Hmm, I’m not sure, maybe, as long as we’re very careful how we define “possible”. For example, it’s “possible” we can hear up to 190dBSPL, although not for long because it will likely cause death. Causing death surely rules it out from being “possible”? What if say 170dBSPL doesn’t cause death but only a coma for a few weeks, does that mean 170dBSPL is “possible”, even though it’s highly undesirable? Where do we draw the line? If death or coma rule it out as “possible”, what about if it causes pain and permanent hearing damage after only a couple of seconds? Personally, I’d rather go with “practical limits” than “possible limits” because causing coma or pain and permanent hearing damage might be considered “possible” but are certainly impractical.I've always been fine with seeking the possible limits.
The definition of “conclusive” I use and as defined by English dictionaries is: “proving something in a way that is certain and allows no doubt” (Cambridge Dictionary) or “putting an end to debate or question especially by reason of irrefutability” (Merriam-Webster). A single or couple of test subjects getting 10/10 (or even 16/16) in an ABX provides evidence and quite high confidence but does it irrefutably prove it or allow no doubt? What about if we have conflicting results from someone else’s ABX or a lot of other ABX’s, what about if what’s being tested is theoretically just beyond the audibility thresholds, is it still irrefutable proof that allows no doubt?Conclusive is about having some confidence in the validity of the result(because of the testing protocol, and interpretation model).
I definitely don’t want to rehash it again but my beef with him was that he indeed didn’t understand the limits of human hearing or of music performance or at least he appeared not to. Given his level of general audio knowledge, I think he did understand and was deliberately misrepresenting the facts but I can’t be sure of that. We agreed that ~0dBSPL was the minimum limit of human hearing, not so much that 120dBSPL is the maximum but where we disagreed is that he took that to mean human hearing has a dynamic range of 120dB and more so that it was also the DR of live music. Of course, the peak SPL figure can only also be the dynamic range figure if the noise floor is 0dbSPL but in those conditions where we *might* withstand 120dBSPL or encounter it in live music performances, the noise floor is never 0dBSPL or even close to it.And Amir as far as I remember, always said he was looking for the limit of hearing. ….But that was about his desire, not that he didn't understand the actual limits of the testing conditions. I think.
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