I received an offer by John from Burson Audio to try out a set of Burson V5i Dual Op-amps in exchange for my honest opinion. I accepted the offer, but a few days later it was weighing on my conscience whether I should have accepted the offer of the Burson Op-amps in exchange for my opinion. So I backed out of the offer and didn't hear another word about it.
Well, about 6 or 7 weeks later a surprise package was delivered to my doorstep. I didn't even know it was delivered or how long the package had been sitting at my front door because I was out of town when the package was delivered.
I brought the nondescript package into the house and opened it to find a set of Burson V5i-D Op-Amps in a small plastic container. I thought about sending them back to Burson's Fulfillment Center and set the sealed plastic container aside. A few days passed, which turned into a couple of weeks and finally out of curiosity I opened the sealed plastic box revealing 2 metal encased V5i-D Op-amps nestled in anti-static foam and proceeded to replace the MUSES02 Op-amps I've been using up until now with the Burson V5i-D Op-amps.
Equipment: Shanling M3X > Little Bear B4-X. Head gears: FiiO FF3 Earbuds and TTROMSO Tipsy IEMs.
Burson V5i Impressions:
Replacing the MUSES02 op-amp was a breeze. The V5i is clearly marked with a small dark circle on the top of the metal housing which indicates pin 1. After carefully prying out the MUSES02 chip with a small screwdriver it was easy to plug in the Burson V5i Op-amp.
The first thing I noticed was the V5i has a different sound signature compared to the op-amps I had been using until now. To me the V5i has an enhanced midrange. The V5i presents with exceptional clarity, but was lacking some richness of tone due to a reduced bass. Not to say the bass was gone. Bass is present, but was taking a backseat to the clean midrange. I'm not a 'basshead' by any means, but I do appreciate the richness in tone that bass lends to the overall musical soundscape.
I was starting to wonder if the V5i was better suited for certain styles of music and not useful as an all-rounder op-amp. So after reading some V5i reviews I found it was a mixed bag of impressions. Good bass, no bass, enhanced midrange, excellent for vocals, etc., to mention a few of the opinions.
So I thought I would try different things to see if I could get the sound I like out of the V5i op-amps.
My usual setup is to either set the Shanling M3X to line level output to provide the highest source signal level or to set the volume between 60 and 70% of max. I'm pretty sure that everybody that double amps does this same sort of thing to use the full dynamic range of the source. I started thinking about how the Little Bear B4-X hybrid tube amp really works and how it affects the audio signal passing through it.
Even though the Little Bear B4-X is labeled as an amplifier, for the most part it is really a mono tube buffer stage with unity gain op-amp output x2 (left and right channels). There is some amplification in the tube stage, it isn't by orders of magnitude though. This can be proven by plugging in your favorite IEM, flathead earbuds or headphones into the B4-X, making sure the input audio source is set to a low volume and turning the volume knob on the Little Bear to maximum and leave it there. Then start your music and adjust the volume of your DAP, phone or whatever your source is until you get a comfortable listening level. Next stop the music at the source, leave the volume level of the source the same (untouched) and plug your IEM, earbuds or headphones into the source and play your music. What you'll hear is your music with either the same volume or a little lower than what you heard coming out of the Little Bear B4-X. If the B4-X was amplifying the sound a lot you would expect the volume to be much higher from the B4-X than from the source, not equal or just slightly lower. So what is the B4-X doing if it's not amplifying the sound? It's purpose is to give your ears listening pleasure with tube generated 2nd order harmonic distortion and the op-amp stage provides the driving power (voltage and current) for your head gear. Did I mention unity gain op-amp stages... yep, so no amplification from the op-amps.
Borrowed this schematic from the
Portable tube amp from China? thread.
The schematic is for the B4, not for the B4-X. The main difference as far as the op-amp circuit is concerned is that instead of using a single dual op-amp, the B4-X uses 2 dual op-amps, one for each channel. The B4-X op-amp is wired in dual parallel unity gain configuration per channel instead of single like shown in the schematic. The other major difference is that the B4-X uses +/- 12 volt rails instead of +12v and 0v (ground).
So what? How does this help us to get better sound out of the Burson V5i op-amps you just installed in your B4-X?
What I found with the Shanling M3X sourcing the B4-X is to turn the volume knob of the B4-X near maximum and leave it there. Control the playback volume at the source. With those two steps you can enjoy the nice midrange and airy treble the Burson V5i is known for and get the added bonus of getting nice smooth richness of bass. This is my own findings (YMMV) and this is how I'll be using the Shanling M3X and B4-X with Burson V5i op-amps from now on.
Final verdict: 4.5 Stars
Burson V5i-D Op-Amp is a very good op-amp upgrade for the Little Bear B4-X tube amplifier. Recommended!