1. This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
    By continuing to use this site, you are consenting to our use of cookies.

    Dismiss Notice
  1. DallaPo
    TIn HIFI T3 | 1*DD & 1*BA | R: 9.5 with asterisk
    Written by DallaPo
    Published Feb 15, 2019 at 10:29 AM
    Pros - stage
    natural sound
    voice reproduction
    Cons - sibilants can be a KO criterion without equalizer
    The TIN AUDIO T2 Pro was not the hoped-for upgrade to the T2, although it was more detailed and transparent in its spatial representation and offered more treble expansion, but it also produced strong peaks that impaired listening pleasure.
    Now Tin AUDIO/HIFI starts a new attempt to silence the critics and what should I say, if you like they have shot the right bird this time, even if the T3 is not perfect and has its aches and pains. The T2 and the T3 both have their advantages and meet at eye level, but with a light hair tip the T3 goes in front.

    Also here you get the full score again.
    The metal case is solid, felt indestructible and comfortable to wear.

    Optically small things have changed. The case is now almost mirror-inverted to its predecessors. Thus you don't have to swap the sides anymore if you want to carry the T3 comfortably over your ears, which was still the case with the two predecessors. Apart from that, one is more or less forced to wear the T3 in this way, as the supplied cable has earhooks and cannot be carried straight down.

    The cable is another big step forward to what you got before. This one was more filigree and also with 8 cores, but the new cable is much thicker, more robust and better processed.

    The rest remains the same even though the packaging has become bigger and now foamtips are offered in 2 different sizes.

    Isolation and comfort still remain first class.

    Now that we have 3 different models to compare, I'll make another comparison between the three brothers in my blog and focus more on the T3 alone.

    Basically the bass hasn't changed, which also results in numerous frequency analyses in the network. It's very clean, to the point and especially linear from sub-bass up to 200 Hz and beyond. It is very harmonic and natural in playback as well. Amazingly, it is a bit fuller than its predecessors, which is hardly due to the construction, but rather to the general interaction with the other frequency ranges, so that it is a subjective perception.

    From the bass it goes cleanly into the midrange without covering it up. Here the T3 reveals its potential and they are among other things the highlight concerning the sound. The dynamic driver, which was previously responsible for the mids and highs, has given way to a BA driver and you can see that. The mids are very clear with a lot of details and above all a bigger stage than before. Voices are positioned exactly right and have an almost perfect weighting in the sound.
    Compared to the T2 I see them in front because of the slightly better balance and separation.

    The treble is a winner at the same time, but also a little spoil to make it perfect.
    Compared to the T2 Pro, it's a good step back, as it offers the larger extension, but also reached very high peaks.
    The T3 rolls faster, which robs it of something like that, but due to the exaggerated lightness of the T2 Pro this was already in the direction of unnaturalness.

    The heights of the T3 are much rounder and still offer enough expansion, airiness and lightness. There's really a lot going on here regarding the details and micro details that pop up all over the head and open the stage wonderfully upwards. Compared to their predecessors, the highs were tamed and perfected at the same time. However, there is a sometimes smaller, sometimes bigger drop of defense.
    This is the increase between 8 and 10 kHz. This ensures that especially in high pitched voices, especially in women, the sibilants come out strongly. For some songs, this can really become a no-go and make listening fun. Fortunately, this is not the rule and you even get used to it. Due to the excellent performance of the other areas, this is a bit more to get over but still not fade out.

    It's amazing what's possible for such a price these days. In Germany you can get rid of the T3 for over 100 €.
    The stage and the 3D image is one of the highlights of the T3, but also the balance between bass, midrange and treble is fantastic. The T3 is also more dynamic than its predecessors.
    Unfortunately, the partly strong emphasis on the sibilants misses the step to perfection in this price segment. Here a reduction in the mentioned range by approx. 3 dB can help to take this step! So the T3 reaches the level of the T2, which I still hold on to, be it because of nostalgia, its dry, natural way or the grandiose voice reproduction. The T3 brings it all with it and sometimes makes it even better (stage), but sometimes gets a little hot in the highs. Nevertheless, the T3 is one toe in front of the T2, which means it's a 9.5 with an asterisk!

    LINSOUL: https://www.linsoul.com/product-page/tinhifi-t3-IEM

    More reviews: https://david-hahn.wixsite.com/chi-fiear-eng
    Facebook: https://www.facebook.com/CHIFIEAR/
      ShakyJake likes this.
  2. Animagus
    Tin Audio T3- A big bang for your buck!
    Written by Animagus
    Published Feb 14, 2019 at 1:24 AM
    Pros - Great sound quality with excellent performance to price ratio
    Excellent build quality
    Brilliant cable for the package
    Cons - Sadly no carry case
    Some minor sibilance for treble sensitive
    My background- I am a professional musician, producer and audio engineer with experience in the performing, recording and pro-audio industry. I test products on a technical and musical level and try to write reviews as simple as possible from a music fan's perspective.

