This year’s show was a bit subdued due to being held at the start of Japan’s Golden Week holiday period, as well as because it’s a week before the Munich High End show. However while the show may be about the products, really it’s about the amazing people in the business and hobby and their efforts to make music listening enjoyable.
I’d not managed to get around to everyone I had wished. CEE TEE from Massdrop (previously Ultimate Ears) managed to make it to the show this time. We’d been planning to meet for years yet never managed to. You’ll see him, as well as Anakchan in many of the photos and videos.
Speaking of which, this is the first show that I shot entirely on an iPhone X. Back in 2011 when we first came, we were carrying around huge Nikon rigs to shoot everything. Now it is more efficient just to use a phone. Who’d have thought it!
The event was held in Nakano Sun Plaza, just outside central Tokyo. Despite plans to demolish and replace this ageing, albeit unique building, it is still standing. While people were lining up for concerts in the main hall, the Headphone Festival had taken over 5 floors of event rooms. If the show looks like it was held in a wedding banquet hall, it is because it was! Many of them! That makes for terrible lighting in some of them.
★ Stax ★
While two of the Stax old guard were present at the show, Kiyoshi Sasaki (now retired), and Kazuo Suzuki (the engineer in the SR009 interview) there were many new faces introducing the new SR-009S. With improvements to the diaphram material and overall design, it was possible to A/B the headphones out of a row of T8000s. This was the first time that the other amps (except the portable) were not on display.
I plugged in my Hugo 2 and set the amp to bypass mode for a listen. The SR009S is more forward and more dynamic-sounding, and possibly a bit more sensitive as well. It was very much a feeling like everything had been tightened up. Now they sound like an electrostatic version of new Audio Technica ADX5000, which is a good thing, in case you were wondering.
★ Octave ★
This BEAST of an amp from Germany was powering a pair of Susvaras. The local price is around $8k IIRC and using the Hugo 2 as the source (which the distributor put vibration dampers under) the amp did some good justice to the demanding planars.
★ E.A.R. Yoshino ★
A pleasant surprise was meeting Tim de Paravicini and his wife at the show. For the unfamiliar, Tim is a 50-year legend of 2-channel audio, manufacturing some amazing amplifiers and other gear. His HP4 amp has stood the test of time, even as other manufacturers come and go with high-end amps. Listening with it is always amazing and no less this time. He has partnered with [???] to make his own pair of planar headphones.
The headphones are unique in that the cups can be removed to make them open-backed. With the cups on, the sound was a bit closed-in straight out of the Hugo 2, but they were transformed by the HP4. The tuning is quite neutral though. At some point I plan to review these.
One unexpected surprise at his table was that he had a direct-from-master-tape set of Elvis outtakes. No processing, nothing! I knew Elvis was good, but hearing the output of the tapes direct it was amazing how well he could really sing and what he was capable of with his voice.
★ Meze ★
Anthony Meze and Pavlo Shymanovych of Rinaro Isodynamics were at the show to demonstrate the Empyrean. The drivers of these use two different types of traces, for different frequency ranges, with one section aimed at the ear canal for optimum results. While tonally a bit mellow, they were lovely sounding out of the Hugo 2 and great with my usual range of tracks that cover a range of genres. They had two types of earpads there, leather and cloth. The latter will be the standard, with the leather an option. Each gave the headphones a slightly different presentation.
They were using amps from Re-Leaf, who hand-build ultra-high-end current-drive headphone DAC/amps. After reading some of the other impressions I wish I'd tried them from those amps as well.
★ Oriolus ★
With all the IEMs at the show it was hard to keep track. CEE TEE tipped me off to check out Oriolus, of which I tried their new Reborn. With a dyanmic driver and 3BA drivers it was a very nice-sounding IEM with plenty of detail and a clear treble.
They were also showing prototypes of a very chunky player with interchangeable DAC/amp modules. Yes, the huge modules contain both a DAC and amp. You can hear them talking about the details in the background of my show report video. One of the modules has an ES9018-based DAC and tube amp!
★ DigiFi ★
In Japan, you can buy a monthly DigiFi magazine which includes a small kit for a DAC, amp, or headphone amp of some description. A series of modules hooks together and you can get cases to put them in and build a mini system. It’s a good way to learn about audio components. The magazine was selling some of their previous kits.
