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Cables and Accessories item created by leeperry, May 25, 2016
Pros - Simply said, it works as advertised
Cons - External AC Adapter/Wall Wart is aesthetically cumbersome but is a necessary evil
I'd like to share my experience with this little device. I will keep things simple and straightforward.
Locus Design Group Essentia USB Cable-->Wyred 4 Sound Recovery-->Audioquest Dragonfly Red-->Forza Audioworks FWA Claire-->Woo Audio WA7tp-->Beyerdynamic T1.2 OR Sennheiser HD650 (both w/ Forza Audioworks Noir Hybrid HPC)
I have a pretty decent media computer that I built a few years back. It has numerous hard drives, intake and exhaust fans, power supply, etc. Not sure if those moving parts cause or contribute to the problem; but its worth noting there is a fair amount of background noise when listening to USB audio on my media pc.
The AQ Jitterbug never impressed me. I couldn't hear much of a difference with it plugged in. Had no desire to A/B it either. I figured it was doing its job. I paid money for this thing, it has to be working, it must be working, right?! The AQ Jitterbug did not completely remove the hiss and hum during quiet passages/segments.
I purchased the W4S Recovery out of cheer curiosity. I wondered if it could do a better job at eliminating the background noise that had been troubling me.
I do not subscribe to dissecting audio equipment using superfluous terminology (ie. Bright, Dark, Thick, etc.)
Immediately upon unboxing the unit I began by starting a direct comparison between the AQ Jitterbug and the W4S Recovery.
Didn't take long to compare. Once I plugged in the W4S Recovery the Jitterbug got benched.
When I substituted the W4S Recovery for the AQ Jitterbug it was immediately apparent that something had changed. The background is noticeably quieter!
Additionally, the higher octaves are less fatiguing. No "break-in" was required to hear the differences. There was immediate improvement. Little to no audible background noise remained. Also, I discovered I was listening at louder volumes for longer periods of time before encountering ear fatigue.
As the titled stated, I was pleasantly surprised with the considerable improvements this device made to my system. Music was more enjoyable and I was listening longer and louder than before. What better compliment could there be?!!
Pros - improves USB audio fidelity substantially
Cons - could be cheaper and shipped with a linear power supply, I'm a believer ^^
Hi guys, I'm surprised this little gizmo isn't more discussed here on head-fi and I happen to be having a lot of fun with it so I figured a brief review in order to build a discussion here would make sense.
I've been messing with USB tweaks for quite a while now and until very recently all we had at hand were 12Mbit/s USB2 galvanic isolators but much like S/PDIF & I²S there is no free lunch to be expected from galvanic isolation and as you can tell from this link isolation does increase distortion, jitter and latency.
I now see 480MBit/s USB isolators being sold but these are aimed at industrial and healthcare use, their manufacturers were even surprised to see audio nerds using them from what I read....long story short, galvanic isolation of the USB data lines has nothing to do in the audio world in my experience and will irremediably color the sound, what sounds "more laid back" and "more organic" today will become "dull" and "flabby" tomorrow.
You would also be surprised by the huge amounts of ripple isolated DC/DC converters have to add(no free lunch again), such as ADuM5000 with its 75 mV yay. I've seen some reaching up to 100/150 mV, so much for audiophile use.
And some USB isolators do provide a connector for an external PSU but it's usually fed to a switching voltage regulator, like the Olimex dongle for instance.
All this said, we have now entered the era of audiophile USB hubs and the latest kid in town is the W4S Recovery: https://wyred4sound.com/products/digital-converters/recovery
A few audio forums raised my interest towards it even further:
To top it off, I also happened to have an unused Bakoon BPS-02 at my disposal and because it's currently on sale it essentially all turned out into a done deal
Here we go with the unboxing pics then:
so we got the dongle itself, a 9V wallwart with swappable prongs boards and a short A/B USB cable.
I also had to open it to see its guts eventually:
After quite a bit of squinting I was able to figure out that its voltage regulators go as follow:
The good news is that the board doesn't run any noisy switched-mode regulator hence won't bottleneck external PSU's connected to it
But the main course is eventually its masterclock that happens to be this thing: http://www.crystek.com/home/oscillator/clockdetail.aspx?pn=CCHD-575
An ultra low phase noise HCMOS that sells on its own as a DIY part for $24: http://www.digikey.com/product-detail/en/crystek-corporation/CCHD-575-50-80.000/744-1455-ND/2742154
A while ago I was told that ppm resolution and jitter of a clock are one thing but that at the end of the day in the audio world what matters most is phase noise, W4S have been selling megabucks DAC's for a while so this would certainly confirm this theory.
So I've now shown what's in the box and inside the dongle itself, next step was to have it plugged in then:
LED's are both lit and it's on, reclocking at work y'all
-Unlike other audio USB hubs, it doesn't need to see +5V coming from the computer host so the good ole +5V pin severing trick still works like a charm:
Who needs overpriced garage-made shaman-blessed USB cables that would supposedly provide higher shielding efficiency between power and data lines when you can just break the +5V pin and be done with it?
-The best cable is no cable and the second best is the shortest so I ran all my tests with 6 inch USB cables on both ends whenever possible.
Stereophile provided several cable jitter measurements that made this a fact more than an opinion, the shorter the better mostly because all cables act as antennas no matter how shielded they are and Monster also made clear that there's as much turbulence happening on the inside than on the outside.
-You could try your luck with male/male USB adapters but I already broke the USB connector of a DAC with this kind of wild trick and most of those that are selling for a buck are made of the cheapest steel wires they could source, I see them all as very short low quality cables as even those using copper wires aren't quite dual-shielded with foil & braid and are very far from using AWG24/AWG28 wires as typically found in quality USB cables.....there's a very high probability that these will end up acting as bottlenecks at the most crucial stage, ouch.
-Because all voltage regulators in Recovery are linear if you have a pretty bad case of audiophile OCD as I do, instead of wasting your hard-earned cash on industrial grade jitter & ripple-prone USB isolators you could just go bonkers on the PSU feeding Recovery.
I read that the Recovery dongle could use a good week of breaking in so I let it plugged with a DAC fitted in for a few days and finally bit the bullet and gave it all a thorough audition.
Long story short, sonic improvement has really been as dramatic as this review says: http://www.digitalaudioreview.net/2016/03/fighting-fit-usb-audio-from-wyred4sounds-recovery/
This is very well said and sums up our audiophile hobby perfectly, you never know what you've been missing till you get to hear it and after hours of listening to DAC's ranging from $200 to a lot more through Recovery pulling it off the USB signal path turned out to be a major no-go because it made deep bass far more textured and percussive, increased both clarity and resolution quite drastically and even soundstage became more 3D and less colored.
This is as much of a one-way ticket as it gets here folks....but as usual there's always room for further improvements as the official product webpage makes rather clear: https://wyred4sound.com/products/digital-converters/recovery
My PCB says Rev C but anyway I just had to try my Bakoon BPS-02
Zero-ripple pure DC joyness: http://www.6moons.com/audioreviews/bakoon2/1.html
They look great together, don't they:
It very obviously drastically improves the sound quality of Recovery even further, especially in combination with bus-powered audio chips and provides an extra level of improvement that unquestionably makes them a combo here to stay.
All in all, USB is slowly but surely improving with time and Recovery certainly didn't disappoint
Thanks for reading and lemme know if you guys find other tricks to improve it even further, it's just sheer fun to get tinkering to deliver