If you do not wish to read an idiot's ramblings, just go the last line of this post for the most relevant information. If you are brave or bored, then read on...
All good and valid responses. As far as why more of the general public doesn't respond to the Ety's overwhelmingly, I can only look at my own implulses. As someone who has hung around here for less than a year, I am admittedly new to this headphone thing, though not so new to hi-fi in general. But what I have found while wading in the low/mid-end (read "cheaper") of the headphone pool, is that 1.) there is alot of "snake oil" out there, 2.) there are very few solid values that really perform above & beyond, 3.) more expensive does not necessarily mean "sounds better", and most importantly 4.) sound perceptions are extremely personal and vary greatly depending on too many factors to compress in a paragraph or two. Also there are terms thrown around in many reviews and opinion statements that mean very little to those not already experiencing those things already. They even often seem contradictory within the same review. I am not saying that they are inaccurate or wrong. Just that they really don't mean anything to a non-user. I am only beginning to be able to dissect and decipher many posts here.
So given my prior experiences, the Ety line interests me very much and has interested me for a while now. But I really have to question the true value (dollars vs. performance) that I (bold, capitalized, read "ME" personally) would really extract from such a purchase. I would be a relatively easy sell. My desire for good sound at a reasonable price, and my ever strong proclivity for a well-engineered toy, force me to entertain thoughts of pluggng those admittedly strange looking devices into my head. I know that in the headphone world, beauty is as beauty does, so looks are not a problem for me. But still even I, a fan so to speak, hesitate still at the purchase.
Dropping from $130 up to over $300 on a set of cans for mostly portable use seem to rapidly approach a point of diminishing returns. While those that already own these fine instuments will undoubtedly say that they are worth their prices and more. But I will still argue the scale of benefits when used in a portable (read outside, public, ambient noise) situation in which most of the world uses headphones. What I am saying is that I now know that unless I am prepared to drop significant $$ on cans AND an amp, AND listen in the privacy of my own regulated quiet environment, will I even come close to getting the experience of standard speakers which provide clean, clear, accurate sound, and a true omnidirectional soundstage. Add to that the need to figure out the proper way to insert them into my ear canal each time I use them, lest the listening experience will be for nought, makes them more than a bit risky purchases. Yeah, yeah, Headroom has a 30-day return policy, I know. That's great but it is a still hassle, and I would never make the initial purchase unless I really planned to keep them, save for them totally sucking. I have payed too much money already to UPS for returns on phones purchased by mail. No one is getting rich except the delivery services. And now that I can no longer get packages delivered and picked up at my new workplace, it is even more of a hassle.
Now I have never heard a headphone that cost more than $250, and that was out of a receivers headphone jack. I was not impressed enough to spend the $250. You may say I needed better sources or amplification. I would agree, but I was/am not prepared to spend another $250-$0000's on that. Nor is that reasonable for me in a portable situation that comprises at least 50% of my listening time. Still, if Ety's were available locally, I think I would be more inclined to try them. At the moment I am resigned, at least for now, to continue to wade in the shallow end with my one or two value treasures that I have found (both locally).
So if even I (bold, capitalized, underlined) am now a "hard sell", it is no wonder the general public is near impossible. Maybe this is a good thing. I mean, Etymotic seemed to have a tough time over the holidays keeping up with their own orders along with Headroom's (and whoever else sells these). Good for them. But I would hope that quality does not suffer when production increases under pressure, and wonder if such devices could be mass produced on a Sony or even Grado-sized scale.
But I digress...
The answer to this thread's questions is "No".