NamelessPFG
Headphoneus Supremus
- Joined
- Jul 7, 2011
- Posts
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- 129
Quote:
I have yet to write up a proper, formal review, but here are my quick impressions:
-PC gaming support leaves a lot to be desired when coming from one of the internal X-Fi sound cards. THX TruStudio Surround's positioning isn't as effective as CMSS-3D Headphone from the rear (got surprised a few times in Battlefield 2 because of this), and the software OpenAL renderer has issues with a few games (such as Thief 1/2 having silent cutscenes and BF2 having reverb applied to menu sounds) that don't happen on hardware implementations.
It's better than nothing, but an internal sound card is still the preferred choice.
-Scout Mode and THX Surround mode can't be used simultaneously. With THX Surround mode off, this means that sounds from the rear seem to be coming directly from the rear since there aren't any subtle left/right cues for the rear channels, and front left/right sounds seem like they're coming directly from the sides. Scout Mode just adds some kind of EQ to that.
-Console gaming fares noticeably better with THX Surround positioning, for whatever reason. Maybe it's due to the implementation of the S/PDIF interface vs. the USB interface. It does have less sense of distance to the sounds than Dolby Headphone, but the rear positioning sounds more cohesive, without a bit 6 o'clock gap, and I actually do notice some subtle rear left/right distinction (again, with THX Surround mode ON).
-USB supports 48 KHz sample rate ONLY. (WASAPI exclusive mode users won't like this when most music is recorded in 44.1 KHz, which will outright refuse to play.) S/PDIF accepts both 44.1 KHz and 48 KHz, but not 88.2 KHz or 96 KHz. DTS signals only result in silence.
-The S/PDIF input cannot be used for PC recording, only the analog aux-in or the mic jack.
-There's no ASIO support whatsoever.
-There's no SoundFont support for MIDI playback, either. Not desirable for those of us into 1990s PC games with MIDI soundtracks, although BASSMIDI might be a suitable workaround. (I say "might" because it caused the Descent DXX-Rebirth source ports to crash after a level change on a friend's system, and the MIDI synths on my X-Fi cards never do that.)
-When I first got it, I heard some sort of heavy rattling inside that fortunately didn't impede the unit's function. Turns out it's one of those metal weight slabs that was held in place by a plastic screw post that snapped during shipment. This isn't the first device I've encountered with that issue, and I wonder why Creative even bothered with the weight in the first place.
Expect more impressions on the console gaming side soon from Mad Lust Envy.
Did you ever get to reviewing the recon3d?
I just got my new DT 990 32 ohm in the mail, I like them but they are a bit less than I expected (they sound a bit muddled or congested, not too much so but till not even close to how open and clear every one keeps saying they should be) I thought it might be an amp thing but how can that be since they are 32 ohms? ... gonna be burning them in and see what happens.
I have yet to write up a proper, formal review, but here are my quick impressions:
-PC gaming support leaves a lot to be desired when coming from one of the internal X-Fi sound cards. THX TruStudio Surround's positioning isn't as effective as CMSS-3D Headphone from the rear (got surprised a few times in Battlefield 2 because of this), and the software OpenAL renderer has issues with a few games (such as Thief 1/2 having silent cutscenes and BF2 having reverb applied to menu sounds) that don't happen on hardware implementations.
It's better than nothing, but an internal sound card is still the preferred choice.
-Scout Mode and THX Surround mode can't be used simultaneously. With THX Surround mode off, this means that sounds from the rear seem to be coming directly from the rear since there aren't any subtle left/right cues for the rear channels, and front left/right sounds seem like they're coming directly from the sides. Scout Mode just adds some kind of EQ to that.
-Console gaming fares noticeably better with THX Surround positioning, for whatever reason. Maybe it's due to the implementation of the S/PDIF interface vs. the USB interface. It does have less sense of distance to the sounds than Dolby Headphone, but the rear positioning sounds more cohesive, without a bit 6 o'clock gap, and I actually do notice some subtle rear left/right distinction (again, with THX Surround mode ON).
-USB supports 48 KHz sample rate ONLY. (WASAPI exclusive mode users won't like this when most music is recorded in 44.1 KHz, which will outright refuse to play.) S/PDIF accepts both 44.1 KHz and 48 KHz, but not 88.2 KHz or 96 KHz. DTS signals only result in silence.
-The S/PDIF input cannot be used for PC recording, only the analog aux-in or the mic jack.
-There's no ASIO support whatsoever.
-There's no SoundFont support for MIDI playback, either. Not desirable for those of us into 1990s PC games with MIDI soundtracks, although BASSMIDI might be a suitable workaround. (I say "might" because it caused the Descent DXX-Rebirth source ports to crash after a level change on a friend's system, and the MIDI synths on my X-Fi cards never do that.)
-When I first got it, I heard some sort of heavy rattling inside that fortunately didn't impede the unit's function. Turns out it's one of those metal weight slabs that was held in place by a plastic screw post that snapped during shipment. This isn't the first device I've encountered with that issue, and I wonder why Creative even bothered with the weight in the first place.
Expect more impressions on the console gaming side soon from Mad Lust Envy.