Bellos Audio X4

BonGoBiLai

100+ Head-Fier
Something Different
Pros: 1. Top notch bass
2. Organic midrange with a mild warm tilt
3. Awesome comfort
4. Chock full of innovative tech
5. Extraordinary Imaging prowess
Cons: Tip rolling is required for optimum treble response
Bellos Audio is a new venture/ spin-off from the founders of Fir Audio, Mr. Vlad and Bogdan Belonozhko. The Belonozhko brothers are two of the most ingenious innovators in the IEM world currently. They were the visionaries when they were part of the original 64Audio founder team. With Fir Audio, they came up with revolutionary tech like Kinetic bass, among many others, which gives the term “Subwoofer in your head” actual meaning.

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Bellos Audio’s offerings are relatively affordable compared to Fir Audio’s regular offerings. The X2 retails for $499, the X3 retails for $799, and the current Bellos flagship, X4, retails for $999. The Bellos X4, specifically, has garnered much attention lately in IEM enthusiast threads and received ubiquitous praise.

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But there is a catch. Most people have experience with the Bellos X4 Custom version or CIEM. But the one I have in my hand is the universal version, not the custom one. This review will, therefore, highlight the slightly lesser-known Bellos X4 universal version.

Disclaimer: I am an audiophile and a reviewer who works with Mr. @Sajid Amit of Amplify Audio Reviews. Amplify generally covers high-end IEMs, Accessories, DAC Amps, and Headphones, with occasional reviews of some budget products. Check out our video reviews at: https://www.youtube.com/@amplifyaudioreviews

Price:

$999

Specification:
  • 2 Balanced Armature Drivers for Low/Mids and Highs.
  • 1 6mm Dynamic Driver for Sub Lows.
  • 1 Balanced Armature Driver for Ultra-highs.
  • Frequency Response: 20Hz – 20kHz
  • Impedance: 16Ω at 1kHz
  • Sensitivity: 116 dB/mW
  • Crossover: Integrated 4-Way Crossover

Unboxing, build, and comfort

The unboxing experience is actually quite minimalistic and straightforward. Bellos X4 arrives in a simple white packaging, inside which is a heavy, hockey puck-style case milled entirely from solid metal, some OEM tips (foams and hypoallergenic latex tips), a cleaning tool, and the IEMs themselves. The case is very heavy and offers good protection. It is a screw-on lid type case, so closing it perfectly might take some time for people accustomed to magnetic/zipper-style cases.

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The earpieces are made from a matte-finished polymer material with a Butterfly resembling insignia on the faceplates that feel great to touch and hold. It reminds me of soft-touch plastic used in high-end electronics and luxury car interiors. Bellos X4 offers fantastic comfort, especially when paired with the right ear tips. According to Bellos Audio, the earpieces are completely 3D printed while retaining nanometer precision. The matte finish is employed later, and the primary logic behind this coating is to ensure a constant, grippy seal. While a grippy seal is essential for custom IEMs, this also vastly improves the ergonomics of the universal version as a much-welcome byproduct.

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The stock cable is functional and malleable. Although it could have been of higher quality, it is perfectly okay for day-to-day use.

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Sound:

Firstly, a small disclaimer: the Bellos X4 universal will sound different from the custom version, and I do not have firsthand experience with what the universal version sounds like. Therefore my experience with the universal version will not align one hundred percent with owners who got the custom version. This is true for all custom vs. universal scenarios, as we must consider factors like unique ear canal resonances and insertion depth varying from person to person while dealing with universal IEMs.

Tonality-wise, the universal X4 variant is a warm neutral IEM with some treble emphasis. Though I am not an artist or music producer, warm-neutral profiles seem to be standard for studio-related applications. Bellos Audio has implemented a plethora of new techs in this IEM. The In-Air-Canals technology is exclusive to the custom version only, and sadly, the universal variant does not benefit much from it. The proprietary RCX cable is another CIEM-only neat feature that boasts a certified 5000 detachments and re-attachments rating. The universal version comes with standard two-pin connectors. Bellos also employs the fabulous Atom venting technology tricked down from Fir Audio IEMs. Atom venting alleviates annoying air pressure build-up while simultaneously retaining the perfect seal. The CIEM version also features modular drivers, making driver replacement much more accessible for average users.

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The bass is definitely the highlight for me on the Bellos X4. It has this quintessential good DD driver bass with some minor reminiscence of the incredible Fir Audio XE6, though not quite at the same level. It is not exclusively skewed towards the sub-bass but has a nice, even transition from mid-bass to the sub-bass region. A few sub $1000 IEMs have more bass quantity. Campfire Audio Cascara, for example, has better quality and quantity even, but I quite like the bass region's overall balance and natural decay here. “Seven Nation Army” is a favorite track of mine which really pops with some proper bass decay. And the Bellos X4 universal does a swell job doing so.

