mark-e-mark
New Head-Fier
- Joined
- May 6, 2006
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Even the used prices at ~$500 seemed high for the X-DAC, so I got a slightly used Zhalou D2 (AD1852 + upgraded Opamps) for $150 instead. I had purchased the X-10 some time ago after reading the reviews suggesting the combo with the X-DAC.
Although I was impressed with the improved sound the D2 provided over my stock SB3, what surprised me most was the fact I liked the tube buffer with that combo the most. I love the resolution of SS, and never figured I would like the X-10 just by itself.
I used the bypass loop out on the X-10 connected to an open RCA connection on my integrated so I could flip back and forth with the remote for comparison. It took a while for me to understand what it is I liked, but I could tell every time I changed over to the music playing with the X-10. Interestingly, I only really noticed when I added the X-10 to the mix, not when I removed it.
It's the extremes of frequencies that I really noticed, especially bass. I really heard it on Miles' My Funny Valentine. I should say I felt it, and could definitely tell my Rell subwoof was doing more when the X-10 was included in the mix. Otherwise what I noticed was the air and perhaps sounds of the recording room-- the stuff of imagery.
I'm sitting here thinking that I stumbled on something incredible. Who would've guessed from a solid state lover?
Although I was impressed with the improved sound the D2 provided over my stock SB3, what surprised me most was the fact I liked the tube buffer with that combo the most. I love the resolution of SS, and never figured I would like the X-10 just by itself.
I used the bypass loop out on the X-10 connected to an open RCA connection on my integrated so I could flip back and forth with the remote for comparison. It took a while for me to understand what it is I liked, but I could tell every time I changed over to the music playing with the X-10. Interestingly, I only really noticed when I added the X-10 to the mix, not when I removed it.
It's the extremes of frequencies that I really noticed, especially bass. I really heard it on Miles' My Funny Valentine. I should say I felt it, and could definitely tell my Rell subwoof was doing more when the X-10 was included in the mix. Otherwise what I noticed was the air and perhaps sounds of the recording room-- the stuff of imagery.
I'm sitting here thinking that I stumbled on something incredible. Who would've guessed from a solid state lover?