Tuberoller...
...really great review! Who has ever the chance to audition all those top headphones together! I just think six headphones at once would be too much for me, too much input and too many variables to process. I understand that in such a case you need a reference point (the HD 600) -- and that may be the crucial point, insofar as it implies the tendency to rate all deviations from it as «colorations». I wonder about your description of the HP-2 as «upsetting the balance» and «very colored», whereas for most people it represents even kind of reference for a flat frequency response and neutral sound. I never heard it myself, so can't judge it at all, and I certainly don't exclude that you may be right -- at least to a certain degree.
Quote:
The HD650 do these same things well but require you to change the cable, use your best amp and your very best source to hear any "improvements" that may or may not be present. There are some differences but they are subtle and hidden in the details of recordings that you know very well. There might be a drum brush that now sounds like a brush instead of the static you once heard. You might hear your favorite singer lick her lips between notes or you might notice that Pat Metheny uses a wooden pick. Or you might not hear a damn thing. I was hard pressed to define what I was hearing when I auditioned the HD650 and only amps like the Stealth and Max really showed me what was possible. In the end I was impressed with the 650 as a stand-alone product but not with the HD650 as an improvement over the HD600. |
The other point I have some trouble with is that you barely heard any significant difference between HD 600 and HD 650. That's something I simply can't reproduce. Should I blame it on the wide variety of sonic signatures you had to deal with, so the difference between the two relatives have virtually disappeared? To me the differences are
very clear; the HD 650 is a totally different headphone to my ears. And especially the progress is too obvious to be ignored. The difference is not so much in the balance, although there
is a clear change, but rather in the increased resolution as well as the now omnipresent smoothness and absence of resonance effects -- in terms of transparency and detail the HD 650 represents a huge step forward. Not to forget the expanded low-frequency response!
In an early stage of my becoming familiar with the HD 650 I was often tempted to constantly compare it with its predecessor. In those cases I had some trouble to rate the HD 650 as better balanced -- there seemed to be some bite and aggressiveness lost, the sound was a bit too polite and rounded, and even some of the HD 600's magic and intimacy was gone. (BTW, I like your description of the HD 600's sound!) But whenever I was staying with the HD 650 without comparing, there was nothing missing at all, and the sonic advantages were very obvious: much cleaner and deeper bass, much higher resolution, a sweet and smooth treble to fall in love with... and no punch and impact missing, quite the opposite. The HD 650 sounds more interesting, more fun, more realistic...
I don't think a cable replacement is a must to enjoy the sound and experience the superiority over its nevertheless very good sounding predecessor. But once you know how it sounds with the better cable, there's no going back...