The midrange is also quite lovely. It is a bit thick and warm-tilted rather than razor-sharp and crystalline, though it does not sacrifice clarity outright. The midrange resembles some of its Fir Audio cousins, especially the Fir E12’s midrange sounds very similar to the Bellos X4’s midrange. Guitars and vocals have brilliant heft and nuance. Bellos X4 is not a mid-lover’s holy grail like some FATfreq and Flipears alternatives under $1000, but I think it would generally satisfy mid-heads, and considerably so.

Treble is where tip rolling comes into play. The Bellos X4 universal is overly energetic and intense in the lower treble with the stock foam tips. Foam tips are supposed to suppress the top end, but they simply messed up the entire treble presentation here, especially the lower treble in this case. Cymbal crashes can sometimes sound aggressive and borderline splashy, and the presence region is painfully shrieky and fatiguing as an added woe. However, all these got resolved quite nicely once I switched to the Pentaconn Coreir brass tips. This is interesting because Coreirs are generally known for making the treble even more alive. But the Bellos X4 sounds much more controlled and linear in the treble region with the brass tips on. Comfort is also significantly increased, and I can perceive a superior sense of clarity and air up top instead of relentless cacophony. I suspect the initial treble issues were due to it being universal. Therefore, some clever techs used to tune and optimize the CIEM version cannot properly work in this variant.

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The Bellos X4 is a masterclass in imaging performance, and I think the Sony IER M9 is the only one that really matches its imaging prowess under $1000. The M9 is also a “pro” IEM, co-incidentally. The soundstage is decent and adequate for the price. It does not sound as holographic as ToTLs do but showcases a respectable staging prowess nonetheless. I found the soundstage height and depth of the Bellos X4 more impressive than the width. Detail retrieval is also decent, though not as razor-sharp as the Symphonium Helios, for example.

Drivability:

The Bellos X4 is extremely easy to drive and does not require a lot of juice or kick. However, it is overly sensitive and susceptible to source noise. The X4 universal I have has this very annoying constant hiss when paired with noisy sources. Pairing it up with uber-quiet sources like the Sony WM1ZM2 or the Aroma Audio A100TB provides the best synergy for this particular IEM.

Comparison:

FATfreq Scarlet Mini:

Scarlet Mini is a heavily colored set sporting a whooping 30dB sub-bass shelf. It is significantly bassier and mellower than the Bellos X4. Interestingly, the Scarlet Mini has a clean and relatively uncolored midrange, which is less warm than the Bellos X4. But the X4 universal sounds more balanced in its presentation thanks to a more "normal" sounding bass response. Scarlet Mini is significantly more subdued in the treble region than the X4.

Sony IER M9:

M9 is another "professional" IEM targeted towards musicians. It is kind of a legend on its own for its supreme timbre and imaging prowess. While the M9 BA Bass is commendable and very "dynamic" like, the sub-bass roll-off is quite apparent when A/B ing with the Bellos X4. The M9 is completely sealed; thus, air pressure build-up can become annoying. X4 has equally impressive imaging prowess and a far superior bass response.

Campfire Audio Ponderosa:

Ponderosa is a newer all-BA offering from Campfire Audio. It is a part of their Chromatic series alongside the Campfire Cascara and Supermoon. The Ponderosa has a commendable, almost dynamic driver-like bass response, but it is still clearly BA Bass. It is also intimate, warm, and comparatively more subdued in the treble. Detail retrieval is about equal on both.

Symphonium Helios:

The Helios is an anomaly, given its technical prowess for a shockingly low price point. It is leaner and significantly more neutral-sounding than the Bellos X4 Universal. Helios is more refined in the treble, though the low end is a bit too sub-bass tilted for my taste. Helios is also much harder to drive and requires higher-end sources for maximum performance.

The Bellos X4 would be a rare choice for most buyers as the Bellos team's unique innovations are mostly CIEM-focused. However, the universal variant still provides an excellent warm-neutral sound profile, fantastic dynamic driver bass, and commendable technical performance. The X4 universal gets an optimistic thumbs up from me.










Trance_Gott

Headphoneus Supremus
Pros: Outstanding feature is the In-Air-Canals technology
Most comfortabe IEM I know
The seal does not come loose when the jaw moves
Very coherent tuning
Great timbre
Outstanding spatial imaging
Very good resolution
Cons: Bass is not the last word in speed and texture
Bellos Audio, founded by Vlad and Bogdan Belonozhko, known as the Bellos Brothers, stands out in the pro audio industry for its innovative approach and dedication. With more than two decades of combined expertise, Bellos Audio is more than just another player in the audio market. It is a response to the increasing demand for high-quality audio products.