    Disclaimer- This unit was sent to me for a review. I am not affiliated with Tin Audio in any way and write this review with my best unbiased opinion regardless of how the review turns out.

    Genre preferences-
    I majorly listen to rock, acoustic, pop and metal genres and occasionally checkout EDM music which is doing the rounds on the radio and charts.

    Reference Songs list-

    1. Foo Fighters- The Pretender, Best of You & Everlong
    2. Imagine Dragons- Radioactive & It’s Time
    3. Coldplay- Paradise, Up in Flames & Everglow
    4. Ed Sheeran- Thinking out loud, Bloodstream & Galway Girl
    5. Gavin James- Always & Hearts on Fire
    6. John Mayer- Slow Dancing in a Burning Room, Stop this Train & Say
    7. Switchfoot- Meant to live & Dare You to Move
    8. Linkin Park- Papercut, One Step Closer & Somewhere I belong
    9. Maroon 5- She will be loved, Payphone & Lost Stars
    10. I Am Giant- Transmission
    11. Karnivool- Simple Boy & Goliath
    12. Dead Letter Circus- Real You
    13. Porcupine Tree- Halo, .3 and Blackest Eyes


    1. Transducers: 10mm dynamic + Knowles armature
    2. Frequency Range: 10Hz - 40kHz
    3. Sensitivity: 95±3dB
    4. Impedance: 16Ω
    5. Cable: 5N 8-core OFC-plated silver
    6. Connectors: MMCX
    7. Jack: 3.5mm

    You can place an order for the Tin Audio T3 at Linsoul with the link below,


    Included in the box-
    1. IEM
    2. Cable
    3. Ear tips- 2 pairs of foam & 3 pairs of silicone (S, M, L)
    4. Manual

    IEM 1.jpg IEM 2.jpg
    Cable 2.jpg

    Build Quality- T3 have an all metal housing which is cylindrical in shape. They have MMCX sockets which are color coded (Blue- Left & Red- Right) and are well integrated into the design.

    The biggest bling factor in the package is the cable. It is a 5N 8-core OFC-plated silver cable and looks expensive enough to demand the cost of the whole package. It is soft and flexible and comes with pre-formed ear hooks. All in all, the build quality is excellent for the price.

    Cable 1.jpg

    Fit and Comfort- T3 fits well and are comfortable to wear. They provide decent isolation but not as much as the semi-custom IEMs available today. You can choose between silicone and foam ear tips.


    I don’t own the previous T2 so I can’t compare its bass with the T3 but I feel that T3’s bass is present in decent amounts, enough for me to enjoy bass in rock tracks. The bass is well textured and sub-bass goes low to 20Hz. Mid bass and upper bass sounds clear and has good definition. Porcupine Tree’s Halo is a rock track carried by Colin Edwin’s fantastic bass playing. The bass guitar sounds natural and has good definition in track. Similarly, Porcupine Tree’s track .3 sounds great too. I love how clear the bass is in that track. In Karnivool’s track Goliath, the focus is more on mid and upper bass than sub-bass. Moving to modern pop music, Selena Gomez’s track Back to You’s bass has good snap and sounds well defined in the track which is full of keyboards and samples. All in all, I don’t miss boosted bass of other IEMs while listening to T3 at all.

    Mids- One word can sum up the mids and that is ‘clarity’. Mids are on the thinner side which helps in clarity and separation and have a nice and easy tonality. Lower mids have a small dip which reduces the build-up around 500Hz and helps in clearing out the mud region. Upper mids have good snap and sound crisp with good attack. Piano in songs like Coldplay’s Everglow sounds more crisp than warm, and acoustic and electric guitars have good a crispy presence too. Vocals are also a lot of fun to listen to. They have great clarity and presence, and do not get honky or irritating anywhere. Drums sound punchy too with kick and snare in songs like Our Lady Peace’s ‘Do you like it’ sounding particular good with good smack and attack.

    Treble- Treble also has good clarity and sounds airy and open though a bit grainy sometimes. The sibilant region of 7-10kHz is a bit conditional. FYI, I am quite sensitive to this region but I hear sibilance in tracks that are either sibilant or tending sibilant only. Not all of them. But it isn’t so pronounced that I would want to pull my earphones out immediately or have a long-time problem with it. Besides that, the treble has a nice character and adds on to the high mids giving instruments some nice sheen. Cymbals, upper registers of string instruments and horn sections have good timbre and tonality and are quite enjoyable.

