FritzS
1000+ Head-Fier
Good to hear that!... . The Beyerdynamic, especially the DT1990Pro, bring the piece of music cleanly without overemphasis.

Good to hear that!... . The Beyerdynamic, especially the DT1990Pro, bring the piece of music cleanly without overemphasis.
What's the consensus for 'proper' EQ settings for DT 1990 Pro, as for pure Oratory settings vs those provided by jaakkopasanen?
Jaakkopasanen:
(source: https://github.com/jaakkopasanen/AutoEq/tree/master/results/oratory1990/over-ear/Beyerdynamic DT 1990 (balanced earpads))
Preamp: -4.9 dB
Filter 1: ON LS Fc 105 Hz Gain 1.4 dB Q 0.70
Filter 2: ON PK Fc 201 Hz Gain -3.8 dB Q 0.40
Filter 3: ON PK Fc 2106 Hz Gain 2.6 dB Q 2.07
Filter 4: ON PK Fc 794 Hz Gain 3.2 dB Q 0.74
Filter 5: ON PK Fc 4398 Hz Gain 4.3 dB Q 4.48
Filter 6: ON HS Fc 10000 Hz Gain -5.1 dB Q 0.70
Filter 7: ON PK Fc 7236 Hz Gain -2.0 dB Q 3.56
Filter 8: ON PK Fc 54 Hz Gain -0.4 dB Q 1.47
Filter 9: ON PK Fc 85 Hz Gain 0.6 dB Q 2.98
Filter 10: ON PK Fc 4729 Hz Gain 0.9 dB Q 5.98
Oratory:
(source: https://www.dropbox.com/s/174e0t5ozerbrk7/Beyerdynamic DT1990 (Balanced Earpads).pdf?dl=0)
Preamp: -4.3 dB
Filter 1: ON LS Fc 105 Hz Gain 5.5 dB Q 0.71
Filter 2: ON PK Fc 20 Hz Gain -2.0 dB Q 0.8
Filter 3: ON PK Fc 55 Hz Gain -4.2 dB Q 0.6
Filter 4: ON PK Fc 210 Hz Gain -4.9 dB Q 0.6
Filter 5: ON PK Fc 800 Hz Gain 1.1 dB Q 1.5
Filter 6: ON HS Fc 2050 Hz Gain 1.3 dB Q 3
Filter 7: ON PK Fc 7400 Hz Gain -5.6 dB Q 4
Filter 8: ON PK Fc 8200 Hz Gain -3.7 dB Q 5
Filter 9: ON HS Fc 11000 Hz Gain -5.0 dB Q 0.71
From the subjective listening experience, I like Jaakkopasanen presets more - much more dynamic and 'in your face' for metal music I'm listening to (eg. Slaugher to Prevail - Bratva, Orbit Culture - Nensha, Septicflesh - Portrait of a Headless Man). But I'm curious if I'm missing anything. Unfortunately I'm ignorant when translating EQ presets to listening experience at this point.
Or maybe there is no consensus and it's all about preference really?
Both EQs are designed to bring the 1990s + balanced pads into agreement with the 2018 over-ear Harman frequency response target. The Harman target in turn was designed to match the personal preference of the hypothetical average person. But any individual person will differ from the majority, especially starting from about 1 or 2 kHz on up. And the difference increases the higher up you go.What's the consensus for 'proper' EQ settings for DT 1990 Pro, as for pure Oratory settings vs those provided by jaakkopasanen?
From the subjective listening experience, I like Jaakkopasanen presets more - much more dynamic and 'in your face' for metal music I'm listening to (eg. Slaugher to Prevail - Bratva, Orbit Culture - Nensha, Septicflesh - Portrait of a Headless Man). But I'm curious if I'm missing anything. Unfortunately I'm ignorant when translating EQ presets to listening experience at this point.
Or maybe there is no consensus and it's all about preference really?
Great post! I would add, @cruel make sure to try the Analytical pads, many of us prefer them.Both EQs are designed to bring the 1990s + balanced pads into agreement with the 2018 over-ear Harman frequency response target. The Harman target in turn was designed to match the personal preference of the hypothetical average person. But any individual person will differ from the majority, especially starting from about 1 or 2 kHz on up. And the difference increases the higher up you go.
The upshot is that your own preference may be different from the majority preference below 1 kHz. And your hearing very likely differs from the majority above 1 kHz.
Even though the lower mids of the 1990+BP are exaggerated compared to the Harman curve, the comments so far show that many people find that to be a non-issue. The infamous 7-9 kHz spike is intolerable for certain people who have an ear anatomy that already emphasizes that frequency range. But just as many people have an ear anatomy that de-emphasizes that range. To them, the 1990 is just fine.
So, if you find a headphone that agrees with your combination of hearing and personal preference — either without EQ or with a particular pre-fab EQ — enjoy! Don’t let the opinions of people with different hearing and preferences subvert your own experience. They’re literally not hearing what you hear.
I prefer the analytical pads on the 1990 myself. The switch to balanced just kinda takes away the clarity that they have without actually giving a sense of satisfying warmthWhat is really the difference between DT1990, Amiron, T1? Please see here ->>
https://www.head-fi.org/threads/beyerdynamic-amiron-home-the-new-t90.821567/page-178#post-18058054
take the pad off, and remove the hair with a tweezer. You can rotate the metal ring to remove the pad if desired. Rotate it in reverse to lock back into place.And what is the best way to remove hair from the foam disc?
Amiron has to be one of the strangest headphones I've heard. It manages to both be warm and musical while being unbearably hot at times. With some artists it comes together really well but with many it doesn't.I usually use the Analytic Pads mostly with the DT1990 Pro.
I've never heard Amiron Home.
How does Amiron Home behave compared to the DT1990 in the region around 8kHz (Beyer Peak)? Is it about the same or is it more or less audible?
In my experience, the Beyer peak is only noticeable in a few recordings. I use graphic or parametric EQ on my various Mac players to minimise the disturbing peak.
The frequency response of the Amiron Home has a certain similarity to the T1 2nd Generation.
“A ‘cheaper’ high quality Beyer headphone that is tonally close to the T1 is the Amiron.
The Amiron (orange line) is about half the price of the T1 (green line) so is a lower cost alternative.“
(from soldertude)
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