Just came across the popular Horace Silver track "Song For My Father," and it reminded me that not one head-fier has put in a good word for Joe Henderson (1937-2001), a fantastic player whose prowess actually rivals Wayne Shorter's. (Both owed a debt to John Coltrane.) Joe's solos tended to be less elliptical than Shorter's, more surgically insistent, so his stuff could be perceived as more accessible even when he played with adventurous folks like Andrew Hill (Point Of Departure), Pete La Roca (Basra) and Larry Young (Unity). (Henderson also wrote some great tunes: "Recorda Me," "Inner Urge," "Shade Of Jade," "Isotope," "Blues in F (In & Out)" and "Mode For Joe.")
Then he went to work for Blood, Sweat and Tears when jazz was on the ropes in the '70s, but made a major comeback in the '80s and 90's, starting with State Of The Tenor, Vols 1 & 2, amazing albums that helped relaunch the Blue Note label. Of course, these days the people who know Henderson at all tend to know the Verve tribute records he made in the '90s: Lush Life: The Music of Billy Strayhorn and So Near, So Far (Musings for Miles). My personal faves from his last decade are The Standard Joe and An Evening With Joe Henderson, a live trio with Charlie Haden on bass. For what it's worth…