Ha. Don't worry: no bad ever from you, mate... You're a nice guy. always keeping the buzz alive, so no need to apologize at all !
Fact is, I just hate equalizers. Ouch. =\
Unless they're used during the production and the mixing stage: they do help intertwine or separate instruments and seldom come up with curious and unexpected results.
A little overall EQing might occur at the mastering stage, but that's just about it for me.
Listening is a completely different sport.
All in all, why would you ever buy (and possibly love) that peculiar set if you constantly kept looking out to fix what you... don't like?! 0_o
All pieces of gear have their character and I don't want to use violence against them. EQing is violence at the listening stage. My own view, of course, but that's just it.
I might be jumping on that new DAP, DAC or amp, or a resistor in this case, or maybe a better cable (nope, not that dragon$kin one, no way! I'm drooling for Penon's OSG right now, let's see if I can keep myself from getting it)... But may I be damned if I dared to EQ!
The Twins' cable is excellent, in my opinion. I've been rolling some other fairly fine cables from ****, Tripowin, DUNU and Linsoul itself but the stock one always edged those in both sound and use, although no night-and-day... There really isn't much more one should be hunting for to improve the Twins' performance if you ask me.
The adaptor does provide some extra bass thickness to the Monarch, along with slightly recessed upper-mids (that's one of the reasons why the imaging gets fuzzier, but not the only one... FR is just half of the cake IMO) but it comes in handy for many older, subbassless rock recordings. Things I don't listen to anymore, 97% of the times, I'm afraid.
My personal point: the Monarch is an electronica (and some jazz and folk) Ruler. Untouched.
Clairvoyance looks to be more suitable for another kind of audience, based on words I could collect so far.
Cheers!