In my setup and with my listening preferences the Regen is complimentary to the Intona. As of now I consider the Intona a "must have" for my system and the Regen a nice touch of improvement over the base Intona output.
I am using battery power for the Regen to maintain the Intona isolation. This is a 9V rechargeable battery PS used for guitar effects pedals.
http://www.joyoaudio.com/en/product/show_155.html
I had posted my initial impressions on the Regen thread a few days ago - but want to add this warning about the power supply: THE CENTER PIN ON THE JOYO OUTPUTS IS NEGATIVE - THE REGEN IS POSITIVE CENTER PIN.
This is not a problem in practice because the Joyo kit includes a polarity reversing 2.1mm power extension cable... everything is well explained in the Joyo manual.. the battery pack is plug-and-play with the Regen as long as you use the polarity reversing cable... ( I disconnect the charger from the wall when playing music.... The Joyo costs about 50 USD here in China)
I see a mention was made to the Intona FAQ - here is the URL:
[COLOR=0000FF]http://intona.eu/en/answer/1000[/COLOR] .(just press the FIND ANSWER button to get at their entire FAQ.)
Besides the Intona isolation, from the FAQ:
“By using a technology well known in digital communication systems called Spread Spectrum, any harmonics produced through periodic packet transmission (like 8kHz packet noise) could be eliminated.”
So my take is the Intona isolates, eliminates some noise, then reclocks... this probably provides a good base for the Regen to do its thing...
I understand battery power may not be the perfect solution, so I have one of those new iFi DC Purifier things on the way.. seems like a good thing to have in the spare parts box anyways .....
..... at least until we see what the new mystery Uptone PS is all about....
I have been listening to this Intona>battery/Regen combo now for about a week, and tried various combinations to make sure I attributed any sound quality changes to the correct device. I had worried and expected that adding the Regen/PS/cable would make things worse, but I think using good cables and the battery PS maybe helped prevent any gross problems.
My perception of the Intona contribution still stands as per my previous posts (Post #9, 16, and 38 in this thread). Top to bottom, everything is clearer.. more like what I would expect to hear during the recording process. Perhaps the most striking benefit, and maybe a cumulative effect of various small improvements, is an initial perception that the sound field seemed to have no relation to the speakers (this is compared to my system without the Intona). The instruments are just there.. not floating - not detached from the speakers - the initial impression was that the sound elements were just there in the room. Maybe I am readjusting to this effect now - so things in my room are still not quite as nice as my old #1 memory reference for sound stage (Beveridge speakers, maybe Model 2's, playing some Carly Simon..) but this initial impression of improved spatial performance when I initially installed the Intona was pretty cool....
Immediately I noticed that adding the battery powered Regen maybe added some bass depth, maybe ever so slightly mushy, but overall an improvement.
Also initially I thought there was some detail loss in the mids and highs when adding the Regen, but it could just be that things were just hotter with the Intona alone.Overall detail with the Intona/Regen is fine, my speakers are probably not capable of resolving things in such a fine sense that I could say which configuration was most like the recording.
The strongest effect of the Regen in my system was an increase in micro-dynamics, not additional sharp transients, but overall a more natural attack. I listen to mostly older progressive rock and a lot of the dynamic bursts have a kind of soft envelope. For example in distorted guitar amplifier playing... instead of just having the distortion tone changing in tone and amplitude, you also get the push of the tone/distortion mix pressure...visually somewhat like a jet vapor trail..and the pressure change can be felt on sensitive areas of your face. Other similar direct points of reference I can make comparing lightly-processed recorded sounds to live would be; tambourine strikes, mic pops, Leslie cabinets, Wurlitzer electric piano, hard strummed acoustic guitar, kick drum pedal hits, cymbal strikes,etc.. The dynamics of these types of sounds are more like my recollections of live performances. Also the fun stuff like sinking bass synth pads submerging into a wash of floor level dark pressure become more enjoyable, and special effects like Q-Sound are naturally more prominently displayed.
So overall, these improvements to the USB delivery chain help me better appreciate better the artistry, craftsmanship and uniqueness these extraordinary people posses that make these records.
Obviously USB still needs some work to realize the full potential of what supposedly should be a simple transfer of bits from here to there... In the meantime, I will happily live with an occasional kit change in an effort to extract the artists intentions and play them back in my personal musical-art gallery. My system many years ago used LP records as a source (I "backed-up" my heavily used records to R2R), very nice sound, but the convenience to point-and-click an entire record collection to me is worth the effort..
My W4S Recovery was just delivered today
Here is my digital chain as a point of reference....
Gigabyte GA-Z87M-D3H, I5-4670t, NOFAN CR-95c, 2x4 GB Corsair, TeraDak 210 ATX LPS, PPA V2 USB card (battery), 32GB OS SSD (battery), 256GB SSD/LPS for primary music (all WAV files), SSD's use PPA red thin SATA cables and SSD suspension blocks, WIN2012 core mode and AO, JPlay6 Mini, Ultrastream/Hibernate, PPA 1.8M dual USB cable, Intona standard USB isolator, 0.5M Pangea USB cable, Regen/battery, PPA Regen USB cable, Tanly DDC via HDMI (Wireworld Starlight 5.2, 0.3M) i2S to Audio-GD M7.