iceshark
100+ Head-Fier
- Joined
- Jun 25, 2010
- Posts
- 239
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- 11
Quote:
And Bose.....lol
Should I chime in with the "And Skullcandy?"
And Bose.....lol
Marketing. Real headphone companies would have a huge payday if they knew anything about advertising to the general public. Why do you think the flimsy fart cannons monster/dre put out sell so well? They are showcased on television in commercials, on athletes before the game with 20 million live viewers, and even some bought-out producers. People see that and think those headphones are the real deal and then they realize they're easily accessible via Apple or Best Buy.
[size=small] | [size=small] | [size=small] [size=medium] Ultimate Ears TripleFi 10 – Studio-grade earphones with triple armature speakers.[/size]Triple because it directs the low, mid and high frequencies to a separate speaker, a total of three in each ear (that's patented, you know). That means you'll hear every layer of sound, every nuance, every detail. A musician's breathing. Fingers sliding across guitar frets. Yes, you'll hear all that just as if the artist were before you performing it live. It's the sonic equivalent of sitting in the world's best recording studio.[/size] |
[size=small] [/size] | [size=small] | [size=small] [size=medium] Pro-Audio Sound Quality[/size]Triple Armature Speaker Design with Passive Crossover:Three individual armature speaker drivers reproduce low, mid and high frequencies for a sonically rich experience. Integrated passive-crossover directs the sound frequencies (low to high) to the appropriate speaker. Audio filters shape the sound for the closest experience to custom personal monitors available. Immersion Sound Signature: Exclusive Immersion sound signature is tuned to provide a 3-D sound stage that makes you feel as though you are experiencing the quality, energy and emotion of a live performance. Noise Isolation: Armature speaker design allows the earphones to fit naturally and comfortably inside your ear to create a more secure seal to block outside noise by up to 26 dB. Frequency Range: Super broad frequency range of 10Hz – 20kHz delivers cleaner, clearer mid and high tones. [size=medium] Personal Style[/size]Finish:Gun metal blue earphone color with black cord for a unique and unmistakable appearance. Shapeable cord for a secure custom fit, like professional monitors. [size=medium] Long Wearing Comfort[/size]Customizable Fit:Shapeable cord can be worn over the ear for a secure customized fit, like professional monitors. Comply Foam Ear Cushions: Comply foam ear cushions provide maximum comfort and noise isolation. Available only on Ultimate Ears premium earphone models. Soft Silicone Ear Cushions: Includes small, medium and large silicone ear cushions to comfortably fit all ear sizes. [/size] |
[size=small] [size=medium] Convenient Features[/size]Flexible Listening:Can be worn comfortably down for casual listening situations such as sitting or walking, or can be worn over the ear to keep the earphones securely in place during running or exercising. Tangle-Resistant Cord: Durable cord is strong and does not tangle as easily as thinner ear bud cords. Cord length of 46” is specifically designed to prevent earphone fallout. Pocket-Ready Hard Case: Crush-proof brushed metallic hard case safely stores your earphones and slips easily into a pocket or bag. [/size] | [size=small] | [size=small] |
[size=small] | [size=small] | [size=small] [size=medium] Compatibility[/size]Audio Players*
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[size=small] [size=medium] What's in the Box[/size]
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Is it entirely a bad thing that high fi isn't more main stream?
being a niche market has its advantages...
Audio used to be taken seriously. Some decades back, the three biggest purchases for men, in order, were a house, a car, and a stereo.
Now audio is just a small niche and isn't taken that seriously.
Back when audio was a major hobby, it was mostly driven by science and measurements. Audio magazines took measurements seriously and there was actual progress. Then, by the 1980s, most of the tough engineering challenges were solved. Speakers have improved somewhat and digital servers have become very popular. Aside from that, the industry has stagnated.
Instead of improving quality or lowering prices, the audio industry went the fashion route. They turned audio gear into status symbols and competed for higher and higher prices. Consumers lost interest.
Around the same time, objectivity was thrown out. All sorts of snakeoil got pushed on audiophiles. Sure, there's a cable controversy around here and other audio forums, but 99% of the public think cables, magic rocks, green markers, et al. are pure BS. There's zero scientific backing for any of that, so the vast majority think that audiophiles are a pack of deranged lunatics. The only contact most people have with audiophilia these days is when someone posts the Amazon reviews to a $3,000 cable to a news aggregator. Then 100% of the comments mock audiophiles.
If audio is to be taken seriously, the pseudoscience and mythology has to go. You can find believers in every audio forum, but any time you suggest good headphones or speakers to outsiders, they associate it with snakeoil.
The other problem is pricing. Manufacturers keep recycling designs and upping the price. Prices have to come down.
Keep in mind that audio remains very popular. The iPod was a genuine advance and Apple sells millions and millions of them. People are interested, they just don't want to pay too much for something they associate with BS.
Another huge problem is today's music and the state of music education. Music ed is more or less dead. People used to grow up playing instruments and hearing live, acoustic performances. That rarely happens today. Instead, people are exposed to badly recorded music on bad speakers. They have no frame of reference for good sound. If all you've heard are crappy car subwoofers, you start to expect bloated bass. When headphones produce bass that's similar to real life, it becomes "weak bass." Today's popular music doesn't help much, either.
TL/DR: Snakeoil has poisoned the public against audiophilia, everything costs too damned much, and the public can't tell good sound from bad any longer.