That's because every answer I would give beyond that would direct you right back to the obvious point made in the answer to the first question. I'll answer them if you want...
You side step my point here.
The goal of both is the same... to pass the signal from one component to the next with no loss in fidelity. It isn't their job to color the sound, simply convey it. If you want to color the sound, you would do that using DSPs, tone controls or EQ.
The way I understand it (my grandson makes his living as a studio engineer in L.A.) studio monitors are designed to reveal every detail of a recording so an engineer knows what is actually there on the recording, but not necessarily to sound good in a home system. Popular audiophile speakers like Sonus Faber are designed to be forgiving of imperfections in recordings.
I think that the reason "believers" think the way they do is because they rely on error prone subjective impressions instead of hard facts. They ignore the effects of expectation and validation bias as well as perceptual error. If they simply applied some controls to their listening test to eliminate these things, they wouldn't need to believe, they would know.
You again ignore my argument about audiophiles using cables to fine tune the sound of their systems. You seem closed to my argument and fall back on the perceptual argument here.
Because they have very good marketing departments, and as P. T. Barnum said, "There's a sucker born every minute." Some of those suckers are hooked so firmly, they refuse to even consider that their impressions might not be accurate. They become cheerleaders for the very people who are picking their pockets. Irony!
I would agree that there is far too much holkum sold in the audio community. I especially take issue with the high prices charged for cables in relation to the BOM. But I would say that some of these products, despite the high prices, do work to fine tune an audio system (my main point),
Hope this helps!