In the wake of the great Portable Audio Player renaissance of the last two or three years, I have been bewildered by just how many manufacturers are now involved in the battle for market share. What initially seemed to be a cottage industry for a specialized niche market now has dozens of companies with serious engineering chops developing into a robust audio segment.
The first major sortie fired to announce this coming wave was fired by iRiver’s re-branded Astell & Kern players, which many claim has set a new gold standard for performance. And then came the marketing juggernaut Pono with its bold claims of sonic utopia and even bolder rock star endorsements. Pono has balls and made no bones about its intent to poach Apple’s enormous customer base with promises of better sound quality from its Toblerone shaped player and Pono centric music market.
Since the market explosion in 2013, Astell & Kern has enjoyed its position at the Vanguard and Pono’s success is ballasted by rock star endorsements. Even against an onslaught of derision from audio critics and tech sites alike. The rest of the portable audio player segment is left to duke it out over the scraps on limited R&D budgets and next to nothing in marketing.
If you consider that both tech giants Microsoft and Samsung bent the knee to mighty Apple just a few short years ago and pulled their Zune HD and Samsung Galaxy players from the shelves. It's absurd to think that an obscure group of Korean and Chinese audio houses could submit products that compete for King Cupertino's crown. And yet that is exactly where we find ourselves... How?
Simple really.... Apple's throne is in jeopardy because Apple has let its vast portable/ digital audio kingdom fall into disrepair. It has spent the last few, Jobs-less years focused on multi-media content consuming devices like the iPad and iPhone, while the music focused iPod has become a bit of a person in the Apple hierarchy. This was never more apparent than when Apple decided to kill off the The Classic, which is the only unit it its line up with respectable storage capacity, in favor of the more app and cloud friendly Touch.
One could argue that Apple has lost interest or at least lost their vision in the portable audio market just as the market itself has matured. It was the iPod that resuscitated the segment from near death after years of failing health and atrophy from too many years of plastic disc spinning Sony Walkmen. By the late 90's you could buy a CD spinning Walkman at a gas station for $20
If it weren't for iPod there may be no such thing as Audeze, Inner Fidelity, Cypher Labs, ALO Audio or possibly even Head-fi.
Yet now we find Blue Chip audio companies like Sony, Yamaha, Pioneer, Kenwood, TEAC, and Onkyo focusing significant resources on the portable audio market while carefully walking back from their "All In" position on 5.1 and 7.1 Channel A/V to try and repair damaged reputations in the 2 channel stereo game.
Meanwhile life giving Apple is focusing its efforts on..... digital horology?
iWatch.... Times are Changing.
Still, this year alone I’ve counted at least half a dozen companies who are bringing devices to market to try and ride this Portable Music Player, Digital Audio Player, MP3 player (WHATEVER!) wave. Whether we’ve reached a saturation point with new devices is anyone’s guess but I doubt we’ve seen the last of them.
For me the question is whether these new market players, like the queued up review sample (The Fiio X1), are setting a new state of the art. Or are they all just traveling down a well-worn road Apple blazed years ago while bringing nothing new to bear. It could be that they are simply filling the vacuum left by Apple's faltering interest. Basic economics.
We shall tease out the truth at the entry level jumping off point today.
For me to be willing to consider a future life with a Fiio X1 or any other DAP it must show itself as superior to the current experience I have with my litany of iPods. And that isn’t just a cut and dry matter of sound quality. Mind you I am flush with Apple devices and am not one who finds their tone offensive, so the notion of moving out of the Apple ecosystem is not so easy. I currently have no fewer than 6, including two “audiophile” approved Apple iPod videos (5th generation) with the older Wolfson silicon as well as 3 Nano’s an iPad Air and an iPhone 6.
With such a large collection of Apple devices, the idea of leaving iOS based playback feels a bit like the idea of abandoning Nikon for Canon or ditching DSLR for mirrorless. It’s not just the camera itself that you are replacing. It’s the ecosystem and long term investment in lenses, filters, software etc… that makes the switch far more disruptive.
