SecretKashi
New Head-Fier
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- Oct 1, 2013
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What are some good songs to listen to that shows how good the sound stage is with these headphones?
What are some good songs to listen to that shows how good the sound stage is with these headphones?
Problem with the 702 is the soundstage is not very large. It's wider than it is deep so it's like a sheet of paper. They are so detailed though but dull for music. Still for there purpose they are great.
It seems the AKG K 701 and K 702 along with the AKG Quincy Jones K 701 are giant killers that compete with the likes of the Sennheiser HD-800. I just saved several hundreds of dollars. Yipee!
I have just received a pair of used K702 from ebay and am giving them a preliminary listen over my morning coffee before work. I was really excited to get these having recently raved over the vast open soundstage and treble of my recently purchased Sony MA900s and bought these on the recommendation that they do just about everything the MA900s do but better. I am also searching for neutrality and realism and was prepared to sacrifice bass response to get this. I produce music too, so after much reading, I was expecting these to work as a tool in the studio and maybe be a bit clinical for enjoyable listening. However, my first impressions are not very good. I understand these may take some getting used to and I shall persevere but they sound very wrong to me at the moment.
I should mention that I am playing them from my PC through an HRT Microstreamer. This may not have the juice required to get the best out of them but I'm sure to be still getting a reasonable taste of what I can expect out of these headphones. First off, the soundstage, although wide, sounds artificial on everything. It's 'almost' like they are wired out of phase, like that hollow, strange effect you get when speakers are wired out of phase. The bass does go deep but is was too recessed to call neutral. Gosh, my K240 DF have more bass than these! The treble, despite reveaing detail, does so in a way that is skewed in a number of ways to my ears. The upper end details of instruments in this range are more present than the 'body' of sound. For instance, the 'tizz' of brass instruments is more present than their 'core' of sound, lending them an unnaturally thin and strident tone, nothing like the warm and round sound you would hear in real life. I know this because I'm a professional trumpet player and have played for nearly 30 years - I know what orchestral instruments should sound like. I It's like someone has thrown the 'treble' control right up and the 'bass' control right down to show you all the 'flaws' in the recording at the expense of presenting the music in a natural way.
I'm now listening to Ray LaMontagne and the sound picture is a bit more balanced now. Still, the string 'plucking' sound is taking pride of place over the warmth of the guitar's body of tone. His voice has come in now and the airy roughness of his timbre is almost unlistenable to me. Sorry to be so down of these cans, I am trying to find something positive to say. I've just had to turn the volume down due to ear fatigue within a minute of this song. Some may say I'm just not used to this sound signature or that I'm used to darker cans (which I most certainly am), but I must say that these are far from being 'reference' to my ears. They don't do a great job in showing what a record sounds like. They shine a great, lit up microscope onto the top end.
Please bear in mind thhat these are my very first impressions of these headphones, coming from cans of which some have very different sound signatures. So, I'm not just beating down on these in an unthinking way. I also know that I have had this initial aversion to headphones before and they have grown on me over time, so I will most definitely persevere with these cans and give them due listening in all sorts of scenarios. I shall also remix a couple of my old tracks with them and really give myself a chance to understand them. I may very well find a 'place' for them in my collection.
I also need to try them with my Bravo Audio Ocean tube amp as I don't feel they are being given enough juice at the moment.
These don't have their reputation for nothing and I must be missing something presently. On a more positive note, I love how they look and feel on my head and I'm realising to, as I type, that these sound 'much' better at lower volumes. I look forward to reporting back, hopefully with better impressions!
2) I think there is a real distinction between natural and neutral-sounding headphones. AKGs are neither. They are analytic insofar as they excel at separating instruments from the whole. A natural headphone, on the other hand, may equally defy a perfectly flat frequency response but would excel at rendering music more realistically. A neutral headphone would ideally have a flat FR but could come off as artificial and sterile.
3) Yes, you really do need an amp to appreciate what the AKGs do well. They scale up with gear well.
can not agree on "A neutral headphone would ideally have a flat FR but could come off as artificial and sterile"
Yes one needs a decent dac + amp o appreciate what the AKGs could do
Okay. Fair enough. Why can't you agree? I don't want you to agree if you don't agree: don't misunderstand me. But a reason for your premise that you don't agree would give us some material to talk about. Hehe.
So I'll provide some reasons to back up my point, and you are very welcome to do the same on your side. This is an intelligent discussion, so no need to feel uncomfortable with the fact that people actually do not always share opinions: if you listen to an instrument being played in front of your face, it will not always register as neutral on a graph that records frequency response; the same is true, actually, for an instrument not played in front of your face, perhaps several rows back or maybe a few metres away.
Quite arguably, the HD-600 excels in fact at being natural, true to life, actual and realistic, to the ways in which instruments render themselves in front of an audience.
The HD-880 DT, on the other hand, emphasizes streamlining instruments into neutrality, according to some, yet nevertheless gives the edge to detail retrieval by accentuating the highs slightly and by attenuating the mids, also slightly.
I believe that both headphones are amazing. I really want to try the 880s over the 600s because I already have the 650s.
The AKGs work on a different level than this, a level that is indispensable to professionals and indeed to me. I love AKG and what their headphones do. If you don't, that's completely fine. Really.
Hopefully I have convinced you that neutrality is distinct from natural, but I would love to discuss this more if you do disagree with me. Hehe.