I find the elliptical ear openings may be allowing for the sometimes amazing soundstage height both above my eye-line and below my chin that occurs with good recordings. EG; Ricki Lee Jones' Naked Songs, a live set (or sets, different venues by the sound of them) that is not only stunningly intimate but on some tracks I truly feel that I am up in an auditorium with audience sounds coming from many directions, including below and around me, with extraordinary clarity and focus and so ALIVE! Tiny sounds, whispered voices so quiet I never knew they were there previous to cable and electronic upgrades more recently. The Mogami cable helps, or seems to, by having no added noise or distortion to misappropriate those tiny sound cues and may even be most of the reason for my findings. Same goes for many other, especially live, recordings.
However, I have never had such skull and capsule disappearing experiences prior to the 'wang' pleathers as a complete entity, so to speak. Space and openness yes, but not the whole 'close my eyes and complete immersion right next to the musicians' experience, as opposed to say the HE400S, which may have an even tighter image focus, (yet lack the organic 3D dimensionality of the HD540 Ref1s, even with electronic instruments) while sounding as if I'm standing back in the studio behind the recording engineer, watching the musicians instead of being right there with them .... smelling the beer and cigarette smoke on their clothes - HD540. Different perspectives. I can enjoy both, yet will always reach for the HD540s first.