And while I do have a fair amount invested in iOS/ Apple based playback it is not insurmountable. I have a few line out docks to tap analog line level signal from Apple’s proprietary connectors into a portable amp, I’ve got a dock that extracts digital audio from my lightning based products and I’ve got DACs purchased because they work with iOS devices using a CCK.
Apple’s User interface makes for a hell of transport if you can move conversion and amplification off board. But those same DAC’s are likely going to work with this modern crop of portable units just as easily.
Flexibility and connectivity are important in todays market. Consumers won't accept the Casino like cradle to grave environment of iTunes from modern DAP makers.
For this reason among others, I've stayed away from using iTunes for music management or playback. That honor goes to JRiver and because of its plugins library I am able to sync and load most all of my iPods with music directly from JRiver. Making the move away that much easier. The only devices I sync with iTunes are my phone and tablet because they are governed by the iOS monopoly.
Meanwhile only Pono has had the gall to try to create its own iTunes like ecosystem, but Pono offers a line out that doesn’t require custom cables. So in that regard it isn’t as closed a system as Apple. I do think a great number of consumers are like me and are going to need more than just promises of better sound quality to justify the change, especially since it seems like everyone is promising better sound quality. Despite the fact that sound quality differences at the transport/ front end stage of the game are relatively small.
A lion share of Canon cameras use an 18 MP sensor which is a far lower resolution than Nikon’s 24MP spec on even its cheapest D3300 DSLR, yet Canon outsells Nikon with general consumers because they’ve marketed their gear as “fool proof” with celebrities like Ashton Kutcher fumbling and bumbling around taking perfect shots without any training. The average Joe sees Canon’s as easy to use and approachable and will drop $400 on a T5 without even considering image quality.
Not to say one is better than the other!
I really don't want none of that fight!
Although I do appreciate the handsome nature of the Astell and Kern 100 and 120, and am even taken with the look of the new entry level X1, before I venture too far down this DAP rabbit hole, I need to understand what the aftermarket DAP manufacturer is bringing to the table and where it may conflict with my sound system and my listening habits.
So to begin in earnest, I don’t think Fiio needs much of an introduction for anyone on Head-Fi. They are a prolific entry level company for us Head-fi types. Early on their reputation suffered from perceived “cheapness” and even I was skeptical of buying any of their budget gear fearing it was cheap Chinese plastic fit for Walmart. Maybe a step above Radio Shacks Boostaroo in my book but certainly not up there with HeadRoom, Ray Samuels etc...
As years wore on, Fiio held strong to its core mission and earned a reputation in the Head-fi community as a fantastic company that offers very good performance on a budget. Their line up of battery and USB powered headphone amps and DACS are what many a Head-fier has cut their teeth on, and still are to this day.
I personally have owned their E10 dac/amp for 4 years and it has made more than a dozen trips across country with me and is a vital part of my travel routine.
Fiio has 3 tiers to their digital audio player line up ending with their $350 TOTL X5 (recently updated with Mark 2) which is chocked full of features, inputs & outputs. But I chose the golden $99 X1 for no other reason than I thought it looked best and because I am testing waters here, not diving in head first.
IT BEGINS!
So with a 64 GB micro SD card in hand I quickly formatted the card to Fat32 using the Fiio X1 (as per the user’s manual) and proceeded to drop some 60 odd GB of uncompressed 16/44 CD Rips onto the card from my PC.
I spent the next couple hours listening through my main system while watching the music get written onto the drive and waiting for the X1 to reach full charge.
Once the SD Card was filled to the brim with musical goodness I punched it into the slot on the side of the X1 and hit the power button. Turning the device on you are met with a colorful Fiio greeting then taken to setup screen where you select language and update library. What took nearly two hours to write onto the SD Card took a matter of seconds for the X1 to scan and organize. I added some 1300 songs in a matter of seconds and the Fiio X1 was ready to play. I used the scroll wheel to take a look at the music and selected the “Artist” category… Sure enough it was all there… What was more is the X1 read all of my WAV file format tags without a single hiccup. Even though I've spent a God awful amount of time updating tags on all my music(I use Tag Scanner BTW) they usually vaporize into thin air when moving files from one device to the other or from program to program, so 'Good On Ya' Fiio!
