Campfire Audio Andromeda

General Information

Five balanced armature drivers and tubeless resonator in a machined aluminum enclosure.

Designed and hand built in Portland, Oregon USA.


Frequency Range: 10Hz-28kHz
Sensitivity: 115 DB SPL/MW
Impedance: 12.8 Ohm @1kHz
Cable: Silver Litz cable, MMCX connection


1x Pair Andromeda earphones
1x Silver Litz cable with exclusive MMCX connectors and memory wire
1x Leather carrying case
3x Pair Comply Foam tips (S, M, L)
3x Pair memory foam tips (S, M, L)
3x Pair silicone wide bore tips (S, M, L)
1x Owner’s manual

Latest reviews

Pros: Versatile & splendid signature
-Colorful while keeping neutral
-Great set of accessories
Cons: Vulnerable to white noise
-Not meant for those who prefer dark sound

Campfire Audio Andromeda Review: Welcome to the Campfire

This one is already too famous for any introductions, right? Andromeda is not only a steady seller from CA (Campfire Audio) but also a jackpot that worked as the major opportunity to make the brand popular among the audiophile community worldwide. Although that may sound a little too exaggerated, in fact, that really was the case.

Campfire started off its brand with a 1BA model, Orion and next with a 4BA model, Jupiter. The second wave of products was an improvement from those existing models. Orion followed with a 2BA model called Nova, while Jupiter was followed with the well-known 5BA model, Andromeda. There is more to talk about, but enough with the introduction and let us now move on to the review.



Campfire Audio finally went through some revamp with their packaging and I am happy about it. There are lots that do not pay much attention (or not at all), which is very reasonable. But I believe better packaging and boxing do matter when talking about premium IEMs. The size of the new packaging still goes for a reasonably small box but roughly twice the bigger than the old ones. Once you remove the CA sticker on the rear of the box, the outer packaging would unfold and reveal the inner box which includes all the belongings. I very much enjoy this new packaging as they are beautifully designed inside out and gives a feeling as if you are unboxing a present.

Other than the earpieces, it includes 1 set of 3.5mm stock cable, 1 leather case, 3 pairs of earpiece pouch, 5 pairs of Final Audio eartips, 3 pairs of CA eartips, 3 pairs of CA foam tips, 1 CA Lapel pin, and a cleaning tool. CA used to provide only 1 pair of earpiece pouch before, but it seems like they have realized the demand for it and started to throw in an extra 2 pairs - which I appreciate a lot. The lather case is also newly designed to have the same color as the earpiece. The size also got slightly larger for better convenience when storing with custom cables.



As shown, this "mechanical-looking" appearance has been Campfire Audio's signature design from the get-go. The earpiece is made of machined aluminum and sports an edgy look, though the edges are slightly rounded as well as the inner side forming a fairly ergonomic shape. Not the best in terms of comfort or compatibility, but the fit is not bothering at least. Though users with smaller outer ears will have problems fitting these to their ears as the earpieces are still a bit chunky and edgy. Andromeda uses 5BA drivers per side - dual lows, single mid, and dual highs. The dual highs are incorporated with T.A.E.C. (Tuned Acoustic Expansion Chamber), which is a specifically designed inner structure that sits in front of the drivers and takes a major role in creating their signature sound.

The nozzles are made of stainless steel and separated into 3 bores. Other than that, the earpieces are detachable and use custom-made MMCX sockets that are compatible with typical ones yet inforced in durability. Impedance is 12.8ohms which is quite on the lower side, making Andromeda a lot more sensitive on catching white noises depending on the cable and player. This means that if you are using another IEM with your player and detected some white noise, that white noise will most likely sound a lot louder on Andromeda. I would suggest pairing with a custom cable or a different player if such a case happens.



The cable went through some changes too. First the shielding. The previous silver-plated Litz cable had a transparent silver look which looked good, but vulnerable to discoloration and stains. The new version has a smoky grey jacket that solves such problems as well as being even softer. Metal memory wires are gone too and replaced with a simple ear hook design.


Sound impressions - Lows

For most cases, once a sound signature gets brighter, the more the bass loses quantity, moisture, and reverbs. This eventually causes the bass to sound "snappy". So how's the bass on Andromeda? While Andromeda is usually praised for its upper frequencies, it doesn't fall behind in bass performance at all. Lows are large and thick, creating a well-bodied slam and bass presence. The tone of the bass is on the darker/warmer side, providing better contrast and separation from the bright upper frequencies. Not to forget mentioning that this greatly helps the sound to keep its balance in terms of brightness and temperature.