The company was born out of a partnership with FIR Audio with the aim of overcoming the challenges in the pro audio sector. The Bellos brothers embarked on a journey to understand and address these challenges, drawing on their extensive experience. They chose to break with conventional wisdom and start afresh, which enabled them to develop unconventional solutions and carve a distinctive niche for themselves in the industry.

This resulted in the X series, a series consisting of 3 different custom IEMs, namely the X2, X3 and X4. The latter represents the top model from Bellos Audio and I will now take a closer look at it in this review. Incidentally, this is my very first custom IEM, so I was all the more excited about the findings, especially with regard to wearing comfort. I had my ear impressions taken by a hearing aid acoustician who used the 3D scanning method. Both of my ears were scanned completely in around 15 minutes using a scanner, resulting in what is known as an STL file (a standardized 3D format) for each ear. I sent these two STL files to Vlad Belonozhko by e-mail and the production of my Custom X4 began. The advantage of the 3D scanning process is that you have the data digitally and no longer have to send ear impressions by post. In addition, the filling material in the ears is somewhat uncomfortable with the conventional method.

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According to Bellos Audio, the X4 is equally suitable for musicians and audiophiles and should offer an exceptional sound experience. With an additional ultra-high driver and the company's own in-air canal technology, the X4 is said to offer an unprecedented level of clarity, detail and realism. In the following, I will shed light on how well this model achieves this.

The 4 in the name of the X4 stands for the use of a total of 4 drivers. 1 DD driver in the 6mm size is responsible for the bass range. The remaining BA drivers cover the midrange to super high frequencies.

Now we come to the groundbreaking technology that only Bellos Audio IEMs offer. Called In-Air canal technology, it enables the most comfortable custom IEM listening experience in the world. So comfortable that you feel like you have nothing in your ears! A perfect seal is maintained even when the wearer's jaw moves. Comfort and optimum sound quality are guaranteed. I will write a few more sentences about how it actually wears later. First, I would like to talk about the other technologies.

ATOM VENTING: A pressure relief system that improves the soundstage and reduces listener fatigue by dissipating air pressure in the sealed ear canals for a more immersive listening experience.

3D PRINTING: Bellos Audio 3D-printed matte shells: Thanks to patented 3D printing technology with nanometer precision, these custom IEM shells offer a comfortable, grippy fit and a matte finish that enhances both aesthetics and functionality.

RCX CABLES: A proprietary cable connection designed specifically for custom IEMs, offering exceptional durability with 5,000 connections and a standard 2-year warranty.

REMOVEABLE FACEPLATES: A revolutionary design feature that allows for quick and efficient repair of IEMs without the need to cut open the device, as the faceplates are secured with alloy steel screws.

MODULAR DRIVERS: Customized IEM enclosures designed to accommodate pre-assembled driver packages. This facilitates easy installation and removal of drivers without damaging the enclosure and ensures versatility and durability.

I was very excited the day UPS rang my doorbell and I held the parcel from the USA in my hands. Accordingly, I unboxed it quickly. As Bellos Audio mainly serves the pro sector, the packaging and presentation of the X4 is relatively simple without a lot of fuss and glitter. The packaging contains a black aluminum box engraved with the Bellos Audio logo and the name of the owner for whom the custom IEM was manufactured. In addition to the X4, the round aluminum box contains the connection cable, silicone ear tips in three different sizes (the middle size is pre-assembled), a cleaning brush and a sticker with the Bellos Audio logo. The connection cable has a 3.5mm plug for unbalanced operation. It is very flexible and soft and does not produce any microphonic effects. I would have preferred a balanced 4.4 mm connector. According to Vlad, as the audiophile sector is now becoming increasingly aware of Bellos Audio's IEMs, the company intends to offer a more appealing presentation in the future and perhaps also offer differently assembled cables or a choice of connectors. Instead of the RCX connector, you can now opt for the popular 2-pin connector on request, which makes it easier to change aftermarket cables.