    Soundstage, Imaging and Separation-
    The soundstage, because of nice treble, sounds airy and clean, and doesn’t sound claustrophobic at all. Imagining is done very well with all instruments placed correctly and spread out well with good separation. T3 is an open sounding IEM and I particularly like it for that.

    Conclusion- Tin Audio T3 is a very good package at $59. I was leaving for a road trip when I got them. I just took the T3 along and was immediately uplifted by it’s well tuned sound signature as soon as I plugged them in. It is certainly the best sounding earphone I have in this price range and it can give some more expensive IEMs a run for their money too. Sadly, they do not come with a carry case but for its sound quality, tonality, great build quality and the awesome cable it comes with, I can happily recommend this to anyone without a doubt. I’m sure it’s going to be a widely successful product and I can already see that with the number of orders that have been placed on Massdrop.
      ShakyJake and hakuzen like this.
  3. antdroid
    T3: Improvements upon the Previous Models
    Written by antdroid
    Published Feb 12, 2019
    Pros - Good bass response
    Balanced bass and mids
    Great cable (if you can use it)
    Cons - Treble can be peaky and sibilant
    Design isn't the most comfortable


    Tin Audio has been one of the rising stars in Chinese earphones the past 2 years with the release of their Tin Audio T2 and T2 Pro in-ear monitor headphones. The T2 and T2 Pro were previously reviewed by me and received high marks due to their clean, neutral sound signature, and budget price.

    Tin Hifi is back at it again with their T3 model and this one replaces one of the dynamic drivers with a single BA and is a hybrid model instead of the dual dynamics of the previous generations. In this new scheme, the dynamic controls the bass region, while the BA handles the upper mids and treble.

    The T3 is available now at Massdrop exclusively but will be available on Amazon via LSR-Direct, Ali Express and other stores, including Linsoul.com who provided me this exclusive preview sample unit prior to market.

    Accessories & Build

    The T3 comes in a similar but larger blue faux-leather box with a window cutout to show off the hardware. Inside, you’ll find the T3 with a slightly different housing and a very premium yellow/silver cable that has quality mmcx and 3.5mm connectors. This cable has heat shrunk bends to it so the T3 is meant to be worn over-ears. In addition, three types of tips are included in various sizes in this set. The default tip is a silver memory foam one, which is a bit large for my liking.

    I never found the T2 and T2 Pro that comfortable to as an over-ear style earphone, but with the T3 barrel being slightly longer, it does help a little bit with fit. While the new cable is gorgeous to look at, and feels great, the hooked cable along with mmcx connectors, which allow the cable to move around freely, makes it hard to get a good fit wearing up. I switched it out with a cable I have that does not have memory wire and it can now freely move to wear it needs to go quickly without re-adjustments. For this review, I mainly used Comply foam tips.

    This review of the Tin T3 was heavily auditioned on the Pioneer XDP-300R Digital Audio Player using a 2.5mm balanced cable from Yinyoo. In addition to this primary setup, I also tried it with the Hidizs AP80, and Monolith THX-AAA Balanced DAC/Amp and iPad Mini.

    For music, I listened to some random playlists and various artists including: Norah Jones, Fleetwood Mac, U137, Cigarettes after Sex, Kenny Chesney, Coldplay, Massive Attack, Cocteau Twins, Alvvays, and others.

    Generally, I find the T3 similar to the T2 and T2 Pro where they are all diffuse-field neutrally-tuned but with upper end energy that makes them a little bright. Some people may hate this and find it harsh and sibilant, while others, like me, are perfectly fine with this type of tuning. Let’s try to go over it with some comparisons thrown in-between.


    The bass region, measured, remains very similar. And that’s kind of true. The T3 has very clean, linear-ish low end, but it does feel weightier and more extended than the T2 and T2 Pro. In Massive Attack’s “Unfinished Symphony,” the opening few seconds has a much more rumble and punch to it then it ever sounded and felt like on the previous models. Perhaps its due to some slight tuning differences, though the vent holes are pretty much the same size and location as before, but I don’t know if the driver has changed within.

    Another explanation is that the mids and treble have been more balanced than before, which would help bring the bass higher up in the mix. The mids are more coherent this time around and thanks to the new BA driver, the details are quite good with improved soundstage that’s similar to the T2 Pro. Male vocals like Kenny Chesney in his popular song, “You and Tequila”, sounds excellent. Likewise, I found Chris Martin’s voice in various Coldplay songs to sound accurate and pleasing.