Quantity of ultra lows is just about average but surprisingly well presented with clarity. The bass dives quite deep, providing a pleasant yet gentle amount of rumble. Midbass is plentiful and has just the right amount - not too much, not too little. The textures are smooth but not mushy and keep its precision. Let's now talk about the strike and decay. It hits solid and fast while keeping in all the juice from the bass, so the bass does not get dry or tough. So the strikes are fast, though the decays are slightly more relaxed in speed, along with an adequate amount of reverbs. The reverbs keep their limits on how much and far they spread, keeping the atmosphere clean and neat. Andromeda fully fills up the lower end with dark, deep, and rich enough details.


Sound impressions - Mids

Mids are presented up close, scale large, and naturally connect with the lower mids. The lower mids continue the low frequency's thick, large nature. However, as the vocals carry out a bold and full-bodied sound, Andromeda shines with its analytical ability and highlights the texture details and the vocal layers. While the mids are presented close to the ears, it does not feel to be "budged out" but keeps the surface flat and evenly spread throughout the middle range.

Upper mids are especially impressive as the tone and position do not stumble as it crosses the sibilance area. Andromeda keeps a mild shine without a spike and steadily builds-up the brightness as it approaches the treble. This is worthwhile to say that Campfire Audio nailed that very tricky and ambiguous sweet spot where the vocals sound refreshing but not fatiguing. Overall, the BA drivers used for Andromeda are very well fused to each other to create a coherent, consistent, and harmonic vocals that flow beautifully.


Sound impressions - Highs, etc.

Highs take a step back from the other frequencies as well as very slightly reduced in quantity. With a delicate and sparkly attitude, highs do a superb job catching the fine textures and multiple bits of thin and small details that could be easily left behind. Though that does not necessarily mean the highs are fatiguing. Andromeda presents the treble detail without getting the rigidity too stiff or sharp but instead lightly smoothens out the edges while maintaining an acute, crispy expression.

The highs are also appropriately reduced in brightness and distance, preventing them from rushing out or breaking the harmony. Thanks to that, there is a good chance that the Andromeda will still be pleasurable even if you are sensitive to brightness. I would say that the trebles here are tuned to be shiny and transparent while keeping the sound as fatigue-free as possible. Staging is outstanding. The sound nicely spreads out towards the x,y, and z-axis, forming a sphere shape headroom with distinctive layering.


Eartip / Cable suggestions

The stock FAD / CA eartips are also good too, though my personal best selection for the eartips is Spinfit CP360. They bring out an atmosphere that is a lot airier without getting the sound too sheer or light-weighted. Most importantly, it nicely cleans out the reverbs and makes the sound presentation a lot clearer and bolder, so I would suggest giving these eartips a try.

Andromeda is keen to work nicely with a variety of cables, so choose an aftermarket cable would depend mostly on personal taste. Gold-plated copper, for example, would tend to give stronger reverbs and larger/thicker staging. Pure silver or SPC would give more crunch to the sound and reduces the reverbs, making the sound denser, airier, and cleaner. Copper keeps a very natural tone and usually a bit warmer and relaxed than the silver ones. I have been matching a variety of cables for the Andromeda, and my two best picks are Rhapsodio Nylon Silver and Satin Audio Athena. Both provide great bass with well organized/clean upper ranges.



There is no doubt that Campfire Audio has done a remarkable job creating the Andromeda. Commends that end fast are simply hypes, while the ones that last long are like letters of guarantee. I have been and still am impressed with this one. Many years have passed since Andromeda was first released yet it is still in the game and winning big time against the new competitors. Not only the performance is more than enough being up to par, Andromeda sports a sound that is very likable for many people, making it a choice that is hard to go wrong. Its well-balanced sound topped with rich, color splashes of details would make this classic flagship model worth a recommend even in the long run. If you want to know the true house signature that Campfire Audio suggests, this IS the choice you should make.


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Thanks to CA for providing Andromeda for an honest feedback/review.
I am not affiliated with CA and none of my words were modded or asked to be changed.
Pros: Engaging & Musical
Open & Transparent
Excellent Soundstage
Cons: Sound is, to my ears, very tip-dependent, i.e.: silicon tips sound stunning, Final Audio tips sound good and foam tips kill the bass/low-end
Disclaimer: I have a preference for an open, lush/smooth/warm sound with some definition, texture and soundstage — none to excess. I am not into an analytical or clinical sound. Keep this in mind when reading this review.

· · ·

For as long as I can remember, Campfire Audio (CA) has been synonymous with their Andromeda IEM and vice-versa. This remains true to this day even though the Andromeda lost its flagship status in Campfire Audio’s line.