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The IEMs are very well made and, thanks to their non-slip and scratch-resistant outer layer, offer long-lasting pleasure without the housing leaving traces of use after a short time. Here you can see that these IEMs were designed as workhorses for the Pro sector. The silver Bellos Audio logo is engraved on the outside. On the inside, the initials of the owner for whom the X4 was specially manufactured. The nozzle, which is not really a nozzle at all, is a world first. It is oval-shaped and has a very shallow depth at the end of which the BA driver for the ultra-high frequency range is mounted. The very shallow depth of the end piece (which is no ordinary nozzle) means that the silicone eartips supplied fit perfectly. All the other eartips I have here slip off. You need eartips whose round connecting piece protrudes slightly from the rest of the casing. I can imagine that the eartips from Ortofon could fit here, for example. However, I didn't experiment any further because the eartips supplied fit perfectly, are super comfortable and I'm absolutely delighted with the sound of the X4. But one thing at a time!

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Now we come to the most important thing, namely the comfort of the X4. I first turned the right IEM from the back to the front in my ear canal and then applied a little pressure from the outside of the housing and voila it fits like a glove! Then I did the same with the left side and the result is perfectly fitting IEMs like I've never experienced in my life. At first you notice them a little in your ear but after a few days you get so used to them that you even forget you have an IEM in your ear. There is absolutely no pressure and it is so comfortable. This is truly one of the biggest wow effects since I started listening with IEMs. I haven't had any other custom IEMs made yet, but it is known that with other custom IEMs, a movement of the jaw, e.g. when chewing, briefly loosens the seal and this leads to sound impairment. But I also often have this with universal IEMs when I eat something while listening. With the X4, there is actually no such impairment! You can chew, eat and the part still sits bombproof without loosening the seal. Ingenious!

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So the X4 has already mastered the most important criterion of a custom IEM with flying colors! Now we come to the second most important criterion (at least for me) for the X4, namely the sound quality. And here I can already anticipate that it has exceeded my expectations! With an IEM that is primarily intended for musicians with a neutral tuning, you might initially think of a dead boring presentation, but this is by no means the case here. After hearing the first notes of the X4 on my iBasso DX320 MAX Ti, it immediately reminded me of the Custom Art FIBAE 7U. Just like the latter, the X4 offers a neutral tuning with a slightly warmer basic tone with enough punch at the bottom and smooth but very high-resolution trebles. Incidentally, the X4 is very easy to drive even unbalanced on the DX320 MAX Ti and you don't need more than gain level 1.

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The bass range sounds very balanced and easy to hear from low bass to mid-bass. It places a slightly higher presence on the mid-bass range, making the overall presentation appear somewhat fuller. By using a DD driver, it sounds crisp with sufficient slam at all times, despite having slightly less quantity than a FIBAE 7U. It may not be the fastest and most detailed DD bass in the IEM range, but it is one of the most balanced where you won't miss anything in the long term without a direct comparison.

From the bass, I would now like to move on to the most outstanding feature of the X4 and that is clearly the stage imaging. An IEM in the 1000 USD class with this brilliant spatial imaging, the ingenious left/right separation and razor-sharp instrument separation is second to none. The IEMs I recently tested from Oriveti, which are in the same price range, can't even begin to achieve what the X4 conjures up here. Is it because of this super-short nozzle? I suspect that it also has to do with the fact that the sound is not bundled in a tube before it reaches the ear canal. In any case, great cinema at this point!

The bass is perhaps the weakest attribute of the X4, but everything else is at a very high level. Just like the mids. No boring neutral tuning, but a slightly warmer basic tone involves the listener in a carpet of sound with a great timbre. Acoustic instruments sound fantastic, as does the vocal reproduction, which is also perfectly centered in terms of stage technology, neither too direct nor too far away.

For me, the X4 is an absolute hit when it comes to the comfort of an IEM. I can't think of a better IEM in this respect. I will be testing other conventional custom IEMs in the near future to see how they perform. But on paper, it's already clear that only the X4 is immune to sound restriction caused by jaw movement. And who likes to sit on the sofa for hours with an IEM without eating anything? In terms of sound, the X4 also impresses me with its very coherent tuning and, above all, this grandiose stage presentation, which I never expected. This makes it the most comfortable all-rounder IEM I know! My clear recommendation for the price of 999 USD, which I think is abs
linux4ever
linux4ever
Good review. short review on the sound.

"but it is known that with other custom IEMs, a movement of the jaw, e.g. when chewing, briefly loosens the seal and this leads to sound impairment." - That's not entirely true. It depends on the ear impressions and the CIEM maker. I've multiple CIEMs and have no problems in it losing its seal while moving the jaw.
Trance_Gott
Trance_Gott
I get an CraftEars Omnium Custom soon and can compare regarding the loosing of the seal.
Visceral
Visceral
Your description of the X4’s sound, fit and comfort comes off extremely similar to my experience with the Plunge Unity’s! Nice to see such awesome offerings at a more affordable price point.
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