    Certain female vocals, though, can sound slightly off. Alvvays’ Molly Rankin sounds just a little too high and strained, for example, in their song “Dream Tonight.” The T3 treble can be a little hot. The lower treble has been toned down with the new driver and there is no longer as large of a peak in this region, but there is still some elevated peak starting at around 8-10KHz that can cause some sibilance and some harsh graininess in some tracks. In my measurements, a lot of the upper treble is basically missing or rolled off as well. This was an area where the T2 Pro improved upon, adding more extension in the treble, but it also created much higher peaks in the rest of the region causing some to find it very high pitched and unnatural.

    The T3 luckily lowers most of the frequency response closer to neutral in general, and with a weightier bass, really balances out better than the T2 and T2 Pro. The treble peak around 8-10KHz can be a deal breaker for some, but I found that EQing this area down just 3-4dB and increasing the 1-2KHz area up 1-2dB can really improve the overall tonality and timbre. It removed sibilance from songs from Norah Jones and other female vocals with emphasized “S” and made some unnatural sounding high pitched instruments sound more normal again.

    Wrap-Up & Conclusions

    The Tin T3 is an actual improvement over the previous T2 and T2 Pro and is probably the most balanced of the three. I still recommend it only if you like a brighter sound signature or are willing to EQ it but I find this IEM to have good detail, soundstage, and energy at the price point and with the improved bass, I think many will enjoy it over the T2 and T2 Pro.

    If you already own one of the other two, the decision is probably a little harder. I’d recommend it over the T2 Pro if you found the Pro too bright. If you have the T2 already, it’s a toss-up. The T3 has some improved details, bass and soundstage over the T2.

    In short, it fixes a lot of the user complaints about the previous two models but does open up a new one with the large treble peak that shifted over the previous models to an area that may cause some sibilance. EQ can manage this and make it a very well balanced IEM for the $69 offering price.
      hakuzen likes this.
  4. cleg
    So familiar, yet so better
    Written by cleg
    Published Feb 8, 2019
    Pros - sound, design, package, accessories set, wearing comfort
    Cons - none for this price, it's non the ultimately best IEMs ever, but one of the best in its segment
    1-Main Pic.jpg
    Tin Audio were never overambitious and never tried to seize the unseizable. They have found their way - to build relatively cheap IEM models with neutral sound signature - and follow it. After having released two successful models - T2 and T2Pro they decided to try to build hybrid IEMs and released T3.

    I received TinAudio T3 as a free sample in exchange for my honest and unbiased opinion. IEMs are available from AliExpress for $70.

    Usually at the beginning of my reviews I speak about some technical peculiarities of the models, but in this case, there is not much room for that. The dynamic transducer is rather good, as well as Knowles armature, metal body, and oxygen-free copper cable - there is nothing to make audiophile surprised. However, the hardest thing is to “mix” those parts correctly to get a good sound. TinAudio succeeds in it because you can hear their signature sound in every model they release. It is also appealing that the price of their IEMs is not very high - just 60-70 USD per unit, and you can clearly consider it to be a budget solution.


    • Transducers: 10mm dynamic + Knowles armature
    • Frequency Range: 10Hz - 40kHz
    • Sensitivity: 95±3dB
    • Impedance: 16Ω
    • Cable: 1.25m, OFC with MMCX connectors
    • Jack: 3.5mm

    Packaging and accessories
    The box of T3 became more complex in comparison to previous models. It sports outer white slipcover with a perforation that leads to the inner box. As usual, the inner box is made in the book style, but now it has a transparent window that shows the IEMs. This makes good packaging even better.

    What’s in the box:
    • IEMs
    • cable
    • ear tips: 2 pairs of foam ear tips and 2 sets (3 pairs/set) of silicone ear tips
    • manual

    Such presentation works really well and the IEMs can be a good gift. They look much more expensive than they actually cost.

    Design and usability
    Another good point of this model is its appearance. IEMs cylindrical bodies of classic style are made of metal and there are MMCX connectors in the back part of the bodies. The shape of IEMs has been redesigned in comparison to the previous models. The general appearance became much better and effective, but, this doesn’t spoil the usual severity that has become TinAudio’s style.

    Due to traditional shape, the IEMs fit well to most ears, providing good comfort and decent isolation. At last the company acknowledged that putting connectors in front is not such a good idea and moved it to the back part of IEM bodies, as it is done by many other manufacturers designing IEMs for over ear wearing. You, nevertheless, can easily wear T3 “cable down”, and in such case, it will be a good idea to switch earpieces around and to get the cable without ear hooks.