Now, I never tried the original Andromedas. Every review I read about them had me look the other way although they often concluded with an award. Cons listed usually were some comfort/fit issues due to the shell’s design, a lack of bass and highs which could sound harsh to some. In all honesty, I also wasn’t ready to spend such an amount of money for a pair of IEMs — original or special edition, these are expensive — although I quickly ended-up spending their price in other portable Hi-Fi devices… something worth reflecting on.

With that being said, when I saw the announcement for the Andromeda Special Edition: Gold (Andromeda Gold from here onwards) I took the plunge and bought my first pair of high-end IEMs and I was in for a lesson I won’t forget anytime soon.

Andromeda Special Edition: Gold expands on the best elements of the Andromeda’s sonic signature with dramatic flourish. The bass is punchy and deep. The highs sparkle and the mids are present and unfiltered. This earphone is musical with ease all while delivering superior top-to-bottom coherence.
— Campfire Audio’s official description of the Andromeda Special Edition: Gold​

Believe it or not, these are the lines which sold me on the Andromeda Gold. From a technical standpoint, the fact that the design was cross-over-less also appealed to me. The previous — and most expensive — pair of IEMs I owned were the Empire Ear’s Bravado featuring a hybrid design with one balanced armature, one dynamic driver and a 4-way crossover which sounded so much in your face that it was downright annoying. So how do the Andromeda Gold sound?


The Andromeda Gold sound engaging and musical, without being in your face. Small details and audio cues can be heard here and there without any annoyance that details can sometimes bring. Their soundstage is excellent and just right. The lows are there in the sense that one can feel them though not at the expense of the mids or highs which truly shine with no coloration impacting one or the other. I also (re)discovered that instruments and music have texture. In summary they are open, transparent and have the warmth which I believe music should have — unless you are into analytical/clinical sound.


In terms of overall comfort, they’re good. The shell’s design wasn’t an issue for me but I can see it being one for some. These are tiny IEMs though, I didn’t expect them to be so small. Three sets of tips come with the Andromeda Gold:
  • Final Audio tips (xs/s/m/l/xl)
  • Silicon earphone tips (s/m/l)
  • Campfire Audio Earphone (foam) tips (s/m/l)
I use the medium silicone tips as they provide me with the best sound signature (particularly in terms of low-end), seal as well as comfort. The medium Final Audio tips provided a similar sound signature with a bit less rumble on the low-end and a little less comfort. However, note that these tips make the IEMs stick out of your ears a bit more due to their design. Last but not least, the medium Campfire Audio earphone (foam) tips almost made the low-end disappear to my ears so, if you only tolerate foam tips and are expecting low-ends such as the ones described above, beware.


In summary, the Andromeda Gold put a smile on my face. They are so well-rounded that I struggle to find some flaws, as you surely noticed. Since I bought them, they have been my daily pair of IEMs which I bring pretty much everywhere and use with any source. Until another pair knocks them down, they will be my point of reference for high-end IEMs.

Campfire Audio Andromeda Gold.jpeg

· · ·​


Source: Sony NW-ZX300 / Uncapped – Firmware: 2.02 – Audio effects: none enable and direct mode disabled – Official site


Campfire Audio Smoky Litz Cable, 3.5mm, Single-ended (stock cable)

  • Fleetwood Mac, Rumours, Never Going Back Again
    Quality: 24-Bit 192.0 kHz – Stereo, FLAC
  • Joni Mitchell, Blue, California
    Quality: 24-Bit 192.0 kHz – Stereo, FLAC
  • Nina Simone, Pastel Blues, Sinnerman (Live In New York/1965)
    Quality: 24-Bit 192.0 kHz – Stereo, FLAC
  • Pink Floyd, Wish You Were Here, Wish You Were Here
    Quality: DSD / SACD
  • Plüm, You’re the one, You’re the one
    Quality: 16 bit 44.1 kHz – Stereo, FLAC
  • Simon & Garfunkel, Sounds Of Silence, Anji
    Quality: 24-Bit 192.0 kHz – Stereo, FLAC
  • Stevie Wonder, Talking Book, Superstition (Album Version)
    Quality: 24-Bit 192.0 kHz – Stereo, FLAC
  • Various Artists, Atlantic Jazz: Soul, Comin’ Home Baby (LP Version)
    Quality: 16 bit 44.1 kHz – Stereo, FLAC



