I recently switched to Chord Mojo and am using no amps at all. The reason behind that was simply the openness of its designer, Rob Watts. Everything he said about sound reproduction made much sense to me. I am considering Chord Dave these days if I can manage the shipping etc.
Now, some extra personal observations (YMMV).
The reason I bring up the Mojo subject is that they did something quite interesting with the product. Well, HD 800 was (almost) perfect but to tame the 6 khz peak and put some more juice to bass extension, Sennheiser did a couple of changes. Bass was extended by the addition of low frequency 2nd harmonic distortion. Now this helped with the extension but at the cost of giving an impression of a softer, warmer bass (of course compared to HD 800). That is why Tyll from innerfidelity said that HD 800 sounds more authoritative in bass. Now, this makes all the sense to me. But I did not want to lose that authoritative feel to it.
And then comes Rob Watts into the picture.
If you read what he did in Mojo, Hugo or Dave, he says that he paid extra care and attention to the issues like small signal non-linearity and timing of the transients. Without going into the details, these give a better depth and a good representation of the the start and finish of the notes.
Here is the post where he mentions those in a very detailed manner.
http://www.head-fi.org/t/800264/watts-up#post_12457933
(Jump to the section called "7. Starting and stopping of notes." to see what I am referring to as the point.)
So, now, to my ears and eyes, what was lost by adding the 2nd harmonic distortion was won back by the meticulousness of Mojo.
And after all, I was right with my reasoning. To my ears, from an acoustical POV, EVERY solo instrument I have listened to sound unbelievably organic. The harpsichord, piano, organ, classical guitar, you name it. The breaths, the cracking noise, the sound when you hear if the pedal is pressed on... all there with amazing accuracy.
Overall, it sounds a bit dark, soft and truer to its original. No brightness, no extra emphasis. And why do I say that and how can I know that?
Because this is also what a concert hall sounds like, what an un-amplified instrument sounds like, and to me, that is what a pair of cans should do: produce the sound closest to its original.