Music Alchemist
Pokémon trainer of headphones
- Joined
- Dec 17, 2013
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Isn't that the whole purpose of monitoring headphones?
To be as transparent as possible.
Sh!t sound mix = Sh!t listening
Great sound mix = Great listening
They are designed to be honest and reveal any flaws in the recording/mixing.
I wouldn't imagine these to be used for general listening unless your music is a collection of music production heaven...
Otherwise it'll just be disappointing, not the headphones fault but the source.
I meant that certain nice recordings sound great on pretty much any headphone, including the worst ones.
STAX is transparent. (And in some cases, about as neutral as it gets.)
The MT8 is junk; not even remotely accurate. There are plenty of great recordings that sound bad on it. In fact, most of the time it's just mediocre. I'd put it at about the level of sound quality of the Audio-Technica ATH-M30x.
There's a common misconception that because a headphone is used in a studio, it has to be accurate. This is not true. Studios use all sorts of headphones...warm, dark, bright, smooth, harsh, you name it.
I have owned many studio monitor headphones and can tell you their sound signatures are quite diverse.
They are not designed to be honest. That's just deceptive marketing.
Get experience with real audiophile headphones (or better yet, compare to what the instruments sound like in real life) and you will see that most studio monitor headphones are simply low fidelity.
You can fix their frequency response via EQ, but not the rest of the sound. (FR is only the beginning.)
The MT220 isn't that accurate either, but at least it has good realism, impact, and so on.