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100+ Head-Fier
- Joined
- Sep 3, 2011
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- 13
Thanks, though I can't say I was encouraged by the discussion of the crooked housings
I personally found the HPA-21 a tad too reserved with the pre-fazor LCD-3. I think it's mainly to do with how the amp in Current mode drives headphones based on their impdance curves. With orthos having almost ruler flat impedance curves to start with, you get a clean, smooth and neutral kind of amplification from the Bakoon. Great if you want that kind of sound, but I preferred the more energetic way it drove standard dynamic driver cans, particularly the TH-900 in low-gain Current mode.
Admittedly, I didn't give the Voltage mode much of a go during my short time with the HPA-21. Maybe I would've preferred it's signature with orthos in that mode. Or maybe the various DACs I employed in the chain just failed to give the HPA-21/LCD-3 combo that special extra
I have yet to spend any real quality time with the LCD-3, but after receiving my LCD-XC, I found it a superior matchup with the HPA-21 compared to my TH900.It's probably an individual thing.
I do not understand well if understand if you prefer the LCD3 or the LCD-XC with the HPA-21 ?
Re the TH900, I agree with you: I also tried the TH900 with the HPA-21 (AK100 > HUGO > HPA-21 > TH900 ) , and was not that impressed compared to TH900 directly connected to my HUGO.
I like the TH900 with the HPA-21, I just prefer the LCD-XC , they are very different presentations and with certain music I would go with the TH900.It is hard to love all our children equally
I did not have an open back in my collection, and since I have fallen in love with the Audeze sound, it became a decision between the X and 3.
I would be glad to give my impressions of the 3 and HPA-21 pairing after they arrive, and a reasonable period of listening.
The XC leak very little, especially compared to the TH900
vert - How would you describe the "soft" element you are experiencing? Does it affect any specific frequency range?
In my experience the Bakoon sound is different in being able to hear every detail and contour of the sounds. What once sounded like a standard bass with not a lot of texture now has the full "space" and tone around the instrument, almost like you could identify the brand if you knew bass guitars really well. One reviewer said that if you focus on any specific instrument or voice you'll hear more than you ever thought you could, and that when you pull back and let the whole sound envelop you that you get the full picture, in a way that is different from what you are used to as all the detailed pieces fit together. I think that's a good description.
I find the sound to be a bit polite with my LCD-3. I would like more energy/slam. I will try to get more of that by swapping out the power cord on the source.
But I agree with your thoughtful write up. It's easy to pick out any layer of the music and following along with the Bakoon, or pull back and listen to the music as a whole.
I find the sound to be a bit polite with my LCD-3. I would like more energy/slam. I will try to get more of that by swapping out the power cord on the source.
vert - Have you tried varying the type of music you are listening to and/or the quality of the recordings? I listen to a wide variety of types of music (from alternative to Gregorian chants to German metal to chamber music to Pop to Techno to Broadway to who knows what the heck else) and mostly listen to HD quality recordings (HDTracks has received a lot of my money!) as well as FLAC (level 0) recordings of my CDs (MusicShifter is great!) and find an affinity to well recorded music. Let us know if you get a difference experience/response to different styles/formats.
I find the sound to be a bit polite with my LCD-3. I would like more energy/slam. I will try to get more of that by swapping out the power cord on the source.
But I agree with your thoughtful write up. It's easy to pick out any layer of the music and following along with the Bakoon, or pull back and listen to the music as a whole.