Triode User
Member of the Trade: WAVE High Fidelity
Before I start this I want to say that it is not my intention to conclude with a recommendation to buy any particular power supply. I just wanted to see if I could hear any differences between the stock power supply and the ones I tried and also whether I felt that the third party power supplies improved sound quality or otherwise.
Anyway, today I had a play with my Qutest and various power supplies.
Although a Dave is my main system DAC, I have a Qutest in another system and I must say I love its sound. I tend to have it on the Green filter (incisive with HF filter past 20kHz) and that is how it was left for this session.
The Qutest sounds amazing with the Mscaler so this was included in the system. The source was an Innuos Statement connected by USB (Sablon 2020) to the Mscaler.
The Qutest output voltage was set to 3v and the Qutest was connected to a Music First Audio Classic V2 silver wound TVC passive preamp for volume conrol. The preamp connects to Pass Labs XA60.8 mono power amps which drive Spendor SP200 speakers.

I have been swopping between the supplies on an adhoc basis for a few days but today I settled down for a more structured session.
In this session I was really looking for fairly clear and simple indicators to differentiate between the power supplies. Things such as whether the top end is more/less strident, whether percussive sounds are emphasised, whether there seemed to be more 'space' to the sound or indeed whether everything sounded ‘more lifelike’. To my mind many of these are indicators of RF noise and my inclination is generally to search out the exact opposite sound signature. I also paid particular attention to the bass and whether it seemed fuller or deeper and whether it had more or less detail to bass notes.
The power supplies listened to are pictured below -
1) Factory supplied SMPS.
2) PowerAdd Pilot Pro2 USB 2.1A outlet. approx £120
3) MCRU LPS (base version tested). £235, other options available £350 & £495.
4) Uptone UltraCap LPS-1.2. $470 USD
5) SBooster BOTW MkII with optional Ultra MkII. £420
5) Sean Jacobs DC4 LPS (to the left under the table in first picture). £3,000

The test track I listened to was ' Biscuits' by Fink from the live album ' Wheels Turn Beneath My Feet'. This is a great album. Biscuits has various sounds which can quickly enable one to latch onto differences when making adjustments to a system. But as always one must be aware that a difference can at first be mistaken for an improvement when in reality it is exactly the opposite. For instance there is a repetitive rim tap throughout the track and this can be emphasised by some kit swopping and it is very tempting to think that this emphasis is more 'life like' or more 'realistic' when in reality it is just RF noise artifacts which are being heard and which can (will) ultimately lead to fatigue.
I am sure in my own mind that all the ones I tried have a smoother sound than the stock power supply. In varying degrees they all sounded less aggressive in the treble than the stock one. Sounds such as that rim tap were less 'in your face' and to me the sound was altogether more subtle but with also with more real detail to the shape of the percussive note which can then be heard when the overlaid crap is repoved. The battery was particularly good in this respect but I did feel that its bass performance suffered compared to the other supplies. The others had increasingly smooth top ends as one climbed in cost to the point where the better ones had an even more subtle soft top end than the battery but still with plenty of real detail and also they had a deep and firm bass.
So it is my conclusion that the power supplies I heard did make the Qutest sound different in my system and I am sure that what I heard was an real improvement, especially in the reduction of RF noise artifact induced harshness.
Which did I choose? I personally have decided to go with the Sbooster with the Ultra MkII (the Sean Jacobs DC4 was not a viable option because of the cost and anyway it was borrowed from my Dave power supply!). How much, if anything, anyone else is willing to spend will depend on the perceived added sound quality in their system. In reality I would be happy with any of the ones I tried from the MCRU upwards with the exception of the battery mainly because it is unacceptable to me to have to charge batteries for a home system which is often in use for 12 hours every day. Note however that trying a battery (especially as it can be used for other purposes) is perhaps a good way to get a taste of the smoother top end that I am talking about.
One has also to bear in mind that what I heard in my system may not be heard by other people with their systems. Indeed some may not hear any difference from changing out the factory power supply. Please also bear in mind a health warning that any manufacturer is entitled to disallow a warranty claim if a third party power supply causes damage to piece of HiFi.
The over riding take away from this exercise is that I have renewed respect for the Qutest. It is a miniature gem which punches well above its weight and size.
Anyway, today I had a play with my Qutest and various power supplies.
Although a Dave is my main system DAC, I have a Qutest in another system and I must say I love its sound. I tend to have it on the Green filter (incisive with HF filter past 20kHz) and that is how it was left for this session.
The Qutest sounds amazing with the Mscaler so this was included in the system. The source was an Innuos Statement connected by USB (Sablon 2020) to the Mscaler.
The Qutest output voltage was set to 3v and the Qutest was connected to a Music First Audio Classic V2 silver wound TVC passive preamp for volume conrol. The preamp connects to Pass Labs XA60.8 mono power amps which drive Spendor SP200 speakers.

