Introduction
Have you ever wondered: "I want to experience a different tuning than Harman within a budget". Wonder no more with this review of the HZSound Heart Mirror, an IEM tuned to follow the IEF Neutral tuning coming at $35 (and now replaced by his sibling: the HZSound Heart Mirror Zero, also for $35)
Disclaimers
- This review is based on 2-4hs listening sessions across 7 days - IEM used with stock tunning and accesories
- Favourite music genres: Heavy Metal, Classical, EDM
- Only lossless music from Qobuz
- Gear used: Fiio E10K, TempoTec Sonata HD Pro (BHD firmware)
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Unboxing, build and comfort
The HZSound Heart Mirror come in a medium-sized box with a sliding system that reveals the IEMs and their case. Underneath the case, we find a large number of ear tips to use: 3 pairs of white silicone ear tips (balanced) in sizes S/M/L, 3 pairs of black ear tips (bass focused) in sizes S/M/L, and a pair of foam tips. Also, the Heart Mirror comes with a clip to attach to your shirt to avoid cable microphonics. Speaking of the cable, it is a 4-core 2-pin 0.78mm silver-plated oxygen-free cable (OFC). It is a fairly complete package for the price, and personally, the black tips and the cable are two of the accessories I use the most when testing other IEMs.
Focusing on the IEMs themselves, they have a 10mm dynamic driver with a nano-carbon diaphragm. These are protected by an electroplated zinc housing with a glossy finish, which makes them feel very premium for their price, but also makes them a fingerprint magnet and easy to scratch with any sharp surface.
In terms of comfort, the size of the IEMs is relatively small (there is a comparison with the KZ DQ6 below), so they fit very comfortably in the ear. However, I could only achieve a partial seal in my right ear with any type of the eartips provided, so I would say that the comfort is only decent at best.
Frequency response description
- IEF Neutral tuning
- Sub-bass and bass that do not bleed into the mids but extends well
- Accentuated highs (fatiguing), that provide a lot of detail and clarity
- Tuned for analytical listening
Subjective sound description:
Starting with Iron Maiden, “Powerslave” (Live Long Beach Arena), the imaging is precise with good separation between the guitarists on either side. The lows from the bass guitar sound behind in the mix and may even be difficult to find in situations where the instruments play in unison. From the same live performance, in “Running Free”, the bass is present at the beginning of the song when it is presented alone and has good definition.
Continuing with classical music in The Four Seasons, Concerto in F Minor, RV 297, Op. 8, No. 4, "Winter": III. Allegro, the clarity of the string instruments (violin, double bass and harp) is excellent although they can sound a bit metallic (this happens with most instruments that live in the treble region). Microdynamics can be appreciated during moments such as a person stroking the harp strings to play while the violin plays as the protagonist. Overall, with all of Vivaldi's Four Seasons repertoire and classical music, these IEMs demonstrate their true strength. However, being so resolving, they do not offer that relaxed listening experience that many people seek.
It was very enjoyable to listen to Adele's album "25" with these IEMs. During "I Miss You," the soundstage is wide and the separation of the instruments in space can be appreciated. Also, distant instruments like a maraca or tambourine can be appreciated on the left side of the mix. On the other hand, in "When We Were Young," the different voices harmonize articulately, and the three participating voices can be distinguished clearly along with the drums and piano in the final stretch of the song.
Continuing with another great artist, Amy Winehouse's 2006 album "Back to Black" is an "old" album in which some songs seem compressed and even congested. However, Amy's voice is always present and in a very intimate and enjoyable way.
Moving on to male singers, a song that I always like to listen to is "Vivere" by Andrea Bocelli, and I have to say that this IEM does not disappoint here. Both the female and male voices have a well-marked authority in the song with the piano and bass following a bit behind. The presence of both types of voices is a virtue as well as a course due to how fatiguing they can be for long listening sessions.
For me, another great male singer is Sinatra. While singing "Luck Be A Lady" (Live At Carnegie Hall), I have to admit that the trumpets sound sibilant. Sinatra's presence is exceptional here. You can really hear the width of the soundstage of these headphones. The reverberations that Sinatra generates through the speakers in the theater can be heard and that is incredible for an IEM under $50.
Last but not least, I tested the sub-bass in "Grnfthr" by Spark Master Tape. This song has powerful sub-bass, and the Heart Mirror represents it without problems. They have a very good extension that goes down to 30-40Hz. However, with how they are tuned, you cannot expect that meaty bass that makes you shake your head to the beat of an EDM song drop. I would not recommend them if the genres you consume most often are Hip-Hop, EDM, or others where the bass has great predominance.
Conclusion
The HZSound Heart Mirror are headphones that I can recommend to those who seek to listen all the little nuances in music and prefer genres such as classical, opera, or melodic music. I cannot recommend them for everyday use since they are extremely fatiguing headphones that make you concentrate on the music at all times. However, I believe that these IEMs are a must-have for every person to complement their collection by offering a sound that deviates from the Harman Target and provides amazing sound quality below $50.