Next I plugged in the only in-ear monitor I own and the only one I’ve ever listened to that agrees with me, The VSonic GR-07 and listened for a bit finding nothing at all offensive. SO far so good.
I didn’t want to be hasty by turning the unit on, listening for 10 mins… shouting “IT’S CRAP!” and shove it back in its box with a return label from Amazon…. It’s not entirely fair to pass judgement without giving it some time to break in. Now I know I am acknowledging the existence of voodoo here and I couldn't tell you how it works to save me life but I do feel there is something to it. Letting component parts fully energize and allowing the caps, resistors, diodes etc… to stabilize does seem to do.... something?
Maybe it is brain burn in, but (big but!) reality is that my perception is perception, my reality is reality, so if I perceive it as my truth…. It’s the truth as far as I am concerned! It doesn't matter what the underlying laws of physics are.
So I plugged it into my computer through a constant power USB port and sorted by All Songs, selected the first song and hit play... By JRivers calculations it should take the X1 4.25 days to play all the music I had loaded onto it, but I only gave it 24 hours +/- of run in. The next day I unplugged it from the computer and beater phones and plugged in the GR-07...
It sounded ok.
I didn’t really feel like I was listening to something extraordinary but I was using a $150 set of IEM too. There was a bit of sharpness in the tone and some of my hotter recordings did cut at my ears a little, which is not something you typically hear with the VSonic GR-07. The GR07 is about as warm and cozy an IEM as I have ever heard.
Luckily this bad boy has an EQ! Go ahead and groan audiophiles, I really don't care.
I've said it before, and I'll say it again... Certain music can sound flat or thin or 2 dimensional depending on source material, amp, headphone etc... Having tone controls is a good thing and I tend to use them often.
Attempting to move the sliders the best I could to mimic a Fletcher-Munson loudness contour I was able to de-ess the treble and goose the bass a little. Making the adjustments proved a bit counter intuitive with the Fiio interface but after a couple oops & damnits I was set. This added a bit of depth and a degree of warmth to the tone. With a nice rich full sounding recording like Smashing Pumpkin’s - Siamese Dream or Gish things were sounding pretty damn good. The part of “Today” where the guitars and drums flood the stage after the small guitar intro was a bit harsh but other songs like Quiet, Geek USA, and Rocket sounded full and had a good amount of live character. With less than stellar studio efforts like Off With Their Heads ‘Home’ the Fiio sounded harsh and the albums already strident nature was pretty bad with the Fiio, EQ or not.
UNDER THE MICROSCOPE
I swapped out the GR-07 and pulled the microscope down off the shelf. The Sennheiser HD800 is probably the best headphone I have for analyzing gear because of its sometimes brutal honesty. I tapped the headphone out of the X1 directly to the HD800 and cranked up the volume to 75% and while I was getting a good volume level out of the X1, it was showing clear signs of strain. Static and electric hash were tainting edges of transients blurring the cymbal crashes and lower bass was not distorted but truncated in the sense that overall dynamics were severely compressed. Not to worry! It was an unfair test of the little X1 in the first place. Although it is good to know that the X1 is a no go with pro grade full size cans… The same holds true for my planar magnetic headphones. The LCD2 was serviceable but like the HD800 the dynamics and punch of the music was compressed and the overall presentation was diluted pretty bad. With the HE400 things were better but at this point I was certain that the X1 would benefit from off board amplification.
Time to bring in support. The ALO Audio National has been my go to portable amp for close to three years now and even though it doesn’t sound all that good with the HD800 because it’s tone is a little too clean, it does not lack for power with the HD800 and I am familiar with its good, bad and ugly. I knew the National/ X1 pairing would probably double down on problem areas in tone but wanted to use it in its likely context. Tethering the X1 to a $1500 desktop amp seemed like a waste of time, as I can’t imagine anyone would use it like this. So I did it anyway to check its performance against the E10.
I'll just briefly cover this before going into portable impressions. I found the X1 a near equal to the E10 with the E10 acting as offboard DAC to my laptop and the X1 acting as transport/dac with both sending a line level analog signal to my desktop gears. Both sounded good running into Godzilla (my hot-rodded Sansui AU517) and my April Music/ Stello deck. I wasn’t able to identify any appreciable differences between the two in terms of sound quality and performance. That is pretty impressive considering I have about $2000 and a couple hundred man hours invested in optimizing my digital front end.
