SunTanScanMan
500+ Head-Fier
- Joined
- Feb 24, 2014
- Posts
- 839
- Likes
- 124
Hmmn, unoriginal to some may be recognisable and popular to many. If it gets (young) people watching and listening, and hopefully interested in classical music that's a positive outcome IMO. I'd assume Vivaldi's 4 seasons is probably a common route into classical music for many (Got me thinking too, I wonder how many kids got into Beethoven (and onwards) first through that dog movie). Given this is a youth talent show aimed at the general masses, I think it's a perfect choice.
The quality of the performance and interpretation comes way after that. When I first started listening to Beethoven, damned if I could hear a difference between various performances of the Pastoral, and nor did I care to. The overall music got me hooked. Once that happens you begin exploring and learning, and the nuances become clearer as does the appreciation of the music.
Here I speak for myself too, but I think it's more helpful to be more open and accepting as it's very easy to appear snobbish or sneering even if it is unintended. It reinforces a false elitist, hostile, and homogenous image of both the music genre and its listeners. It discourages people from taking an interest and experiencing the classical library, and even participating in this thread. No, this prejudicial attitude is not limited to classical music, but I fear the attitude has probably been around the longest.
Also, don't underestimate 'humble' music choices/beginnings of performers. The Beatles and the Stones began their craft with crude imitations of r & b (some will argue they never stopped!!!!).
I can only find the Talich Mozart on the 'La Dolce Volta' label. Unless that's one and the same?
Edit: ^^^nvm got my wires crossed haha. You meant the conductor and the orchestra, not the quartet and record label
The quality of the performance and interpretation comes way after that. When I first started listening to Beethoven, damned if I could hear a difference between various performances of the Pastoral, and nor did I care to. The overall music got me hooked. Once that happens you begin exploring and learning, and the nuances become clearer as does the appreciation of the music.
Here I speak for myself too, but I think it's more helpful to be more open and accepting as it's very easy to appear snobbish or sneering even if it is unintended. It reinforces a false elitist, hostile, and homogenous image of both the music genre and its listeners. It discourages people from taking an interest and experiencing the classical library, and even participating in this thread. No, this prejudicial attitude is not limited to classical music, but I fear the attitude has probably been around the longest.
Also, don't underestimate 'humble' music choices/beginnings of performers. The Beatles and the Stones began their craft with crude imitations of r & b (some will argue they never stopped!!!!).
Czechoslovakia, which I think is where the Smetana Qt come from isn't that far from Vienna if you look at them on a map. I really like Talich's Mozart with the CPO too.
I can only find the Talich Mozart on the 'La Dolce Volta' label. Unless that's one and the same?
Edit: ^^^nvm got my wires crossed haha. You meant the conductor and the orchestra, not the quartet and record label