Pharmaboy
Headphoneus Supremus
OK Tyll only used the term twice, once referring to the soundstage:
"Imaging is not as deep as a good open headphone as it's slightly relaxed and not in your face in the presence are, giving it a comfortable, if veiled, perceived distance."
And
"Combined with the slightly laid-back or veiled presence region, I heard the treble as quite polite, lacking in some detail, but otherwise wonderfully free of any harshness, stridence, or annoying missbehaviour."
Most of his other references were more benign:
"I wouldn't say the bass bleeds into the mids so much as there is just an overall mild warm tilt on this headphone overall making them a relaxed listen."
"Response bass through mids is quite even, though the presence region is a little more relaxed than the rest of the spectrum giving the headphones a slightly distant sound."
In his comparisons, he was even more complimenatary...especially between Eikon & Utopia (WOF headliner that it is)
"I find myself more attracted to the Eikon for a relaxing listening session, especially if were talking about music of mixed recording quality where the Eikon will be more forgiving."
So I probably just have an issue with the term 'veiled'...that seems a bit too extreme to me, that's all. It was an overall positive review. I agree with most of his observations, he just doesn't feel this is a 'reference' headphone, because (if I understand him correctly) he's equating analytical headphones (I guess maximizing detail) with reference, so won't include it on the wall of fame. Somewhat understandable when taken in that context.
Interesting comments...think I detect a little condesension (probably not even conscious).
"relaxed listen" & "forgiving" (translation) "fun listening--but not a serious design"
(ie, doesn't accurately reproduce sound of a housefly farting during the symphony).
He's an interesting reviewer. Sometimes his bias for big-$$, "analytical/detailed" headphones shows; other times things are more complicated. For example, his review of E-MU Teak vs other Fostex designs & variants (ie, Denon AH D5000, Fostex TH900 MkII):
- He praised the warm/euphonic sound of the E-MU Teak over the others ("And now we move to liquid goodness....The tonality of the E-Mu Teak is splendid")
- And really came down on the TH900's ("Ouch! Holy smoke, these are bright. What the heck is going on?")
I think like most of us, Tyll is complicated...a little subjective. I also think he's attracted to the "shiny objects" -- big-$$, audio-jewelry designs like Utopia, Ether C Flow, etc. The latter got inducted into his HOF despite needing EQ to have acceptable bass (WTH?).
If there were a dozen headphone reviewers of his stature/exposure, the sonic biases of any one wouldn't matter much. I scour my trad high-end audio mags for headphone/desktop audio reviews: but those boys fall hard for extreme-priced, shiny-object designs (especially amps, where it has to cost min. $5K to get a smile).
ZMF, Atticus, and Eikon don't need defending. It's just that I keep seeing the tendency for reviewers to preferentially value pricey, non-euphonic, non-craftsman built headphone designs. Maybe Zach's mistake is not pricing the Eikon a lot higher & offering it in silver-anodised finish