I have been swopping between the supplies on an adhoc basis for a few days but today I settled down for a more structured session.
In this session I was really looking for fairly clear and simple indicators to differentiate between the power supplies. Things such as whether the top end is more/less strident, whether percussive sounds are emphasised, whether there seemed to be more 'space' to the sound or indeed whether everything sounded ‘more lifelike’. To my mind many of these are indicators of RF noise and my inclination is generally to search out the exact opposite sound signature. I also paid particular attention to the bass and whether it seemed fuller or deeper and whether it had more or less detail to bass notes.
The power supplies listened to are pictured below -
1) Factory supplied SMPS.
2) PowerAdd Pilot Pro2 USB 2.1A outlet. approx £120
3) MCRU LPS (base version tested). £235, other options available £350 & £495.
4) Uptone UltraCap LPS-1.2. $470 USD
5) SBooster BOTW MkII with optional Ultra MkII. £420
5) Sean Jacobs DC4 LPS (to the left under the table in first picture). £3,000

The test track I listened to was ' Biscuits' by Fink from the live album ' Wheels Turn Beneath My Feet'. This is a great album. Biscuits has various sounds which can quickly enable one to latch onto differences when making adjustments to a system. But as always one must be aware that a difference can at first be mistaken for an improvement when in reality it is exactly the opposite. For instance there is a repetitive rim tap throughout the track and this can be emphasised by some kit swopping and it is very tempting to think that this emphasis is more 'life like' or more 'realistic' when in reality it is just RF noise artifacts which are being heard and which can (will) ultimately lead to fatigue.
I am sure in my own mind that all the ones I tried have a smoother sound than the stock power supply. In varying degrees they all sounded less aggressive in the treble than the stock one. Sounds such as that rim tap were less 'in your face' and to me the sound was altogether more subtle but with also with more real detail to the shape of the percussive note which can then be heard when the overlaid crap is repoved. The battery was particularly good in this respect but I did feel that its bass performance suffered compared to the other supplies. The others had increasingly smooth top ends as one climbed in cost to the point where the better ones had an even more subtle soft top end than the battery but still with plenty of real detail and also they had a deep and firm bass.
So it is my conclusion that the power supplies I heard did make the Qutest sound different in my system and I am sure that what I heard was an real improvement, especially in the reduction of RF noise artifact induced harshness.
Which did I choose? I personally have decided to go with the Sbooster with the Ultra MkII (the Sean Jacobs DC4 was not a viable option because of the cost and anyway it was borrowed from my Dave power supply!). How much, if anything, anyone else is willing to spend will depend on the perceived added sound quality in their system. In reality I would be happy with any of the ones I tried from the MCRU upwards with the exception of the battery mainly because it is unacceptable to me to have to charge batteries for a home system which is often in use for 12 hours every day. Note however that trying a battery (especially as it can be used for other purposes) is perhaps a good way to get a taste of the smoother top end that I am talking about.
One has also to bear in mind that what I heard in my system may not be heard by other people with their systems. Indeed some may not hear any difference from changing out the factory power supply. Please also bear in mind a health warning that any manufacturer is entitled to disallow a warranty claim if a third party power supply causes damage to piece of HiFi.
The over riding take away from this exercise is that I have renewed respect for the Qutest. It is a miniature gem which punches well above its weight and size.