All Amps DO NOT Sound the Same
Feb 19, 2009 at 11:23 PM Thread Starter Post #1 of 27

upstateguy

Headphoneus Supremus
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As it says in the title, I'm searching for a body of evidence to support the proposition that all amps do not sound the same.

Of course, manufacturer's data must be excluded for obvious reasons.

I'm looking for any evidence, collected by any methodology.

What I'm not looking for is an "I hear a difference" show of hands.

Let's find the body of evidence!
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Feb 19, 2009 at 11:30 PM Post #2 of 27
So if some amps measure differently by an independent party, either in terms of frequency response or distortion levels, would you accept that evidence? In other words, if it's not manufacturer's data, but data from an independent party, like Stereophile?

Or are you only interested in evidence from DBT's? -- in which case this thread should really be in the Sound Science forum.

P.S. And also, one more point:

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Feb 19, 2009 at 11:42 PM Post #3 of 27
Quote:

Originally Posted by upstateguy /img/forum/go_quote.gif
As it says in the title, I'm searching for a body of evidence to support the proposition that all amps do not sound the same.


Too easy. I have a old receiver with an amp in it that hisses like hell in the left channel. It is a godawful noise like no other amp I have ever heard. Since it sounds different than other amps, all amps must not sound the same. Case closed. Can the thread be closed too now?

Quote:

Originally Posted by PhilS /img/forum/go_quote.gif
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Indeed.
 
Feb 20, 2009 at 12:23 AM Post #5 of 27
Without trying to add fuel to the flame, I would be interested in see a 'frequency response' measurement of amps - but over a song instead of a sine sweep.
 
Feb 20, 2009 at 12:33 AM Post #7 of 27
My rationale being, a song can be pretty demanding from the amp, especially since people speak about 'PRaT' and 'fast attack', and 'aggressive.' It may be that a bad design simply cannot cope and lags on processing the signal, or something like that - I'm not versed in EE.
 
Feb 20, 2009 at 12:45 AM Post #8 of 27
Quote:

Originally Posted by PhilS /img/forum/go_quote.gif
P.S. And also, one more point:

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I agree.
 
Feb 20, 2009 at 1:16 AM Post #9 of 27
Everything sounds the same.
I know people than cant hear the difference from a plastic one-piece shelf system $149 at Walmart, or a $10,000 system from a high-end audio shoppe.
 
Feb 20, 2009 at 4:37 AM Post #11 of 27
The argument is not that all amps sound the same. The argument is that properly functioning amps, with a flat frequency response curve, adjusted for volume, sound the same.

Obviously all speakers don't sound the same. The same goes for headphones. The point is that if two amps measure the same, and if all other factors, like speakers, room treatment, source, etc are equalized, then they will sound the same. That's probably true.
 
Feb 20, 2009 at 5:53 AM Post #13 of 27
measure output of a relatively neutral ss amp, and then one of considerable distortion from a heavily flavored tube amp?

Searching or asking though... quite a few of these threads.
 
Feb 20, 2009 at 6:28 AM Post #15 of 27
What will you give me if I can build 2 that sound different? It wont be hard considering that you have IGNORED the importance of output impedance and THD: both aspects which any test ever made to prove that everything sounds the same has mandated be withing vanishingly small tolerances
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The nay-sayers argue that an amp should have a zero ohm output impedance. thats great, this is a headphone board, there are several standards which state 120ohm output impedances. Which is it to be? I could list a couple headphones that sound VERY different driven from varying output impedances.

Next the testers bring up THD. thats cool, you have effectively eliminated ANYTHING which runs without global feedback by allowing this standard to be imposed. come on, lets let the standard sag from the normal 0.001%THD MAXIMUM to 1%... If we follow a distortion scale which observes increasingly weighted values as the order increases 1% is not so bad compared to what some SS amps pump out (weighted by order of harmonic, as opposed to direct readings: objectiveists HATE this one, considering psycho-acoustics it gives a better indicator of perceived SQ this way, but its bad bad bad for marketing)

Here is what you are really saying/asking, expanded to include the caveats and conditions generally imposed.
All solid-state amps which have lots of global feedback, zero ohm output impedances, and similar THD of barely measurable amounts sound similar enough that no human can tell them apart by ear. Some SS amps should be excluded for failure to be electronically identical to the others and some tube amps can be included in our testing because they can meet our electronic standards.

You will kindly note that these normally imposed restrictions GAURANTEE that there are differences in amplifiers which fail to meet the standards of electronic measurements. Why else would they be so restrictive when there have been very good sounding amps made which dont measure up to their purely electronic standards?

This is like me taking a sample of 10 Olympic sprinters as they run for their country, and saying that since all of them (100% of my sample set) can run the 100M in 12 seconds or less 100% of the people in the world can. You cant run the 100M in the olympics if you cant do it in 12seconds or less (maybe 13, you get the point) I have restricted my sample to people who already meet the point I am trying to prove! its not even close to scientific.

Further expanded, the REAL question asked of this WHOLE thing (and cables, they include the requirement that the cables be indistinguishable by electronic testing) is this: is the human better than the machine at discerning SMALL objective differences: the answer is of course no.
Is the machine capable of telling the human what will subjectively sound good: again no - it offers good guesses, and points out REALLY obvious flaws (even applies to gear which on its best day measures poorly by unweighted THD scales), but there are some sounds that can hide from the machine.

The human ear is something of a crude tool, BUT it excels at making many many measurements simultaneously which is a place electronics tend to fail abysmally.

now here would be an interesting test since "good SQ" is something of a subjective point, and electronics have shown some difficulty measuring that. It should be clearly evident that I would argue that amps which fail the standards imposed above can sound good so why not run THIS test?

A group of discerning listeners (audiophiles, well respected recording engineers, etc) could be asked to give a yes/no mark using double blind methods to whether various amps from a large sample set of all manner of amplifiers (vintage tube, new tube, new audiophile/pro SS, new consumer SS {older SS is a carp-shoot, throw some in anyways though}) sounded "good" to them. There would probably be SOME amps that were clearly "approved" by the vast majority, and probably a few that were universally hated. Take the best 25% or 6 (for the sake of making this test not take all week...) which were approved by the majority and apply the "do all amps sound the same" test to these. There will probably be more than 2 that are "approved by the majority", so break them out into several random pairs for the DBX testing. Now, it may happen that some of these random pairs accidentally meet the standards of electronic similarity imposed above! In this case, the results from THAT test should be ignored: it will be someone trying to hear differences that the above tests have proven cant be heard! this is not what we are testing...

When the group of amplifiers to be compared are selected by humans rather than machine, I would almost guarantee that other humans can identify differences in DBX.

what irritates objectivists is that EVERYTHING in this "do they sound different" test was agreed to sound good previously... and there will be very obviously different pairs in this test. sorry objectivists, SQ is subjective.
 

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