-Fiers, particularly those with bright cans - as always, happy to be proved wrong.
My quibbles are relatively minor - the aforementioned 'clipping' when my battery dies, the lack of a light to tell me the level of charge in the battery and the cluttered front fascia. Power is ample for my cans, but I wouldnt have requested lower gain settings if I had bigger cans. The biggest disadvantage to this modest DiY amp, IMO, is the hype around its creation and the legion of admirers/critics poring over the design make it hard for prospective buyers to get a fix on exactly what they are looking at. I don't consider it to be the 'best portable amp ever', but it does sound
accurate to my sources and thats all I can ask - kudos to Oliver for making such a prominent DiY project available to the rest of us at reasonable cost.