bigshot
Headphoneus Supremus
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I'm not familiar with Foobar, but my guess is that the pots aren't fine enough to isolate... or perhaps you aren't used to the controls and aren't able to get a flat balance. Your best bet is to use a recording of acoustic instruments (chamber music seems to work the best) and try to achieve the most realistic balance.
There is a sweet spot in EQing, that you get so you can identify with experience, where the sound suddenly becomes clearer. An imbalance as small as 3dB in certain frequencies can cause frequency masking in the upper harmonics. A friend of mine showed me an example of this that was very vivid. He made a 3dB boost around 4kHz. Suddenly the overtones on the treble became thick and muffled. Do a Google search on "frequency masking" if you'd like to read more about this.
An example of inbalances causing lack of definition in bass would be those cannon shaped bass units people put in their cars. You can feel the thump! thump! thump! in your chest, but the emphasis on the lowest bass frequencies causes basses to lose all of their "pluck" and become fuzzy sounding.
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It's not about emphasizing frequencies. It's achieving a balance of frequencies where all of them sound equal in volume. That is a lot harder to achieve than it sounds.
See ya
Steve
Originally Posted by Patrick82 /img/forum/go_quote.gif I'm using the Equalizer in Foobar now, I don't hear a difference other than different volumes. Even when I lower the volume of a frequency it doesn't get muddy, it's still clear. I tried many combinations now, it still sounds the same to me. |
I'm not familiar with Foobar, but my guess is that the pots aren't fine enough to isolate... or perhaps you aren't used to the controls and aren't able to get a flat balance. Your best bet is to use a recording of acoustic instruments (chamber music seems to work the best) and try to achieve the most realistic balance.
There is a sweet spot in EQing, that you get so you can identify with experience, where the sound suddenly becomes clearer. An imbalance as small as 3dB in certain frequencies can cause frequency masking in the upper harmonics. A friend of mine showed me an example of this that was very vivid. He made a 3dB boost around 4kHz. Suddenly the overtones on the treble became thick and muffled. Do a Google search on "frequency masking" if you'd like to read more about this.
An example of inbalances causing lack of definition in bass would be those cannon shaped bass units people put in their cars. You can feel the thump! thump! thump! in your chest, but the emphasis on the lowest bass frequencies causes basses to lose all of their "pluck" and become fuzzy sounding.
Quote:
Originally Posted by Patrick82 /img/forum/go_quote.gif I have tried more and emphasizing a frequency doesn't improve detail |
It's not about emphasizing frequencies. It's achieving a balance of frequencies where all of them sound equal in volume. That is a lot harder to achieve than it sounds.
See ya
Steve