I’d not managed to get around to everyone I had wished. CEE TEE from Massdrop (previously Ultimate Ears) managed to make it to the show this time. We’d been planning to meet for years yet never managed to. You’ll see him, as well as Anakchan in many of the photos and videos.
Speaking of which, this is the first show that I shot entirely on an iPhone X. Back in 2011 when we first came, we were carrying around huge Nikon rigs to shoot everything. Now it is more efficient just to use a phone. Who’d have thought it!
The event was held in Nakano Sun Plaza, just outside central Tokyo. Despite plans to demolish and replace this ageing, albeit unique building, it is still standing. While people were lining up for concerts in the main hall, the Headphone Festival had taken over 5 floors of event rooms. If the show looks like it was held in a wedding banquet hall, it is because it was! Many of them! That makes for terrible lighting in some of them.
★ Stax ★
While two of the Stax old guard were present at the show, Kiyoshi Sasaki (now retired), and Kazuo Suzuki (the engineer in the SR009 interview) there were many new faces introducing the new SR-009S. With improvements to the diaphram material and overall design, it was possible to A/B the headphones out of a row of T8000s. This was the first time that the other amps (except the portable) were not on display.
I plugged in my Hugo 2 and set the amp to bypass mode for a listen. The SR009S is more forward and more dynamic-sounding, and possibly a bit more sensitive as well. It was very much a feeling like everything had been tightened up. Now they sound like an electrostatic version of new Audio Technica ADX5000, which is a good thing, in case you were wondering.
★ Octave ★
This BEAST of an amp from Germany was powering a pair of Susvaras. The local price is around $8k IIRC and using the Hugo 2 as the source (which the distributor put vibration dampers under) the amp did some good justice to the demanding planars.
★ E.A.R. Yoshino ★
A pleasant surprise was meeting Tim de Paravicini and his wife at the show. For the unfamiliar, Tim is a 50-year legend of 2-channel audio, manufacturing some amazing amplifiers and other gear. His HP4 amp has stood the test of time, even as other manufacturers come and go with high-end amps. Listening with it is always amazing and no less this time. He has partnered with [???] to make his own pair of planar headphones.
The headphones are unique in that the cups can be removed to make them open-backed. With the cups on, the sound was a bit closed-in straight out of the Hugo 2, but they were transformed by the HP4. The tuning is quite neutral though. At some point I plan to review these.
One unexpected surprise at his table was that he had a direct-from-master-tape set of Elvis outtakes. No processing, nothing! I knew Elvis was good, but hearing the output of the tapes direct it was amazing how well he could really sing and what he was capable of with his voice.
★ Meze ★
Anthony Meze and Pavlo Shymanovych of Rinaro Isodynamics were at the show to demonstrate the Empyrean. The drivers of these use two different types of traces, for different frequency ranges, with one section aimed at the ear canal for optimum results. While tonally a bit mellow, they were lovely sounding out of the Hugo 2 and great with my usual range of tracks that cover a range of genres. They had two types of earpads there, leather and cloth. The latter will be the standard, with the leather an option. Each gave the headphones a slightly different presentation.
They were using amps from Re-Leaf, who hand-build ultra-high-end current-drive headphone DAC/amps. After reading some of the other impressions I wish I'd tried them from those amps as well.
★ Oriolus ★
With all the IEMs at the show it was hard to keep track. CEE TEE tipped me off to check out Oriolus, of which I tried their new Reborn. With a dyanmic driver and 3BA drivers it was a very nice-sounding IEM with plenty of detail and a clear treble.
They were also showing prototypes of a very chunky player with interchangeable DAC/amp modules. Yes, the huge modules contain both a DAC and amp. You can hear them talking about the details in the background of my show report video. One of the modules has an ES9018-based DAC and tube amp!
★ DigiFi ★
In Japan, you can buy a monthly DigiFi magazine which includes a small kit for a DAC, amp, or headphone amp of some description. A series of modules hooks together and you can get cases to put them in and build a mini system. It’s a good way to learn about audio components. The magazine was selling some of their previous kits.
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