    The stock cable is very good - soft, flexible and perfect in everyday use. It also looks appealing - a braided variant that may cost quite much if sold separately. MMCX connectors, which are made of metal, have a fine fixation. Jack is made of metal as well and sports carbon insertion.
    The Y-Splitter is made of metal and the slider is represented in the form of a cute transparent bead.

    Overall the look of T3 can be called “expensive”, the build quality is very good and you can easily see how affordable became IEMs, looking the same as flagships of 5-7 years ago.

    5-Without Tips.jpg

    I used the following equipment for testing purposes
    • Yulong DA9 and Resonessence Labs Concero HP as DAC and AMP
    • Apple MacBook Pro Retina 2016 as source
    • Fidelia as the player
    • Lotoo Paw Gold Touch, theBit OPUS#2, Astell&Kern A&ultima SP1000 and others as portable players
    • High-resolution recordings in lossless formats (Dr. Chesky The Ultimate Headphone Demonstration Disc etc.)

    Before listening the IEMs have been burnt in for 48 hours with changes during the first couple of hours only.

    This time TinAudio have made a slightly different signature in comparison to their usual neutral one, making T3 sound more lively and it is the exact reason that allowed new IEMs to make a good step forward. The model is more emotional and became more recognizable while keeping non-colored sound and good resolution for its price. Making my reviews I always take into account the price range so I will not repeat it further on.

    6-On A&K.jpg

    The lows are almost not accentuated and this will not appeal to enhanced bass lovers. Still, they are solid and springy and have good depth. In combination with resolution and good layering of more expensive models, it makes lows sound balanced and natural. The IEMs cope well with timbres of this register.

    The mids in comparison to the previous model have become less accentuated in terms of micro-details but slightly focused on macro-details. They have good weight, are emotional and sound on a whole new level. In combination with TinAudio signature neutral sound, this allows IEMs to sound more mature. Detail retrieval is still on a very good level, however, and the involvement into music is good. The soundstage is average in terms of depth and width, the positioning and layering are good.

    Treble is the thing that has been revised here as well, apparently due to the correct choice of armature driver. Of course it cannot boast layering or tonal richness of expensive multi-driver models, as well as their length, however, the treble has resolution and natural timbre. Also, I think that TinAudio engineers have chosen the correct amount of treble and it sounds rather balanced.

    7-Full View.jpg

    There are many competitors in this price range, and I have chosen some of them:

    Ostry KC09 This model offers a darker overall signature with slightly less resolution and more accentuated bass.

    iBasso IT01 This model is more aggressively tuned, lows and highs are more accentuated. That’s why despite almost the same level of detail retrieval and resolution, TinAudio's model sounds more neutral.

    Whizzer A15 Pro Those are good dynamic IEMs with slightly more natural lows (yet without the same depth). In other parts of frequency range TinAudio sound more detailed but less full.

    8-Stylish Shot.jpg

    Of course, the sensitivity of 95±3dB is rather low. Although part of modern smartphones will surely cope with it, such use case is not recommended. The technical ability of T3 is rather high and they require a portable player to truly shine. Actually, even the players of the entry-middle segment will do.

    TinAudio T3 is not genre-specific. The only condition for you is to like the neutral, non-colored sound. They are also moderately sensitive to the quality of recording, approximately 7 of 10.

    9-Again with A&K.jpg

    Some tracks as an example

    Kovacs — Mama & Papa Unusual contrast of lyricism and epicism with distinctive vocals will bring pleasure for any music lover. This track shows the technical abilities of T3.

    Dead Can Dance — The Ubiquitous Mr. Lovegrove Despite minimalism the track sounds full and T3 shows it well, with rich drums, vocals, and percussion.

    ZAZ — Eblouie par la nuit Another way to show IEM technical abilities - a very emotional track that allows T3 to shine.

    Upon the whole, TinAudio has continued their traditions and this will appeal to their brand fans. Again they have produced neutral and detailed sound in the convenient body. T3 is a good improvement in sound signature that, luckily, haven’t made the price go up.
    1. Killcomic
      Great review! You know, while reading this, I couldn't help but hear your voice in my head like in your videos.
      Killcomic, Feb 11, 2019
      cleg likes this.
    2. ThatAFKNoob
      Excellent review! The Tin T3 are probably going to be my favourite IEM once I get my hands on them!
      ThatAFKNoob, Feb 11, 2019
      cleg likes this.
    3. ArlakTheRecluse
      Unfortunately I literally just bought the T2's, so I'll likely stick with them till they break. Great review, I should have waited 2 more weeks!
      ArlakTheRecluse, Feb 14, 2019 at 11:31 AM
      cleg likes this.