VS. King Cupertino
This is where it really shakes out for me... It was a comparable transport to my desktop set up, but the screen is too small and isn't the right form factor. No, the X1 is a portable transport and it must needs beat the iPod if it expects to see time in the starting rotation. Can the X1 unseat the iPod? This is where it will win or lose.
So I grabbed a male 3.5mm to Y adapter with 2 female 3.5mm so I could compare the two directly. The iPod was tethered to the National with a Forza 30 Pin Line Out Dock and the X1 with a 6" Forza mini to mini. I wasn't able to strap the X1 to the National because it's design doesn't lend itself to using rubber bands... The bottom buttons on the X1 are too low and you have to cover up the top ribbon on the screen. Not a big deal at all but still something to keep in mind if you want to bundle the X1 to a portable amp. Once they were both connected, I could cue up a song on both and easily switch back and forth to listen for sonic differences.
I was listening to "Taken For a Fool" by the Strokes on the iPod and then switched over to the X1... when ouch! Damnit! The volume jumped into the danger zone. The output on the X1 is significantly louder than the iPod. I found that I needed to attenuate the signal about 8 hash marks on the National volume pot to level the volume between the two. With all the cables and devices all clustered together and the small size of The National's volume pot and the front face of the National being a bit crowded my fingers had a bit of trouble getting at the volume dial, but they always kind of do. After listening to the X1 and my iPod Nano for some time, with albums from The Strokes, Weezer, New Order, Blur, Beck, Studio One era Wailers, and a bit of Lorde I was able to get a pretty accurate picture of the X1’s overall performance.
The Achilles heel, if you want to use it with full size headphones, is that Fiio disables its inbuilt EQ when you are using the line-out option from the jack. Without any of the X1’s tone shaping abilities available through the line out, the X1 exhibits a tendency towards sharpness in the upper register and though the treble was bright and revealing did not have the necessary level of refinement needed for such illumination through the top of the stage. Laid bare by the HD800, the X1’s tone gets fatiguing and I cannot reconcile myself to it even with softer headphones like the LCD2.
ON AN ISLAND WITH X1
In order to try and reset my brain, I tried ditching the Nano as a reference point to see if I could get my brain & ears to buy in with the X1 on its own merits. I left the Nano at home in the morning and drove the 20 miles to work with just my X1. I was hoping the X1 would sound more agreeable without King Cupertino casting its shadow over the audition. I still wasn’t able to find peace with it. With the EQ engaged using a small portable headphone or with a warm cozy IEM like the VSonic GR-07 the sound is pretty good. But the X1 does not work well with off board amplification because the line out configuration cripples what I consider to be necessary EQ functions that can massage the X1’s tone enough to soften is otherwise fatiguing sound.
Mind you my 2nd generation Nano is one of the closest things you'll get to a audiophile quality iPod. Some of you may snort with derision at that statement, but the older iPods used Wolfson silicon (WM8975) and of all my iPods (3 nanos, 3 Classics, 2 shuffles, 1 iPhone and 1 iPad) the 2nd Gen Nano has the most refined sound of them all. It has a much quieter output (as evidence earlier in this review) but as long as you have amplification that is up to the task, it has a level of refinement and more width to its stereo image than any other I have. Plain and simple It is the best of my iPod stable and if there is a compliment to be paid sound quality wise to the X1 it's that the two are very close to each other without any DSP.
The big score with the 2nd Gen Nano is its well implemented EQ presets which elevates tone density significantly when needed. The more popular iPod Classic and A-Phile approved Video 5th gen have well documented issues with EQ presets that cause clipping and distortion. So I tend to gravitate towards the lighter, smaller Nano and just have to sync up and change playlists more often if I want different music.
Also the X1 seemed to have a shallower and narrower sound stage. Switching to the X1 from the Nano, lead singers invariably moved towards me quite a bit and the outer edges of the stereo image collapsed considerably. While this presents as a forward and aggressive sound signature, which my inner punk rocker enjoys. Contrasted against something with more honest stereo imaging, the X1’s sound stage is pretty narrow.
