Considering how much tuning has gone into these headphones, I am going to assume that they are all using the same driver.
No, they have different drivers. They sound and measure differently in a number of ways.
Is there anyone who does modifications for the 7200?
I did extensive tuning on the D7200, out of necessity. Some D7200 samples, including mine, have had a ringing/honky midrange problem, which required cups damping adjustments - well, until the cups aged to 2+ years. I assume this was due to variations in wood sourcing/quality. The good news is that aging improves the wooden cups (no big news here, it's wood).
Then, the wooden cups make a pretty big tonal difference: walnut cups make the same drivers sound darker and thicker, the bamboo makes the sound more open. My experience with a lot of wooden cups (Fostex, Massdrop, Denon models) might go against popular (including Lawton) wisdom: I consistently preferred lighter woods, especially those typically used for guitar tops. Urushi (TH900) is very good (certainly still the best for the TH900), bamboo as well.
The D7200 drivers in the D9200 enclosure sound more open and without the brightness of the D9200 drivers - which still have more resolution from the bass to the treble. Choose your preferred compromise
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As for tuning, an UPOCC pure silver (not silver plated copper) cable is a good match for the D7200, while an UPOCC copper cabble is a good match for the D9200.
The stock cables are passable, but not the best. IME polymer impregnated cotton is far better for insulating than teflon (when sound is the priority), unfortunately less and less manufacturers use that. The exception may be the gold plated silver cables (e.g. Toxic) which sound good even with teflon coating, likely since gold already solves the crystal boundary problem. Also, most cables use too thin strands (typically 0.08 mm) whereas IMHO the optimal strand diameter for Litz cables is 3-4 times that, around 0.3 mm for headphone cables.
The D7200 has a rather narrow finetuning headroom (needed mostly in the midrange), but the D9200 brightness tendency is harder to handle.
Therefore the D9200 is the more sensitive one to ancillary equipment, most of which tend to sound hard, not being a good match.
If I was Denon, I would experiment using the D9200 drivers with cedar cups and copper cables, and the D7200 drivers with bamboo cups and pure silver cables.
The D9200 would maintain the lead, the D7200 closely following with slight different "best" tuning.
In both cases, the most time I have spent on the ear pads tuning. The stock ear pads are too thick and too stuffed, with too much foam mass, i.e. over-damped.
Reducing the foam mass in the ear pads really unlocks the potential of these headphones.
Earlier in this thread I shared ear pad mods, IIRC with measurements. For the D7200, the best pads were their own (or D5200/D9200) pads in which the internal foam was trimmed 20-40% from the back and perhaps 10% from the front, to become thinner and with slightly bigger internal opening. That is, ear pads should be a bit more shallow and with a bit more internal opening. One can leave the (p)leather shell unmodified, the internal foam is enough. However, these mods require cutting and sewing.
The D9200s sound good with a wider range of ear pads, the best being the (modded) Stax 007 and 009 pads, or their own finetuned ear pads.
Note that I am not making mods for anyone.
But anyone is free to try these ideas.