Who knew, eh, that so many pad configurations were required for differing ears/temperaments/cables and so on
I did not enjoy any pleather pads with my HD250's (300 ohm), still much preferring the BD 800 pads from eBay 'wang', for both ear space and a balancing of the over abundance of bass energy (Mogami cable, not thin stock).
The 'wang' pleathers are not leaving my HD540 Ref1s and I have had further revelations in the last two days of not only how stunningly fine these HPs are, but also the QP1R/Mimby/Magni 3 combo can truly be, as excellent as I thought it already was.
A few years ago I made up my own version of the very HQ Slinkylinks pure silver ICs I regularly use, just to see what I could come up with. Buying some five 9s pure silver 0.25mm wire (same size as used in the Slinkys), Teflon tubing and another set of the very fine Bullett plugs. The S'links cable uses two strands of the fine wire per conductor, created in such a way (I couldn't emulate their technique) that the wires cross and touch each other only for the bare minimum of times per length (very few!) with only air around them in their plastic tubing (a particular kind, they don't like the sound of Teflon, apparently), are silver soldered to the single conductor Telluric copper earth pin and central signal pin. The outer plastic sheath container both of the dual conductors is then welded in some way to the plastic base of the Bullett plug. Considering the potential fragility of the very this silver sire, these cables have lasted perfectly for around 9 years, being pulled in and out of connecting jacks hundreds of times and are still like new. I, again, couldn't emulate all of this tech, encasing my two conductors per cable in some black plastic braid, nowhere near as strong as the Slinkylinks, but I've had no issues with them as I've been gentle at all times with these extremely light cables (0.5M), holding them by the plugs only.
A post on the Australian 'stereonet.com.au' site regarding simple home-made cables got me to bring them out and have another go with them on my newer systems, as I hadn't used them for years, other than very briefly. In earlier systems I found them to be very pure in their SQ, yet not as organically alive as the Slinkys are, so I rarely used them and they were most likely barely even run in, silver cables seem to take a loooong time to really settle down.
So, I popped them between the Mimby and Magni 3, plugged in the Ref1s .......... and was simply stunned, eyes wide open! What the ...! True, they don't have quite the complete lowest bass to top end balance of the Slinkys, but why am I hearing even more top end detail in absolute purity of tone? The lowest bass has less warmth, yes, but every bit as much detail even with the slightly lessened weight, focus and impact speed is exemplary and that applies all the way up to the very top. Sublime transparency! Where I've spoken often as the Slinkys and Schiit stack being an open book, it's now as if I've stepped through a pair of clean glass doors (yet again) and into fresh air, where there is nothing at all between me and the instruments/musicians/soundstage. Ricki Lee Jones' brilliant Naked Songs (Live) became even more of a revelation last night, image focus of such incredible clarity it's difficult to explain, alive, pure, gobsmacking micro dynamics that brings instruments alive in yet more detail than I'm used to, voices too, diction to die for. I began searching for more albums with percussion featuring in them, jazz, Chesky discs, The Who, The Mamaku Project, WOMADELAIDE Live from 2005, others, I'm working my way through some more today. Wow! I can easily dismiss (most of the time) a reduction in lower bass sheer weight and warmth if the instruments sound so alive and focussed. Timing, also exemplary. I could go on .... astounded. I suspect that these cables may yet fill out a touch, as they wouldn't have 100 hours on them and the Slinkys didn't settle into their current sig for at least 200 hours.
Once again, the 30 year old Reference headphones from Sennheiser have more to give and greater musical tales to tell. The soundstage has become even more 3D, with musicians and instruments having an even clearer open space in depth and height between them ... astonishing.
I suspect it's not necessarily that my home made cables are 'better' than the Slinkys, (although they
may be in some ways), more in that there may be a tonal balance interaction that is allowing the Ref1s to show me more of what they truly can do, which is quite a revelation in itself! The Ref1s and my skull do an even greater disappearing act, it's like I can feel they are there only very lightly, as if they are now slightly out of phase with the music, as if the Slinkys with the Schiit stack couldn't do that brilliantly already. I'm stunned. Not only by what the Ref1s have revealed, but it also means that the little beautifully made silver boxes from Schiit Audio are simply
out of sight value far beyond their price!
Next task is to put my little cables between the audio-gd R2R-11 as a DAC/pre and out to my homebuilt highly upgraded HP amp. And then with the Elekit Tube preamp and .... something, probably the same HP amp. I also suspect, now that I have heard my Schiit stack in a new light, that many folks are not getting
anything like what is possible from their own stacks.
In case anyone asks, no, my home made silver cables are NOT shielded. They are completely and utterly silent - as are the unshielded Slinkylinks - nada, zilch, nothing, no noise at all. Even the Mogami rep told me the other day that they don't like shielded cables for speakers and I know of other companies that find shielding ICs closes in the top end to varying degrees. Years of experience with my own cables, shielded and unshielded, show me that this is so often the case, even with my shielded pure silver solid core-conductored White Zombie La Cacanya cables - White Zombie make (made) a version of this cable without the shielding and have a slight preference for that one.
The value of on-line forums means I now have a whole new and refreshed view of my Schiit stack and Senn HD540 Ref1s. Bring it on!