I don't own the WA7 - but I've spent a fair amount of time listening to it at my buddies place - and when I heard it with the new power supply it blew my away. I would own one if I needed it!
But like Amos - I'm not sure how much of an upgrade the SS6 would be - as many factors come into play here (what styles of music you prefer, listening levels, etc.). So what genres do you listen to more than others?
As I always say: We all interpret things differently. I love the mating of the LCD-XC w/ my Studio Six (using either my Double Helix cables or Cardas Clear) - I find the combo's got wonderful fluidity, extension, and its gets me in that intangible way: I'd venture to say the combo, for me, drips with soul! I often listen to that rig for hours on end, especially with my McIntosh D100 ahead of it as a DAC and Amarra as the source, or my VPI Traveler deck with Unison Research Simply Phono tube stage!
and YES: Choosing an end game amp without an audition is ALWAYS very risky!
Plus: Just when I think I have an End Game reference piece another comes along...
But my SS6 and E.A.R HP4 still stand out to me...
I will offer this however: The Studio Six is an amp that continues to give me many hours of pure joy when listening, and I never tire of trying different tube configurations,
and I love that about the SS6! I can change the signature quite a bit - and that's something I enjoy - as my mood changes often (like all of us of course) and I can always dial it into my headspace!
Ken Ball at ALO Audio is a BALLER
Thanks for gracing my precious Studio Six with a Mullard GZ34!!!!
After being out of commish for five weeks due to illness, the thing sat urging to be plugged in.
This is, by far, the greatest sonic change I've heard from a tube-roll in that slot.
Usually, don't know what this means, but I hear the most profound changes in the 6SN7 spot, not the 5AR4 one.
The overall gestalt of the music is more powerful, more palpable, and the soundstage seems extended both to the front
and rear of the stage. Strings have more sparkle. Voices have more chest and detail. The word "exotic" keeps flashing in
my brain. As the sounds seem wholly new at times.
That also speaks to the sonic integrity of the amplifier, and the rest of the system of course
Right now, listening to the SS6 with:
Audio Technica ATH-900X's
Audeze LCD-X
McIntosh D100 as DAC
MacBook Pro/Amarra as source
When you can hear changes this drastic, and I've had amps where its tough to tell the differences - its a music lovers
AND a reviewers dream. You can paint your music however you like. Work the glass...