Bilavideo
Caution: Incomplete trades.
- Joined
- Feb 29, 2008
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Quote:
It takes a beating well. I fell off my skateboard and broke several fingers but my 325 handled the fall with grace.
You are right about the match between the headphones and the genre of music. With mellow genres (classical, acoustic, jazz) you get more payoff for the HF spikes of the Grados. For genres that are already sibilant to begin with, bassheads and assorted rockers sometimes prefer headphones with muted highs. It's a safer play when your music is flooded with cymbal crashes and wall-to-wall distortion. Some prefer the GS1k for these, because of its thumpy bass and distance. I prefer to be on stage with the band. Give it to me straight between the eyes.
Originally Posted by aimlink /img/forum/go_quote.gif The 325is' aren't particularly sibilant or metallic sounding at all. However, the highs are a touch hot though which goes very well with a lot of recordings. That added clarity is great. However, for some recordings, especially in the rock genre, things are harsh. The only thing to worry about with the aluminium is the weight. It is the heaviest among the smaller form factor Grado's and I think, even the GS1000's. |
It takes a beating well. I fell off my skateboard and broke several fingers but my 325 handled the fall with grace.
You are right about the match between the headphones and the genre of music. With mellow genres (classical, acoustic, jazz) you get more payoff for the HF spikes of the Grados. For genres that are already sibilant to begin with, bassheads and assorted rockers sometimes prefer headphones with muted highs. It's a safer play when your music is flooded with cymbal crashes and wall-to-wall distortion. Some prefer the GS1k for these, because of its thumpy bass and distance. I prefer to be on stage with the band. Give it to me straight between the eyes.