I’d say it’s probably the most significant delta I can give the X1 between the two. Its sound stage is too forward and crowded.
Tone wise, all things equal, the deltas between the X1 and iOS were pretty minor. If you aren’t looking to move amplification off board, and are looking to use the X1 with IEM or small efficient portable headphones then it provides a near equal sound quality to the iPod. Functionally the iPod wins out with off board amplification because its EQ is still working in line out mode, but that is only if you want the added muscle for larger headphones.
So while I’d give the sound quality edge to the Nano. Which is simply softer, more refined sounding and is able to add a significant dose of warmth when using the preset of the EQ. It’s really not a night and day thing. The X1 keeps pretty good pace when you consider the two devices on their own merits. The caveat here being the soundstage... The X1 is very narrow and forward. But this is more obvious on staging giants like the HD800 than it would be on a pair of IEM's.
As far as user interface, I won’t even bother comparing. It is well known that the Cupertino giant trades heavily on the snappy nature of their interface. The UI is what has allowed them to stay ahead of the Android Army. Android is far better today than it was just 2 years ago, but still doesn’t hold a candle to Apple. The sheer simplicity, speed, and responsiveness are their UI has no rival in the market and Fiio is certainly not the company to overtake them.
Interface wise the X1 screen is relatively grainy and the scroll wheel is not the smoothest. The forward and back buttons seem a bit counter intuitive and doing things like adjusting the EQ are laid out a bit odd. With enough time everything is serviceable but it takes a bit of trial and error. The volume buttons on the side are fine, if a bit shallow and sometimes hard to get response from. One significant niggle I had with the X1 was that its screen could not be woken up by pressing any key. You had to press the power button in order to wake the X1. Good I suppose as this help avoid accidental volume spikes when in your pocket or song changes but still after 2 weeks of use I would still hit buttons or the scroll wheel on the front screen expecting it to wake up only to remember I had to press the power button to get it to come back to life.
So what’s good? There are a number of areas where the X1 does have significantly better performance than iPod and if, like I said, you were going to use the X1 strictly with small portables and/ or IEM then these are welcome victories.
Storage: Right now you can utilize up to 128GB Micro SD cards with the X1 and because it scans and assembles libraries so quickly you could have 2 or 3 or 4 different cards with different libraries and the few seconds it takes the X1 to assemble a library is nominal. This flexibility and ability to keep your library on Micro SD cards is definitely a plus.
High Res: I personally don’t own any hi-res music (beyond weird samplers of music I’d never really listen to) so the high resolution capabilities are a zero sum gain for me… But those who live and breathe hi-res certainly won’t find the same capability in an iPod. Betwixt the two, X1 is the only one that can play that game.
Battery Life: The iPods, being a bit long in the tooth, and with a habit for quickly losing battery memory suffer relatively short charging cycles, even with updated batteries. I did not track hours with the X1 but played music through it relatively frequently for nearly a week before I needed to plug it in and get it charged back up. My iPod requires a trip to the charging station once every day or two depending on volume of use. X1 slaughters it here. How it holds up over the course of a year or two I couldn't say... Head-fi's impressions thread may have the answer.
So does the X1 overtake the king? Not in my book. With my listening habits and the way I want a portable player to work.
That said if you are looking for a modern player that spends most all of its life tethered to a pair of in-ear monitors like the iPod was originally marketed, then it offers comparable sound quality along with storage flexibility, battery superiority and high resolution capability.
All good things to the right customer.
That customer just isn’t me. So does the X1 turn me off to digital audio players? No. I am leaving room for the potential. If the right device with the right interface popped up I could see it as a portable transport that could take my entire library anywhere I go. Ditch the laptop altogether. But for now that device remains elusive to me.
My Stello, A-RT Legato and Dac960 are all limited to 16/44 digitally. But that is the point really... Stick with one format and do it really well.
Only hi-res gear I have is the iFi iDSD and it gives me a headache after a while ( I assume because it upsamples everything into ultrasonic territory but I can't say for certain).
I'll see if I can hunt down something on HD Tracks that is worth it... I know they've got a fair amount of Clash and Ramones on there now.