To me music is a source of pleasure that’s difficult to describe. In a way it transports me to another realm and the level of hustle bustle & stress in everyday life is reduced, I seem to breathe normally again. I start smiling, music has such magical capabilities.
In digital domain I don’t think there is any contest, to distinguish or discriminate between PCM and DSD. PCM’s soundstage no matter which headphone I use seems to be narrower and it seems to be thinner. To me DSD emulates analogue’s spatial distance between left and right but also somewhat in the depth dimension. And to me it is easily perceptible, it a difference between being there and the artist being here. I admit it’s subtle when compared with modern good PCM recordings but it is electrifying when you experience it in DSD. There is no fatigue that I can detect with my DSD recordings. Fatigue with old style PCM recording was a problem which never existed in DSDs.
The main hurdle however is finding the right DSD’s. They also tend to be rare and expensive. One of the recent recording studios that have pulled off some great DSD recordings are Stockfisch Records with Gunter Pauler at the helm. The five SACDs of “Closer To The Music” are to me the reference point of what recording quality should be. Then the two volumes of their “DMM-CD/SACD” recording are just magnificent.
Just like PCM audio CDs are 16-bit @ 44.1 kHz, SACDs are DSD64. When ripped from a SACD they exist as DSF or DFF file formats. DSF files are far better suited to music library management because they allow the inclusion of metadata. This embedded metadata includes the names of the audio contained and other data such as album art. Hence, a DSF file could be transferred to different smartphones and retain the same metadata. The size of a DSD64 file in DSF format is a big factor to consider, normally 6 to 7 times bigger than an equivalent FLAC (PCM) file. There are also DSD128 & DSD256 but the file sized grow huge and it’s now a case of diminishing returns.
I really enjoy listening DSDs on my Vivo NEX S and LG V30+. More so with NEX S as its sound signature is more analogue in nature, the tuning seems better suited for DSDs than LG’s be it V30+ or G8X. The "professional DSD mode" switch hidden under settings on NEX S is like a hidden 7th gear on your car. Switch to the 7th gear and you are immediately transported to the 7th heaven. You can now aurally feel the NEX S headphone output gain has increased, sound-stage is more wider than before and the overall details are more prominent. At least in my ears, that why I have two NEX S.