Okay, I took wrecked_porche suggestion about poor seal. I can't get the triple flange deep enough into my ear without wetting them with some otoease, which is like giving my ear a "wet-willy". I had to get them out of my ear, yuck, but did feel there was more bass. So, I just now switched to new shiny Shure black foamies, and got them deep into my ear, and there is indeed more bass than wet triple-flanges, which sealed better than dry triple-flanges.
But, the TTVJ portable millet hybrid doesn't seem to drive these as well as it drives my Grados (or as well as it drives anything else - strangely it can drive Livewires better). I have been using it constantly with my iMod and Grado RS-1, as it is a match made in heaven.
So, still using my iMod with ALO Jumbo Cryo Silver X LOD, I switched to the Pico and now we're talking. Bass with the IM716 and Shure black foamies is there and present at anything from 5-47 ohms with the Pico. But 5 ohm (no resistor) sounds terrible (muddy and jumbled). Going the other direction, bass starts to drop a little starting at 69 ohms or more with the Pico.
I can't grab the Predator or D2 because they got left in the car and my wife and kids are out with the car right now. I tried the Headsix, and the bass and power was worse than Pico (I have internal jumpers in headsix set for low gain and don't want to open it up to change that). So, I decided to grab my powerhouse Headstage Lyrix, which always seems to have enough juice for my Grados or HD600.
I figured I would try the Lyrix bass boost with the IM716, but it isn't needed. It seems the Headstage Lyrix really has a lot of juice for driving the IM716, which seem very demanding (some say twice as hard to drive as a ER4S). The Lyrix drives them well, with lots of bass, even in low gain. I actually get decent bass all the way up to 102 ohm added, however above 69 ohm the mids seem withdrawn and dynamics go flat. So, the 22 ohm is better than no resistor, but is muddled or cloudy sounding, and not something I would use all the time. Likewise, the 69 ohm is right at the point where the mids and dynamics begin fall flat, and I wouldn't go higher than that.
In Summary: My findings are that:
(1) The IM716 are extremely sensitive to the seal in the ear, or the depth and position, even when you are not a newbie to IEM and think you have a seal.
(2) The IM716 are very sensitive to what amp I use to drive them.
(3) That (assuming #1 and #2 are dealt with) adding 22, 33, 47, 55 and 69 ohms can work well with the IM716 podectomy. .
In my opinion, adding 33, 47, or 55 ohms to the podectomized IM716 seem to work best (when driven by an iMod with ALO portable LOD and Headstage Lyrix Total pro amp, using Shure black foamies). Going higher than that with my particular setup has the effect of pulling back the vocals and dynamics, and no resistor makes the sound too muddy and cloudy. While all of those resistors help to clean up the muddled sound of a de-podded IM716, it is possible to go too low or too high, with compromises in either direction.
I do plan to try this later with my Predator, D2, HR Micro Amp, and then HeadFive, Apogee Mini-DAC and Woo 6.