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Thank you, much appreciated :) — Yes, I tried them with the best tips I ever had which are the blue, balanced tips, which came with the Dunu Titan 6. They also came with red, vocal, tips. I found the sound to be in-between the silicone and Final Audio tips.
I was also into silicone standard tips untill I discovered JVC spiral dots
  • Like
Reactions: NewEve
I'll look into them, thanks!
Pros: Clarity
Mids and treble
Cons: Lack of Bass
Nothing else
Bought these with my own money, this review is not sponsored or indorsed in anyway

Sony IER Z1R
Empire Ears Legend X

HIby R5
Ipad Pro
Macbook pro
Iphone X w/dongle

Test Tracks:
Bass response: Drake MIA, Ed Sheeran South of Boarder
Mid response: Ed Sheeran South of the boarder, Toto Africa, Sam smith How do you sleep
Treble response: sam smith How do you sleep, Dj snake You know you like it

Decent, nothing spectacular but the inclusions are nice.
Good selection of tips (this is important for the Andro's sound)
It would've been good if in the V2, a mesh pouch was included as the paint on the andro chips easily
Sony's easily beat here, but at 1.5x the price

Really like the build.
Lean Green Great sounding machines
I have always been fond of the CA house design on their BA IEMs
I would say the IER is a side grade in terms fo build (as they scrach even easier)

Good, as long as you find the right *Silicone* tips you will be fine
Not as good as the legend X, but substantially better than the Z1R

Tip selection
Campfire in house marshmellow tips and Final Audio E tips are included
Don't use the foam. They dampen the sound and the airy sound sig vanishes

  • Bass: Given it is a BA, it's not bad. Interestingly, the lower the impedence of the output device, the better the sub bass response. However, it isn't the star of the show for the Andros. Far from it. The Z1R comes in next - with the best sub bass. But the Legend X beats both out.
  • Mids: Incredible. I really liked the mids on the Andros. Substantially better than the LX and Z1R. There is a good fullness to the texture and vocals sound great.
  • Treble: Very clear and detailed. I found at times (very rarely) it could sound harsh (but i think, in retrospect, this was down the genre choice). Not silibant. On par with the LX and both beat the Z1R.
  • Stage: Very very very very good. Once you get the right tips on these sound very airy and detailed. As if each instrument has a corner of your head. Well done. Beats out both the Z1R and LX inthis aspect.
  • Instrument seperation: Very close between the Z1R and Andros here. The seperation on both is excellent, and the best i've heard so far. Both easily beat out the LX.
  • Reproduction accuracy: Good. But, the Z1R easily wins here.
This is my first set of IEM's which didn't have a focus on bass and sub bass. And to be honest, i really enjoyed them. Sure, the visceral, palpatation inducing bass was missing, but i cannot complain about that as i don't think that's the intended purpose of these. THe sound signature is a fun take on a reference FR. I think these are suited to someone who enjoys music which is mid and treble centric, as to date, i am yet to listen to a pair of IEMs which beat them in terms of their mids. Another highlight is the clarity and sounstage. It has a palpable airiness to it, which neither the LX or Z1R has (Z1R does kind of have it, but it's silibant).

Overall, a great set of IEM's. given the lackluster bass, i think it's fair to give these a 4.5.

Thanks for reading :)
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ronny boi
Are you going to be trying the r6?
@ronny boi I see the r6 as a downgrade from the r5, so no :).
ronny boi
Did you use balanced or se?


Hi everybody. I'm looking into maybe getting the andromeda. I've narrowed it down to andromeda and the warbler prelude. Almost 2 years ago the was discussion on this thread about custom sleeves. I need customs because I need the isolation. I'm leaning forward the warbler but I'd more strongly consider the andromeda if there were a good custom sleeve option. Maybe someone here has recent experience with custom sleeves on the andromeda. I know Snugs does one but I haven't found any recent information. Anyone here using them
Andromeda users, can any one suggest me key points to identify counterfeit Andromeda? I am buying a second hand. Will be using for the first time.
Hi everybody. I'm looking into maybe getting the andromeda. I've narrowed it down to andromeda and the warbler prelude. Almost 2 years ago the was discussion on this thread about custom sleeves. I need customs because I need the isolation. I'm leaning forward the warbler but I'd more strongly consider the andromeda if there were a good custom sleeve option. Maybe someone here has recent experience with custom sleeves on the andromeda. I know Snugs does one but I haven't found any recent information. Anyone here using them
Guys. I just picked these up last week. I’ve listened to every genre. From Diana krall to Def Leppard Pyromania. These phones are completely addictive sublime unbelievable. Nothing out there short of CIEM’s touches them. And yes, that includes Shure 846’s. Andromeda TRASHES them. They sound like junk in comparison.