Bytor123
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Walter Matthau
http://boardofwisdom.com/togo/Quotes/ShowQuote?msgid=7307#.VDjWt_ldXEI
http://boardofwisdom.com/togo/Quotes/ShowQuote?msgid=7307#.VDjWt_ldXEI
I finally got around to updating the original post. Sorry it took so long, I tried to make the tools list as comprehensive as possible. Unfortunately, I was unable to make Diffmkaker work when comparing two masters (perhaps due to timing differences). If anyone has a good tutorial or set of complete instructions for competing a null test between two masters in Audacity please post it and I will copy it into the op.
I will continue to post observations and analysis in this thread for both low and high quality masters I run across, and hopefully others will do the same, maybe we can save each other a few bucks and steer ourselves toward quality music.
I finally got around to updating the original post. Sorry it took so long, I tried to make the tools list as comprehensive as possible. Unfortunately, I was unable to make Diffmkaker work when comparing two masters (perhaps due to timing differences). If anyone has a good tutorial or set of complete instructions for competing a null test between two masters in Audacity please post it and I will copy it into the op.
I will continue to post observations and analysis in this thread for both low and high quality masters I run across, and hopefully others will do the same, maybe we can save each other a few bucks and steer ourselves toward quality music.
However, I wonder how much of the "Loudness Wars" is being driven by the market move away from big stereos in quiet rooms to ear buds crammed into ears and played back on buses or while wandering city streets or other areas with high ambient noise levels. As much as we audiophiles enjoy dynamics, I suspect a lot of the low level dynamics that we miss would simply be inaudible to a modern urbanite enjoying music on his iPod.
That is good observation as it makes complete sense that mastering is the function of target market. Read about Yamaha NS10 monitors..
It may look insane from hi-end audio perspective, but we are on minority side and not most economically attractive. DR 6 db song will sound better than DR 15 db on average boombox or car because there is less chance that it will clip cheap amp.
Adding on-fly compression is probably to so straightforward, will cost something anyway and most people won't even notice the difference.
So there's a github project for a Linux-native dynamic range meter:
https://github.com/adiblol/dr_meter
It is, however, horribly out of date (last update was 3 years ago). I went ahead and did what I could in terms of updating the function definitions, and I got it to compile if I left in one deprecated function call. Here are the files (they compile for me on Ubuntu 14.04 with the latest libav file installed):
https://drive.google.com/folderview?id=0BwmVtb5IwniEalgtWVhCNFFJTGs&usp=sharing