Justanut,
Quote:
zilch0md, you should really have a listen to both yourself (and SEE their physical difference) before deciding.
[snip]
Now I see you considering all the current top dogs - Stepdance and LCD-2. Which would make for a really bulky portable setup. I think you only intend to use them in the office, thus its more of a "transportable" setup than a "portable" setup? I doubt you should be using the LCD-2 on the subway...
You might want to consider cheaper desktop options that give you the same if not better quality if you don't really need the portability?
[snip]
I will be able to hear the iMod soon - a Head-Fi member sent me a PM volunteering to lend me his as soon as he returns from vacationing in Florida. And I didn't even ask anyone to lend me their gear. That's the second time this has happened - there are some really nice people here at Head-Fi! I'll have the iMod in a week or two, but I don't have any way to hear an iPod Classic + CLAS - and that's OK, because literally everyone says it sounds great- it seems to be beyond reproach - so hearing the iMod will allow me to ask myself the question, "Is it good enough?"
Regarding portability, I have a Sansa Clip + Shure SE530 for true portability (and if I get the iPod Classic + CLASS) I could replace the Clip with the Classic for use with the SE530. I know it won't sound as good as an iMod, but that's fine for my needs when true portability is the goal - infrequently the case, for my lifestyle.
And I'm not interested in a desktop rig either - the thought of using my laptop or PC as a source is unappealing to me - because you're tethered to it. I don't even have a decent home stereo system and believe it or not, my main television set is a 27-inch CRT. Hint: I'm not a couch potato (for either TV or music) - but I guess I could be called a hammock potato - I spend a lot of time outdoors, be it in the backyard or car camping, day hikes, walking the dog, etc.
So your suspicions are correct -
I'm trying to improve my transportable rig. This is what I have currently:
44.1/16 and 96/24 WAV > Sony PCM-M10 > 15-Volt powered Stepdance > LCD-2
My travel rig (in a hard case):
http://www.head-fi.org/forum/thread/439019/pictures-of-your-portable-rig-part-xiv/3030#post_7414139
My "walkabout" rig (same gear, in a shoulder bag):
http://www.head-fi.org/forum/thread/439019/pictures-of-your-portable-rig-part-xiv/2310#post_7250861
This second set of photos are a bit dated - I now have the newer Audez'e cable and a Grado pigtail for 1/4-to-1/8 and I use 4-cell RC-style LiPo batteries in the shoulder bag, now. I have to pre-discharge these after charging them, to get them down to 15-Volts for the Stepdance, as explained here:
http://home.globalcrossing.net/~zilch0/images/Zilch0MD-Stepdance-on-LiPo.pdf
So...
I'm considering the CLAS as an upgrade to my "transportable" rig.
My interest in the CLAS came from my having borrowed an April Music Stello DA100 Signature DAC from Yuceka (a Dallas area Head-Fi member). After connecting it to my Win7 laptop's USB port, then using it to feed my Stepdance + LCD-2, I only then realized that the 96/24-capable sigma-delta design DAC in my Sony PCM-M10 lacks some detail - especially in congested signals that have a lot of voices (i.e. classical music or even metal, anything that's super busy.) In terms of resolution, the Sony's DAC sounds identical to the Stello DA100 with uncomplicated signals like a solo acoustic guitar, but when things get complicated, it can't compete. It's really as if the Sony DAC isn't fast enough to handle the workload of busy signals. The Stello is a little bright for my tastes and the more I listen to it, the more I find it to be just a tad too clinical, analytical, sterile, not musical, compared to the not nearly as dry Sony DAC, but its ability to retrieve detail, to separate complex signals, expanding the soundstage and focusing the image has been a real eye-opener for me. The Sony's DAC just isn't cutting it any more. As I like to say, having ventured outside my cage and tasted life beyond the bars for the first time, I don't want to get back in.
I would actually be proud of myself for just being content with the Sony PCM-M10 for another year or so (it's DAC is very appealing in ways that the Stello is not and it's detail is probably 90% of the Stello's 100%), but if the CLAS can be the best of both worlds, less dry than the Stello, more detailed than the Sony's DAC, I'll want to go there sooner than later.
I'm really looking forward to comparing the detail and transparency of the loaner iMod to both the Sony DAC and the Stello DA100 - everything into the Stepdance + LCD-2.
Mike